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Thirty-three stories about stranded aliens, a horrifying cheesemaker, a boy with the power to make stars vanish, and other frightening things. Includes notes on how the author got his ideas for these stories.
Praise for Lincoln Michel: "Lincoln Michel is one of contemporary literary culture's greatest natural resources."—Justin Taylor, Vice Time passes unexpectedly or, perhaps, inexactly at the school. It's hard to remember what semester we are supposed to be in. Several of the clocks still operate, but they don't show the same time. The red bells, affixed in every room, erupt several times each day, yet the intervals between the disruptions wax and wane with an unknown algorithm. The windows are obscured by construction paper murals. Consequently, the sun rises and falls in complete ignorance of those of us attending the school. Many of us participated in the decorations in some lost point of childhood. A few of us still have dried glue under our fingernails. In the room I sit in now, the windows are covered with a glitter and glue reenactment of the colonization of Roanoke by Sir Walter Raleigh. Outside of the window, who knows? Children go to school long after all the teachers have disappeared, a man manages an apartment complex of attempted suicides, and a couple navigates their relationship in the midst of a zombie attack. In these short stories, we are the upright beasts, doing battle with our darker, weirder impulses as the world collapses around us. Lincoln Michel's work has appeared in BOMB, Oxford American, Tin House, the Believer, the Paris Review Daily, and elsewhere. A founding editor of the literary magazine Gigantic, Michel also serves as an online editor for Electric Literature.
This book presents an emerging new vision of the brain, which is essentially expressed in computational terms, for non-experts. As such, it presents the fundamental concepts of neuroscience in simple language, without overwhelming non-biologists with excessive biological jargon. In addition, the book presents a novel computational perspective on the brain for biologists, without resorting to complex mathematical equations. It addresses a comprehensive range of topics, starting with the history of neuroscience, the function of the individual neuron, the various kinds of neural network models that can explain diverse neural phenomena, sensory-motor function, language, emotions, and concluding with the latest theories on consciousness. The book offers readers a panoramic introduction to the “new brain” and a valuable resource for interdisciplinary researchers looking to gatecrash the world of neuroscience.
This historical middle grade novel written in free verse, set against the backdrop of the desegregation battles that took place in Houston, Texas, in 1972, is about a young boy and his family dealing with loss and the revelation of dark family secrets. Ten-year-old Paulie Sanders hates his name because it also belonged to his daddy-his daddy who killed a fellow white man and then crashed his car. With his mama unable to cope, Paulie and his sister, Charlie, move in with their Aunt Bee and attend a new elementary school. But it's 1972, and this new school puts them right in the middle of the Houston School District's war on desegregation. Paulie soon begins to question everything. He hears his daddy's crime was a race-related one; he killed a white man defending a black man, and when Paulie starts picking fights with a black boy at school, he must face his reasons for doing so. When dark family secrets are revealed, the way forward for everyone will change the way Paulie thinks about family forever. The Colors of the Rain is an authentic, heartbreaking portrait of loss and human connection during an era fraught with racial tension set in verse from debut author R. L. Toalson.
“Don’t say in the years to come that you would have lived your life differently if only you had heard this story. You’ve heard it now.” —Thomas King, in this volume Read, Listen, Tell brings together an extraordinary range of Indigenous stories from across Turtle Island (North America). From short fiction to as-told-to narratives, from illustrated stories to personal essays, these stories celebrate the strength of heritage and the liveliness of innovation. Ranging in tone from humorous to defiant to triumphant, the stories explore core concepts in Indigenous literary expression, such as the relations between land, language, and community, the variety of narrative forms, and the continuities between oral and written forms of expression. Rich in insight and bold in execution, the stories proclaim the diversity, vitality, and depth of Indigenous writing. Building on two decades of scholarly work to centre Indigenous knowledges and perspectives, the book transforms literary method while respecting and honouring Indigenous histories and peoples of these lands. It includes stories by acclaimed writers like Thomas King, Sherman Alexie, Paula Gunn Allen, and Eden Robinson, a new generation of emergent writers, and writers and storytellers who have often been excluded from the canon, such as French- and Spanish-language Indigenous authors, Indigenous authors from Mexico, Chicana/o authors, Indigenous-language authors, works in translation, and “lost“ or underappreciated texts. In a place and time when Indigenous people often have to contend with representations that marginalize or devalue their intellectual and cultural heritage, this collection is a testament to Indigenous resilience and creativity. It shows that the ways in which we read, listen, and tell play key roles in how we establish relationships with one another, and how we might share knowledges across cultures, languages, and social spaces.
This book examines the interface between language and kinship in the Australian Aboriginal language Kunjen which is spoken in the Cape York region of northern Queensland . The author shows that kinship relations play a major role in determining the kinds of linguistic interactions that are appropriate for different groups of individuals. The social meaning of utterances depends more than anything else on kinship and one's kin relations with those one communicates with. The rules of interpretation used by Kunjen speakers to mediate kinship and language are as complex and as pervasive as the grammatical rules of the language itself, and help to reveal aspects of linguistic structure that might not otherwise be obvious. Conversely, kinship structures can be illuminated, if not revealed, by the study of language use.
"A supernatural wonder of a book. This Grimm-like fantasy is vividly detailed and will appeal to young and old readers alike." --School Library Journal (STARRED REVIEW) "Toalson intersperses Lenora's story with Richard's journal excerpts and an enigmatic, menacing character's first-person narrative, all of which lends context and dimension. The seamless blend of fantastical and realistic elements is particularly effective at exploring the multifaceted impact of tragedy and loss." --Booklist "Mysterious and beautifully rendered, R.L Toalson's THE WOODS is a heartbreaking story of family, magic and grief that will touch readers' hearts." --Samantha M Clark, author of THE BOY, THE BOAT, AND THE BEAST After a tragic explosion causes Lenora to lose her family, she goes to live with her estranged uncle at his estate. There, Lenora is drawn to the nearby woods and the magic she discovers within them. Can this magic reunite her with her family, or is it more sinister than she realizes? Twelve-year-old Lenora's world is turned upside down after an explosion makes her the lone surviving member of her immediate family. She has nowhere to go, until her estranged Uncle Richard shows up and takes her away to live with him in his lonely mansion. Quiet and stern, he spends most of his time in his study conducting research and experimenting. Lenora is able to explore parts of the mansion and its lovely gardens, but Uncle Richard has one rule for her: Stay out of the woods. Years ago, Lenora's cousin, Bobby went into Gilgevnah Woods and never came out. Now, Uncle Richard will do anything he can to destroy them. Lenora knows she is meant to stay away, but her grief and loneliness draw her in. Upon entering the woods, she finds a world full of enchantment and beauty. Lenora befriends Bela the Scorlaman, keeper of Gilgevnah Woods, who shows her the wonder and the mystery of the place, but also promises to reunite her with her family. Is it too good to be true? Will Lenora find peace in the magic of Gilgevnah Woods, or will she find something darker? The Woods is an entrancing magical realism novel from author R.L. Toalson that tackles profound loss, grief, and finally, acceptance.
What's going on in a man's mind? Feldhahn's research reveals the inner lives of men and will open women's eyes to what the men in their life are really thinking and feeling.
This eighth edition of OPPORTUNITY FOR SKILLFUL READING is your best opportunity yet to master the reading skills that foster academic success. You'll be led through a simple step- by- step approach that has made this book a favorite nationwide.