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Gift of Rabbi W. Gunther Plaut.
"The writing of this book about Herzl's journalistic stories answers a need. Because Herzl's feuilletons have not been republished or even translated into English, it is timely in the words of the English scholar Edward Timms that an effort be made to fill this gap." "This gap is largely due to a misunderstanding about the content of his stories as being of relevance to Herzl's Zionist outlook. People have failed to recognize that Herzl "came to his task with the equipment of the perfect feuilletonist." According to Louis Lipsky, the noted American editor, and also Alex Bein, the biographer of Herzl, the journalistic stories were an apprenticeship preparing him for his Zionist work. To his readers' delight, he, Herzl, was able to capture scenery "in a few clear strokes." The lucidity of Herzl's language persuades Jacques Kornberg to suggest that Herzl's stylistic innovations come "close to the style of today's New Yorker magazine." The great variety of Herzl's interests which he presented to his readers assured him of a constant and faithful readership, who, like the authors Arthur Schnitzler and Stefan Zweig, were charmed by his always jourwitty and at times ironic writings that impress us with their relevance."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
"An original and brilliant thesis, exposing a long misunderstood figure. A great book." -- Bernard Avishai "Excellent... a highly revealing portrait that demolishes Herzl-the-icon." -- Michael Marrus "Other biographers... have illuminated aspects of [Herzl's] life, but none has been able to produce the kind of intellectual biography that we have here. Jacques Kornberg has done an admirable job of plumbing the depths of Herzl's mind to try to come to an understanding of just why he became a Zionist and why he was literally consumed with promoting Zionist goals." -- Cithara "With compassion and critical balance, placing his subject well within his Austrian milieu, Kornberg analyzes Herzl's rhetoric, tergiversations, and profound ambivalence over his politics and identity."Â -- Choice "... a masterful display of the sources... " -- American Historical Review "... stimulating, provocative and agreeably iconoclastic... powerful and compelling." -- German History A novel and provocative explanation of Theodor Herzl's founding of Zionism as a way of resolving his personal crisis over his Jewish identity.
As historical analyses of Diaspora Jewish visual culture blossom in quantity and sophistication, this book analyzes 19th-20th-century developments in Jewish Palestine and later the State of Israel. In the course of these approximately one hundred years, Zionist Israelis developed a visual corpus and artistic lexicon of Jewish-Israeli icons as an anchor for the emerging “civil religion.” Bridging internal tensions and even paradoxes, artists dynamically adopted, responded to, and adapted significant Diaspora influences for Jewish-Israeli purposes, as well as Jewish religious themes for secular goals, all in the name of creating a new state with its own paradoxes, simultaneously styled on the Enlightenment nation-state and Jewish peoplehood.
From the prizewinning Jewish Lives series, a masterful new biography of Theodor Herzl by an eminent historian of Zionism "An excellent, concise biography of Theodor Herzl, architect of modern Zionism. . . . An exceptionally good, highly readable volume."--Publishers Weekly, starred review "An engrossing account of a leader who, by converting despair into strength, gave an exiled people both political purpose and the means to attain it."--Benjamin Balint, Wall Street Journal The life of Theodor Herzl (1860-1904) was as puzzling as it was brief. How did this cosmopolitan and assimilated European Jew become the leader of the Zionist movement? How could he be both an artist and a statesman, a rationalist and an aesthete, a stern moralist yet possessed of deep, and at times dark, passions? And why did scores of thousands of Jews, many of them from traditional, observant backgrounds, embrace Herzl as their leader? Drawing on a vast body of Herzl's personal, literary, and political writings, historian Derek Penslar shows that Herzl's path to Zionism had as much to do with personal crises as it did with antisemitism. Once Herzl devoted himself to Zionism, Penslar shows, he distinguished himself as a consummate leader--possessed of indefatigable energy, organizational ability, and electrifying charisma. Herzl became a screen onto which Jews of his era could project their deepest needs and longings. About Jewish Lives: Jewish Lives is a prizewinning series of interpretative biography designed to explore the many facets of Jewish identity. Individual volumes illuminate the imprint of Jewish figures upon literature, religion, philosophy, politics, cultural and economic life, and the arts and sciences. Subjects are paired with authors to elicit lively, deeply informed books that explore the range and depth of the Jewish experience from antiquity to the present. In 2014, the Jewish Book Council named Jewish Lives the winner of its Jewish Book of the Year Award, the first series ever to receive this award. More praise for Jewish Lives: "Excellent." - New York times "Exemplary." - Wall St. Journal "Distinguished." - New Yorker "Superb." - The Guardian
Born in Budapest in 1860, Theodor Herzl was a daydreamer who aspired to follow the footsteps of De Lesseps, builder of the Suez Canal. As the Paris correspondent for Neue Freie Presse, Herzl followed the Dreyfus Affair, a notorious anti-Semitic incident in France in which a French Jewish army captain was falsely convicted of spying for Germany. Herzl came to reject his early ideas regarding Jewish emancipation and assimilation, and to believe that the Jews must remove themselves from Europe and create their own state. In 1896, he published 'The Jewish State' to immediate acclaim. This is his story.
Theodor Herzl: Old New Land. (AltNeuLand) First print Leipzig 1902. Translated by Dr. David Simon Blondheim, Federation of American Zionists, 1916 Vollständige Neuausgabe. Herausgegeben von Karl-Maria Guth. Berlin 2015. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Paul Gauguin, Am Fusse des Berges, 1892. Gesetzt aus Minion Pro, 11 pt.
In Decoding the Past, Peter Loewenberg has collected eleven of his brilliant essays on psychohistory, a discipline that has emerged from the synthesis of traditional historical analysis and clinical psychoanalysis. He surveys this relatively new fi eld-its methods and its problems-to show the special contributions that psychoanalysis can make to history. He then further explores the psychohistorical method by applying it to studies of personality, cultures, groups, and mass movements, demonstrating that psychohistory offers one of the most powerful of interpretive approaches to history.
“The most comprehensive account of Israeli history yet published” (Efraim Karsh, The Sunday Telegraph). Fleeing persecution in Europe, thousands of Jewish immigrants settled in Palestine after World War II. Renowned historian Martin Gilbert crafts a riveting account of Israel’s turbulent history, from the birth of the Zionist movement under Theodor Herzl to the unexpected declaration of its statehood in 1948, and through the many wars, conflicts, treaties, negotiations, and events that have shaped its past six decades—including the Six Day War, the Intifada, Suez, and the Yom Kippur War. Drawing on a wealth of first-hand source materials, eyewitness accounts, and his own personal and intimate knowledge of the country, Gilbert weaves a complex narrative that’s both gripping and informative, and probes both the ideals and realities of modern statehood. “Martin Gilbert has left us in his debt, not only for a superlative history of Israel, but also for a restatement of the classic vision of Zion, in which a Middle East without guns is not a bedtime story but an imperative long overdue. This is the vision for which Yitzhak Rabin gave his life. This book is tribute to his memory.” —Jonathan Sacks, The Times (London)