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The nature of warfare has changed! Like it or not, terrorism has established a firm foothold worldwide. Economics and environmental issues are inextricably entwined on a global basis and tied directly to national regional security. Although traditional threats remain, new, shadowy, and mercurial adversaries are emerging, and identifying and locating them is difficult. Future War, based on the hard-learned lessons of Bosnia, Haiti, Somalia, Panama, and many other trouble spots, provides part of the solution. Non-lethal weapons are a pragmatic application of force, not a peace movement. Ranging from old rubber bullets and tear gas to exotic advanced systems that can paralyze a country, they are essential for the preservation of peace and stability. Future War explains exactly how non-lethal electromagnetic and pulsed-power weapons, the laser and tazer, chemical systems, computer viruses, ultrasound and infrasound, and even biological entities will be used to stop enemies. These are the weapons of the future.
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For nearly half a century Jared Carter has been quietly mapping the American heartland. Line by line, his poetry has shown us the landscape, sounded the voices, conjured the music, and tested the silence of the ever-changing and yet ever-constant Midwest that figures so prominently in the American story. And yet what we find in Carter’s poetry is endlessly new. Here, in poems selected from his first five books, is the summer-long buzz of the cicada and the crack of the cue ball, the young rebel on his big Harley, and the YMCA secretary who backstrokes her way across the indoor pool. Here, too, are thirty new poems in fixed form that illustrate Carter’s continued quest for a poetry of “universal interest.” Taken together, these selections are, truly, poetry in the American grain.