Download Free The Zen Gun Book in PDF and EPUB Free Download. You can read online The Zen Gun and write the review.

Pout, the chimera, half-man, half-ape, was incorporated into one of the plants or vice versa. He was jammed into a squatting position, while the stems, entering at his buttocks, merged with his legs, his arms and his torso, emerging at knees, elbows, and through his abdomen and thorax. A large, yellow-petalled flower seemed to frame his face. It was his face that rivetted Ikematsu's attention, while the chimera squirmed in dumb distress, glaring with huge piteous eyes. For in that face, set into it as if set in pudding, was the zen gun. The gun was his face, or a part of it. The barrel pointed straight out in place of a nose... the stock merged with and disappeared into Pout's pendulous mouth. Ikematsu leaned toward the chimera. "How you loved your toy! Now it is truly yours!"
This book, from one of the pioneering and preeminent translators of Zen for the West, presents a selection of Zen lessons from four teachers in four successive generations. More than just a book on Zen philosophy, "Zen Under the Gun" spans the turbulent period in Chinese history from the last generation of the Song dynasty (overthrown by the Mongols in 1279) to the first generation of the Ming dynasty (which drove out the Mongols, and proclaimed its own reign in 1368). These four Zen masters were all eminent public teachers, and their teaching words reflect the state of China and the art of Zen in their time.
"A funny, raucous, eye-opening, wholly non-partisan trip in search of Americans who love their guns"--
In the 1990s, the New Orleans murder rate exploded. In 1996, 350 people were killed—the highest number in the city’s history, and the highest rate in the nation. In response to this crisis, gallery owner and artist Jonathan Ferrara and artist Brian Borrello, launched a powerful project: Guns in the Hands of Artists. Over sixty artists, including painters, glass artists, sculptors, photographers, and poets, used decommissioned guns taken off the city streets via a gun buyback program to express a thought, make a statement, open a discussion, and to stimulate thinking about guns and gun violence in America. As gun violence continues to devastate the nation on a daily basis, Guns in the Hands of Artists reemerged in 2012 as a community-based social activist art project that has since traveled to six cities across the US. Using art as a mirror for life and interweaving the works of thirty diverse artists with the voices of seventeen national thought leaders, this book is an important outgrowth of the exhibition and an extension of its efforts to employ art as a vehicle for dialogue, as a call to action, and—ultimately—as an agent of change. Essays by: Walter Isaacson, Senator Tim Kaine, Lupe Fiasco, Richard Ford, Joe Nocera, Trymaine Lee, Lolis Eric Elie, John M. Barry, Dan Cameron, Lucia McBath, Harry Shearer, Jonathan Ferrara, Brian Borrello, Maria Cuomo Cole, Michael Waldman, E. Ethelbert Miller, Mayor Mitchell J. Landrieu, Congresswoman Gabrielle Giffords and Captain Mark Kelly.
Cody Wilson, a self-described crypto-anarchist and rogue thinker, combines the story of the production of the first ever 3D printable gun with a philosophical manifesto that gets to the heart of the twenty-first century debate over the freedom of information and ideas. Reminiscent of Steal This Book by Abbie Hoffman, Cody Wilson has written a philosophical guide through the digital revolution. Deflecting interference from the State Department and the Bureau of Alcohol, Tobacco, Firearms and Explosives, the story of Defense Distributed -- where Wilson's employees work against all odds to defend liberty and the right to access arms through the production of 3D printed firearms -- takes us across continents, into dusty warehouses and high rise condominiums, through television studios, to the Texas desert, and beyond.
In My Hundred Guns, Jason Jones takes us on a highly personal journey through the world of firearms, concentrating on the classic era of military and civilian rifles, shotguns, and handguns. With his own rich collection as a touchstone (spoiler: it’s more like 150 guns), Jones explores the history and evolution of modern firearms, and the pleasures of owning, restoring, maintaining, and recreationally shooting them. Mauser, Lee-Enfield, Colt, Browning, Garand, Tokarev, Mannlicher, Schmidt-Rubin, Carcano, Savage, Glock, Kel-Tec … the major names and designs are touched on in this witty, well-informed, somewhat off-kilter pilgrimage. Jones also examines the guiding ideals of gun design and manufacture; the “Zen of firearms” and their maintenance; “gun guys & gals”; guns as pop-culture icons; and contemporary gun-control debates. Illustrated with over 100 images, My Hundred Guns features a wide range of resources, from books and quotes about firearms, to today’s online communities of gun aficionados. Links throughout take readers to online videos from “Lyudmila & Vasily’s Shooting Adventures,” wherein the author and his range companion, Sherry, shoot the classics for your viewing pleasure. My Hundred Guns is a unique, colorful, and entertaining account of the world of modern firearms, and one person’s (peaceful) obsession with them. Jason Jones is a writer, educator, and photographer based in western Canada.
A fascinating introduction to Zen principles and learning.
This new collection of essays, commissioned from a range of scholars across the world, takes as its theme the reception of Rome's greatest poet in a time of profound cultural change. Amid the rise of Christianity, the changing status of the city of Rome, and the emergence of new governing classes, Vergil remained a bedrock of Roman education and identity. This volume considers the different ways in which Vergil was read, understood and appropriated; by poets, commentators, Church fathers, orators and historians. The introduction outlines the cultural and historical contexts. Twelve chapters dedicated to individual writers or genres, and the contributors make use of a wide range of approaches from contemporary reception theory. An epilogue concludes the volume.