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Two French schoolgirls discover obsessive pleasures in repressed secrets in this “masterpiece on the tyranny of love” (Independent, UK). “Violette Leduc was Simone de Beauvoir’s protege, an erotic writer to match Jean Genet and a feminist tour de force” (Rafia Zakaria, The Guardian). With this startling new translation of Leduc’s hidden classic, the groundbreaking Thérèse and Isabelle proves an authentic and liberating exploration of queer sensibilities, which still stands as “one of the greatest examples of French-Language erotic literature” ever written (Times Literary Supplement). Censored for half a century for its vivid depiction of budding female sexuality, this is the “dark and luminous” (Nicole Borssard) novel of two young women in the consuming and at times frightening throes of first love. Navigating their schoolgirl relationship becomes a rapturous secret, as they sneak away from repressive boundaries to go beyond the limits of friendship with “all the raw urgency of female adolescent sexuality: its energy and intensity, the push-pull of excitement, its dangers and glories” (Kate Millett, award-winning author of Sexual Politics and Mother Millett). Filmed in 1968 by Radley Metzger, starring Essy Persson and Anna Gaël, Thérèse and Isabelle is finally available as it was intended to be read. “I have waited a very long time to slip back into the unexpurgated, delicious darkness with these iconic lesbian lovers” (Amber Dawn, Lambda Literary Award-winning author Sodom Road Exit).
This vivid portrait of France on the eve of the Revolution is also a touching tale of two friends torn apart by class and the powerful political force of democratic freedom.
Why was Violette Leduc's 1954 novel ThZr_se et Isabelle not published in its entirety until November 2000? Under threat of scandal and obsenity charges, French publisher Gallimard withheld the novel, but Leduc continued to write of her life as a woman writer in wartime Paris, frankly depicting her own and imagined lesbian experiences. Mentored by Simone de Beauvoir and a contemporary of French twentieth-century luminaries Sartre, Camus, Genet, and Cocteau, Leduc is, however, known best as France's great unknown writer. In The Pleasures of the Text, Elizabeth Locey restores Leduc to her rightful place in the canon, bringing to light her singular and important contributions to contemporary literary theory. Locey reads Leduc's works from the perspective of reader seduction, which erodes the divide between body and text. Situating Leduc within a continuum with Emma Bovary and Roland Barthes at its extremes, Locey investigates Leduc's use of the erotic touch, look, and voice to seduce her readers. More than an accessible introduction to an overlooked writer, The Pleasures of the Text confronts and challenges the philosophical debate between pornography and erotica and pins down some of the often slippery ways pleasure is mapped onto the body of the reader.
A fascinating glimpse into the beginning and development of gay- and lesbian-themed films, from Maedchen in Uniform in 1931 to such current films as Philadelphia and Wilde, provides reviews and evaluations, and details the director's attitude toward public response and criticism. Original.
Damned Women charts the previously unexplored literary territory of the place of lesbians in the French novel. Beginning with the early depictions of lesbians as "decadent monsters" by nineteenth-century male authors such as Diderot, Balzac, and Gautier, Jennifer Waelti-Walters shows how later, little-known female writers struggled to free lesbian characters from imposed stereotypes. While homosexual men are legion in the history of French literature and criticism, until now no critic writing in French or English has given the same sort of attention to lesbians. Waelti-Walters covers two hundred years of fiction, beginning with the publication of Diderot's The Nun in 1796 and ending with present-day lesbian writers Jocelyne François, Mireille Best, Hélène de Monferrand, and the authors connected to Geneviève Pastre's lesbian publishing house. While she deals with renowned authors such as Violette Leduc and Monique Wittig, including their respective literary and personal relationships with Simone de Beauvoir and Hélène Cixous, many of the writers discussed will be unknown to most readers. Their novels vary from the extraordinarily powerful to the utterly trite; by providing the first comprehensive guide to this body of work Waelti-Walters sheds light on French literary and cultural history. Waelti-Walters shows how the lesbian authors of this literature had little or no contact with each other, let alone with lesbians outside France. She describes their world and its effects on their work, showing how their situation differs from that of British and North American lesbians. Damned Women tells a story of alienation, persecution, and isolation within a culture. It is a cultural and literary commentary full of new information, forgotten or little known authors, poignant surprises, and unexpected interrelationships. Jennifer Waelti-Walters is retired from the Department of Women's Studies, University of Victoria.
This study, which reads Leduc's narratives from a feminist and psychoanalytic perspective, has a double focus: - Part One scrutinizes the intricacies of her treatment of feminine bonding, seeking to bring new insights - inspired inter alia by theorists such as Melanie Klein, Freud, and Luce Irigaray - to bear on her representations of mother/daughter and lesbian relations. Part Two examines Leduc's use of language in Therese et Isabelle, probing the extent to which this novella contains examples of feminist and/or feminine discourse. By exploring Leduc' s lyrical evocation of feminine homosexuality from both a gender-related and a more traditional, formalist standpoint, the writer exposes the limitations of a purely feminist approach to her work
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This A-Z guide to lesbians and lesbianism in the movies contains reviews, gossip, facts and commentary on over 200 films, including specifically lesbian films such as "Go Fish" and "Desert Hearts" as well as films with a lesbian character or theme, like "The Children's Hour" and "The Hunger".