Download Free The Ziegfelds Girl Book in PDF and EPUB Free Download. You can read online The Ziegfelds Girl and write the review.

A study of the iconographic significance of the Ziegfeld girl in twentieth-century American conceptions of sexuality, race, class, and consumerism.
The Ziegfeld Follies, Florenz Ziegfeld's stage spectaculars, promised the best performers, the most lavish sets, and the most ravishing girls. Doris Eaton Travis was one of these prized beauties–and, at 14, was chosen as the youngest chorus girl in the Follies. "Mine eyes are yet dim with the luminous beauty of a girl named Doris," one Chicago reviewer wrote. Doris Eaton Travis was the last living Ziegfeld girl. In her 106 years, she performed for presidents and princesses, entertained Gershwin, Lindbergh, and Astaire, starred in silent and talking pictures, bantered with Babe Ruth, offended Henry Ford, outlived six siblings, written a newspaper column, hosted a television show, earned a Phi Beta Kappa degree in history, raised turkeys, and raced horses. In 2010, she performed on Broadway, returned home to Detroit and two weeks later peacefully passed away. Century Girl is a visual tour of this extraordinary woman's journey through life.
 Mary Nolan (1905-1948), also known as Imogene "Bubbles" Wilson, was the subject of two infamous court cases--one with Frank Tinney and the other with Eddie Mannix--in the 1920s. Like many Ziegfeld Follies girls, she had the beginnings of a promising career, but by the 1930s it had been destroyed by adultery, drugs and physical abuse. This biography follows Nolan's life from the backwoods of Kentucky to her death in 1948. Included is a series of newspaper articles published in 1941 that were to be expanded into her memoir, which she was unable to complete before her death.
This book contains 19 colorable images in gray scale of the women who were part of the Ziegfeld Follies. There is also some history about the women and the Ziegfeld Follies.
"Thousands of nude photos of Jazz-era women were found in boxes marked "private" on the estate of former Ziegfeld Follies photographer Alfred Cheney Johnston after his death in 1971. Johnston had photographed many of the era's brightest stars and most beautiful women, but who were these unknowns sometimes posed in little more than a string of pearls or flash of lace?" "Compiled here for the first time are more than 200 publicity stills and photos of America's first "it" girls, as well as the "secret" nudes discovered on Johnston's estate after his death. The images do most of the talking, but also included are some of the stories behind these silent-film era starlets and the sometimes high prices they paid for being the first generation of women to reject the roles laid down before them." "Photographer Alfred Cheney Johnston also paid a price for the commercial applications of his art. This book offers insight into Johnston's own Jazz Age mystery, as well as into his unique and cutting-edge photography techniques. It also pays tribute to a man whose artistry extends beyond the Follies and who deserves a place among the stars himself."--BOOK JACKET.
In this definitive biography, Cynthia Brideson and Sara Brideson offer a comprehensive look at both the life and legacy of Florenz Ziegfeld Jr. Drawing on a wide range of sources, they provide a lively and well-rounded account of Ziegfeld as a father, a husband, a son, a friend, a lover, and an alternately ruthless and benevolent employer. Lavishly illustrated, this is an intimate and in-depth portrait of a figure who profoundly changed American entertainment.
Autobiography of a Ziegfeld Follies star, an copartner of Arthur Murray Dance Studios, a quarter horse ranch owner in Oklahoma, and at age 88, the recipient of a Bachelor of Arts degree from the University of Oklahoma.
Broadway actress Billie Burke was one of the most sought after young stage beauties of her time, stealing the hearts of Enrico Caruso, Mark Twain, and, most importantly, famed Broadway producer Florenz Ziegfeld, who became her husband. Following Ziegfeld's death, the threats of financial ruin and encroaching age forced Burke to recreate herself as a Hollywood character actress. This biography benefits from the cooperation of the daughter and grandchildren of Burke and Ziegfeld, as well as from anecdotes provided by actors who performed with Burke on the stage and screen. In addition to studying the character and significance of Burke's greatest screen role as Glinda the Good Witch of the North, this richly illustrated book also provides a complete history of Burke's stage, screen, and radio work.
"This biography recounts the early life of this superstar as well as her coronation on Broadway, her work in silent film, and her sexual liaisons. It also covers her eventual disappearance from public life, her alcoholism and her death, which went largely unnoticed. The book includes first-hand personal anecdotes and observations from recently discovered tapes"--Provided by publisher.
“A fascinating biography that re-creates Hollywood’s Golden Age of Glamour” as it recounts the life of the star and inventor (Publishers Weekly). Hedy Lamarr’s exotic beauty was heralded across Europe in the early 1930s. Yet she became infamous for her nude scenes in the scandalous movie Ecstasy. Trapped in a marriage to one of Austria’s munitions barons, a friend of Mussolini’s who hid his Jewish heritage to become an “honorary Aryan” at the onset of World War II, Lamarr fled Europe for Hollywood, where she was transformed into one of cinema’s most glamorous stars, appearing opposite such actors as Clark Gable, Spencer Tracy, and James Stewart. As her career faded, she went from one husband to the next, her personal troubles and legal woes casting a shadow over her phenomenal intelligence and former image. Stephen Michael Shearer separates the truth from the rumors regarding the life of Hedy Lamarr, and highlights her astonishing role as inventor of a technology that has become an essential part of everything from military weaponry to today’s cell phones. Praise for Beautiful “In Beautiful, Mr. Shearer writes with humor and has fun with some of the glorious nonsense of Lamarr’s movies.” —Jeanine Basinger, The Wall Street Journal “Much more than a standard Hollywood biography.” —Edge Magazine