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"Flowing effortlessly from the erotic to the political...Agosin has chosen poems that delight and inspire." --Ms. Magazine
The Cambridge Companion to Latin American Poetry provides historical context on the evolution of the Latin American poetic tradition from the sixteenth century to the present day. It is organized into three parts. Part I provides a comprehensive, chronological survey of Latin American poetry and includes separate chapters on Colonial poetry, Romanticism/modernism, the avant-garde, conversational poetry, and contemporary poetry. Part II contains six succinct essays on the major figures Sor Juana Inés de la Cruz, Gabriela Mistral, César Vallejo, Pablo Neruda, Carlos Drummond de Andrade, and Octavio Paz. Part III analyses specific and distinctive trends within the poetic canon, including women's, LGBT, Quechua, Afro-Hispanic, Latino/a and New Media poetry. This Companion also contains a guide to further reading as well as an essay on the best English translations of Latin American poetry. It will be a key resource for students and instructors of Latin American literature and poetry.
Twenty-five short stories from the Hispanic Caribbean. In Pedro Peix's Requiem for a Wreathless Corpse, a family tries to capitalize on the death of a relative who was a famous guerrilla, while the story, Now That I'm Back, Ton, is on a man's disappointment following his return home.
This book not only celebrates the 10th anniversary of the Secret Weavers series, but also provides teachers of multiethnic literature with a diverse range of Latin American women's voices addressing a wide variety of topics. The book includes work from the earliest writers to those who have recently established themselves as major voices in Latin American letters.
"The Jesuit review of faith and culture," Nov. 13, 2017-
Whiteladies explores the story of two aging sisters, Susan and Augustine Austin, who live in an old house and a former nunnery known as Whiteladies. At the story's beginning, the house belonged to their seriously ill nephew Herbert. Susan remained anxious that, when Herbert dies, the estate will go to a cousin she despises, and she and Augustine will lose their home. The measures she takes to stop that from happening are revealed later in this gripping story.