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This year has seen unprecedented scrutiny of Rupert Murdoch’s empire in Britain. But what about in Australia, where he owns 70 per cent of the press? In Bad News, Robert Manne investigates Murdoch’s lead political voice here, the Australian newspaper, and how it shapes debate. Since 2002, under the editorship of Chris Mitchell, the Australian has come to see itself as judge, jury and would-be executioner of leaders and policies. Is this a dangerous case of power without responsibility? In a series of devastating case studies, Manne examines the paper’s campaigns against the Rudd government and more recently the Greens, its climate change coverage and its ruthless pursuit of its enemies and critics. Manne also considers the standards of the paper and its influence more generally. This brilliant essay is part deep analysis and part vivid portrait of what happens when a newspaper goes rogue. “The Australian sees itself not as a mere newspaper, but as a player in the game of national politics, calling upon the vast resources of the Murdoch empire and the millions of words it has available to it to try to make and unmake governments.” Robert Manne, Bad News ‘A devastating expose.’ —Crikey ‘The are many things to admire about Professor Robert Manne. He’s a prolific writer. He’s incredibly intelligent. And he’s brave.’ —Josh Rosner, The Canberra Times ‘Fairness and integrity are under the microscope in this scathing analysis of Murdoch’s flagship.’ —Peter Craven, Sydney Morning Herald ‘In our shrinking broadsheet market, it would be good if the healthiest specimen, and the only national one, recognised that we need more mutual respect in public debate if we are ever going to sort through the complex problems and opportunities that confront us.’ —Robert Phiddian, Australian Book Review
UW Archives holds up to three copies of each volume of the yearbook from its initial publication in 1884 to its final publication in 2014 (129 volumes). The publication of the yearbook did not become annual until 1887, as such there are no yearbooks for 1885 or 1886. The only other interruption in yearbooks was for the years 1973 and 1974. There are still yearbooks from these years, but they were published by the Wisconsin Alumni Association rather than the student body, as such they are spare, consisting mostly of portraits of students. UW Archives currently holds at least one copy of every published volume. The 1st copy of each volume is held onsite at UW Archives while the second and third copies, where they exist, are held offsite.
A helpful, engaging guide to the revision of scholarly writing by an editor and award-winning author "Pamela Haag has been called 'the tenure whisperer' for good reason. Any scholar who hopes to attract a wider audience of readers will benefit from the brilliant, step-by-step guidance shared here. It's pure gold for all aspiring nonfiction writers."--Nancy MacLean, author of Democracy in Chains: The Deep History of the Radical Right's Stealth Plan for America Writing and revision are two different skills. Many scholar-writers have learned something about how to write, but fewer know how to read and revise their own writing, spot editorial issues, and transform a draft from passable to great. Drawing on before and after examples from more than a decade as a developmental editor of scholarly works, Pamela Haag tackles the most common challenges of scholarly writing. This book is packed with practical, user-friendly advice and is written with warmth, humor, sympathy, and flair. With an inspiring passion for natural language, Haag demonstrates how to reconcile clarity with intellectual complexity. Designed to be an in-the-trenches desktop reference, this indispensable resource can help scholars develop a productive self-editing habit, advise their graduate and other students on style, and, ultimately, get their work published and praised.
Critics often chastised the twentieth-century black press for focusing on sex and scandal rather than African American achievements. In Pleasure in the News, Kim Gallon takes an opposing stance—arguing that African American newspapers fostered black sexual expression, agency, and identity. Gallon discusses how journalists and editors created black sexual publics that offered everyday African Americans opportunities to discuss sexual topics that exposed class and gender tensions. While black churches and black schools often encouraged sexual restraint, the black press printed stories that complicated notions about respectability. Sensational coverage also expanded African American women’s sexual consciousness and demonstrated the tenuous position of female impersonators, black gay men, and black lesbians in early twentieth African American urban communities. Informative and empowering, Pleasure in the News redefines the significance of the black press in African American history and advancement while shedding light on the important cultural and social role that sexuality played in the power of the black press.
Revealed to contemporaries by the South African War, the basis on which the system would develop soon became the focus for debate. Commercial organizations, including newspaper combinations and news agencies such as Reuters, fought to protect their interests, while "constructive imperialists" attempted to enlist the power of the state to strengthen the system. Debate culminated in fierce controversies over state censorship and propaganda during and after World War I. Based on extensive archival research, this study addresses crucial themes, including the impact of empire on the press, Britain's imperial experience, and the idea of a "British world".
‘This is a book for anyone who has ever laboured under a deadline, battled a stubborn pig of a boss, or half drowned beneath a wave of bureaucracy and paperwork. Put off what you intended to do today and go out and buy it, right now.’ Rachel Cooke, Observer An Observer Book of the Year Shortlisted for the TA First Translation Prize 2017 When Jeanne is accepted on to a PhD course, she is over the moon, brimming with excitement and grand plans – but is the world ready for her masterful analysis of labyrinth motifs in Kafka’s The Trial? At first Jeanne throws herself into research with great enthusiasm, but as time goes by, it becomes clear that things aren’t quite going according to plan. Notes on a Thesis is a reminder of the strangeness of academia, of every awful essay, every disastrous exam, and every insanity-inducing dissertation. If you’ve ever stared gloomily at a blank page, battled with office administrators or driven yourself (and everyone you know) mad by droning on about your work, then Notes on a Thesis will make you laugh (or cry) in recognition.