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Interpretations of war as driven by politics and state rationale, formulated most importantly by the nineteenth-century practitioner Carl von Clausewitz, have received strong criticism. Political explanations have been said to fall short in explaining conflicts in the Balkans, Africa, Asia and the attacks of September 11 2001 in the United States. This book aims to re-evaluate these criticisms by not only carefully scrutinising Clausewitz's arguments and their applicability, but also by a careful reading of the criticism itself. In doing so, the contributions on this book present empirical evidence on the basis of several case studies, addressing various aspects of modern war, such as the actors, conduct and purposes of war. The book concludes that while the debate on the nature of war has far from run its course, the interpretation of war as postulated by Clausewitz is not as inapplicable as some have claimed.
This monograph suggests that theories of warfare and descriptions of the evolving character of war cannot be complete without first giving credit to the nature of war itself. Looking at varied portrayals of war from literary, academic, military, and civilian strategist perspectives, this monograph offers a redefinition of "war" as an investment in organized violence by parties interested in the extension, maintenance, or appearance of their power over an unspecified time, with an unknowable risk, for an uncertain reward. In drawing an analogy to painting, it suggests that "choice" is the underlying axiomatic theme of war, and it that is replayed and adapted at every scale of warfare like a classical fugue. From there, this monograph pierces the interior of Clausewitz's "trinity" description of war, and proposes that there are still more universal ways to describe conflict's breadth, depth, and context. This argument concludes that war is better understood when it is described as a "clash of the trinities." An ecology of war is proposed, in which fundamental components comprising fuel, biology, and interactions constitute a network or system undergoing entropy. It is this sense of entropy-a tendency toward social and political discontinuity and disorder-that chiefly describes war in all its varied guises and explains the political, social, and military efforts to avoid them, corral them, plan them, or fight them.
The book aims to provide the reader with a state-of-the-art introduction to classic and modern military theory. The text accounts for the most important theories within the field by developing and analyzing these theories, as well as problematizing both their normative and explanatory aims. While focusing on military theory, the book does not only reflect a single way of relating to knowledge of war and warfare, but furthers learning by introducing contrasting perspectives as well as constantly criticizing the theories. There is a clear need for an introductory text for the entire field of military theory that focuses whole-heartedly on the theories – not on their context or how they are expressed in practice during war. This book covers such questions as how we should understand the changing character of war, the utility of force and how the pursuit of political ends is achieved through military means. It draws upon and illustrates military thought through a wide-ranging number of examples from the Napoleonic Wars to the current war in Afghanistan. This book will be of great interest for students of military theory, strategic studies, security studies and defence studies.
Written by leading scholars in the field, Causes of War provides the first comprehensive analysis of the leading theories relating to the origins of both interstate and civil wars. Utilizes historical examples to illustrate individual theories throughout Includes an analysis of theories of civil wars as well as interstate wars -- one of the only texts to do both Written by two former International Studies Association Presidents