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KALA KRISHNAN’S MURUGAN TRILOGY DELVES RIGHT INTO THE HEART OF WHAT IT IS ABOUT THIS GOD THAT’S SO COMPELLING, WHY HE ELICITS NOT JUST DEVOTION BUT ALSO LOVE. The great battle of Chendur has drawn to a close and Murugan has fulfilled his role as Mahasena. But it has left his beloved war bard Aambal enervated, her memories obliterated, her tongue stilled, unable to compose sentences, let alone verses. Will Aambal find her way to words again? The battle had also kept Murugan from Theivanai whose mere presence had tugged at his feet. Will he succeed in wooing her now? Kala Krishnan has been exploring the Murugan universe for years now, first in verse and now in prose. In this second volume of a planned trilogy, she expands the mythologies of the god. Kumara, Karthikeya, Kandhan, Velan, Mahasena: the god of Tamizh, the patron of the Great Assembly of poets in Madurai, friend and mentor to the hot-headed and fiercely loyal Aambal, known to all as ‘Murugan’s poet’. Exploring the stories of the women in the god’s life—his poet Aambal and his wife Theivanai—Book Two of the trilogy is resonant with the stories that were, as well as vividly original.
About the Book KALA KRISHNAN'S MURUGAN TRILOGY DELVES RIGHT INTO THE HEART OF WHAT IT IS ABOUT THIS GOD THAT'S SO COMPELLING, WHY HE ELICITS NOT JUST DEVOTION BUT ALSO LOVE. The great battle of Chendur has drawn to a close and Murugan has fulfilled his role as Mahasena. But it has left his beloved war bard Aambal enervated, her memories obliterated, her tongue stilled, unable to compose sentences, let alone verses. Will Aambal find her way to words again? The battle had also kept Murugan from Theivanai whose mere presence had tugged at his feet. Will he succeed in wooing her now? Kala Krishnan has been exploring the Murugan universe for years now, first in verse and now in prose. In this second volume of a planned trilogy, she expands the mythologies of the god. Kumara, Karthikeya, Kandhan, Velan, Mahasena: the god of Tamizh, the patron of the Great Assembly of poets in Madurai, friend and mentor to the hot-headed and fiercely loyal Aambal, known to all as 'Murugan's poet'. Exploring the stories of the women in the god's life-his poet Aambal and his wife Theivanai-Book Two of the trilogy is resonant with the stories that were, as well as vividly original. About the Author Kala Krishnan is the author of two books of poetry, He Is Honey, Salt and the Most Perfect Grammar (2016) and Offer Him All Things, Charred, Burned & Cindered (2018) and of Mahasena, Part One of the Murugan Trilogy. She lives in Bangalore with Paru, Gauri, Sathyavak and Totoro.
Murugan -- the younger son of Shiva and Parvathy, the younger brother of Ganesha -- is a tricky and temperamental god, but he is beloved of the poets. Fittingly then, Kala Krishnan Ramesh's contemporary bhakti poems in He Is Honey, Salt and the Most Perfect Grammar speak in the voices of many poets. We don't always know who they are, but as the poems unfold, one voice emerges above those of the rest. She is the god's favourite poet, a woman whose whole life revolves around him.
Hitherto, the academic study of Indian cinema has focused primarily on Bollywood, despite the fact that the Tamil film industry, based in southern India, has overtaken Bollywood in terms of annual output. This book examines critically the cultural and cinematic representations in Tamil cinema. It outlines its history and distinctive characteristics, and proceeds to consider a number of important themes such as gender, religion, class, caste, fandom, cinematic genre, the politics of identity and diaspora. Throughout, the book cogently links the analysis to wider social, political and cultural phenomena in Tamil and Indian society. Overall, it is an exciting and original contribution to an under-studied field, also facilitating a fresh consideration of the existing body of scholarship on Indian cinema.
Babaji dictated these three books to V.T. Neelakantan, who wrote them down verbatim.
The devastatingly original debut novel from a winner of the Windham-Campbell Prize for Fiction. “Profoundly moving . . . I cannot remember when I last read something as touching as this.” —Amitav Ghosh, author of The Glass Palace First published by a small press in India, Jerry Pinto’s debut novel has already taken the literary world by storm. Suffused with compassion, humor, and hard-won wisdom, Em and the Big Hoom is a modern masterpiece, and its American publication is certain to be one of the major literary events of the season. Meet Imelda and Augustine, or—as our young narrator calls his unusual parents—Em and the Big Hoom. Most of the time, Em smokes endless beedis and sings her way through life. She is the sun around which everyone else orbits. But as enchanting and high-spirited as she can be, when Em’s bipolar disorder seizes her she becomes monstrous, sometimes with calamitous consequences for herself and others. This accomplished debut is graceful and urgent, with a one-of-a-kind voice that will stay with readers long after the last page.
In the thick air of a coastal town, inside the iron bars manufactured by the laws of men, life explodes with tropical ferocity. Inferno, purgatorio, paradiso, and limbo - always limbo - come together in a frantic soup of sadness and madness. More truths and revelations are laid bare than can be claimed by any courtroom or church. In his new novel, Tarun J Tejpal takes the darkest of human material and unearths in it the unstoppable surge of the human spirit. Writing in his inimitable tragicomic style he creates a spellbinding world of extraordinary characters and stories never encountered before. The Line of Mercy is an epic - and utterly original - addition to the universal literature of crime and punishment.
Iron Age of India… around 900 B.C.E. Born in the arms of the Ganga, Vasu grew up in the raging province of Anga. His life shaped by a fate that failed to be just—neglected by his own, stripped of his birthright—he was raised to be lost in an abyss of desires and disappointment. Cursed by his guru, hurt by the only woman he loved, ostracised from society for being the son of a suta. With his only armour—hope—he ventured on an unforgettable journey. Alone. This is Vasu’s tale of survival, of endurance, of abiding courage in the face of all adversities. And eventually, of blossoming into the greatest warrior of all time… KARNA. In an ultimate battle against his archenemy—the insidious, dishonourable and all-powerful, Jarasandha, for a title he knew he deserved. From a sutaputr to a leader of the people, this is a saga of betrayal, lost love, and glory. This is the story of the King of Anga.