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In a book whose insight and originality have already had a dazzling impact in France, Alain Corbin has put the sense of smell on the historical map. He conjures up the dominion that the combined forces of smells--from the seductress's civet to the ubiquitous excremental odors of city cesspools--exercised over the lives (and deaths) of the French in the eighteenth and nineteenth centuries.
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This volume brings together the papers presented at a conference entitled 'Experiencing the Garden in the Eighteenth Century', held at the Institute of Romance Studies, Senate House, University of London on 13 March 2004. Speakers came from Europe, the United States and New Zealand, and each gave a very different perspective on the eighteenth-century landscape garden in England, France and elsewhere in Europe. The papers focused on the theme of experience, an especially important aspect of eighteenth-century garden design. Landscape gardens were created for visitors to move through on a journey from one place to the next: the garden would not be seen all at once, but would be experienced as a story unfolding. The visitor would follow a circuit around the garden, moving from light to shade, being given suggestive prompts with statues, temples and viewpoints, as if on a sensory, emotional and intellectual journey.
The spirit of a race or an age can be reflected even in the choice and use of plants: with the coming ofZen Buddhism, the Japanese practically ceased to grow flowers in their gardens, an attitude which Le Notre, garden designer ofVersailles, who once said 'flowers are for nursemaids' would doubtless have appreciated. In this fascinating and highly informative book, Christopher Thacker tells the history of gardens from their origins in the 'natural' paradises of Greek myth to the present day. Studying individual gardens or garden topics which are rep~ntative of an age or region, he builds up a comprehensive survey of the gardens and garden theories of an era. Whether Dr Thacker is discussing garden philosophers and designers (Alberti, Mollet, de Vries, Capability Brown, Genrude Jekyll, Russell Page, and many others), or bringing to life the lost gardens of the past, like the Yuan Ming Yuan in Peling, or William Shenstone's the Leasowes, or surveying the weird and mysterious statuary of Bomarzo, his text is always absorbing and authoritative. Profusely illustrated, this book should become a classic on its subject.
A journal of horticulture, landscape art, and forestry.
This volume focuses on the outstanding contributions made by botany and the mathematical sciences to the genesis and development of early modern garden art and garden culture. The many facets of the mathematical sciences and botany point to the increasingly “scientific” approach that was being adopted in and applied to garden art and garden culture in the early modern period. This development was deeply embedded in the philosophical, religious, political, cultural and social contexts, running parallel to the beginning of processes of scientization so characteristic for modern European history. This volume strikingly shows how these various developments are intertwined in gardens for various purposes.