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His most recent book of 20 essays, were all written in 2020 about contemporary issues in America. It is a hard hitting, powerful book with strong opinions about patriotism, power, disease, racism, guns, leadership, wealth inequality, religion, morality and more. It captures a year in history like no other. This book is a journey through a year with topics are mostly about issues in the zeitgeist. Zeitgeist literally means the defining spirit or mood of a particular period of history as shown by the ideas and beliefs of the time. The title fits the book. What did you learn from the last year? Beeman will challenge your thinking!
Before and after the presidency of Donald Trump, the United States was--and now is again--on an intentional trajectory to fulfill what famous Freemason Manly P. Hall described as The Secret Destiny of America. Hall's book includes future national and global subservience to the god of Freemasonry, a deity most Americans would not imagine when reciting the pledge of allegiance to "one nation under God." Unknown to most Americans and certainly many Christians is the fact that the Great Seal of the United States is a prophecy hidden in plain sight by the Founding Fathers for more than two hundred years, foretelling the return of this terrifying, demonic god who seizes control of Earth in the New Order of the Ages. This supernatural entity was known and feared in ancient times by different names: Apollo, Osiris, and even farther back as Nimrod, whom Masons consider to be the father of their institution.
Why has the zombie become such a pervasive figure in twenty-first-century popular culture? John Vervaeke, Christopher Mastropietro and Filip Miscevic seek to answer this question by arguing that particular aspects of the zombie, common to a variety of media forms, reflect a crisis in modern Western culture. The authors examine the essential features of the zombie, including mindlessness, ugliness and homelessness, and argue that these reflect the outlook of the contemporary West and its attendant zeitgeists of anxiety, alienation, disconnection and disenfranchisement. They trace the relationship between zombies and the theme of secular apocalypse, demonstrating that the zombie draws its power from being a perversion of the Christian mythos of death and resurrection. Symbolic of a lost Christian worldview, the zombie represents a world that can no longer explain itself, nor provide us with instructions for how to live within it. The concept of 'domicide' or the destruction of home is developed to describe the modern crisis of meaning that the zombie both represents and reflects. This is illustrated using case studies including the relocation of the Anishinaabe of the Grassy Narrows First Nation, and the upheaval of population displacement in the Hellenistic period. Finally, the authors invoke and reformulate symbols of the four horseman of the apocalypse as rhetorical analogues to frame those aspects of contemporary collapse that elucidate the horror of the zombie. Zombies in Western Culture: A Twenty-First Century Crisis is required reading for anyone interested in the phenomenon of zombies in contemporary culture. It will also be of interest to an interdisciplinary audience including students and scholars of culture studies, semiotics, philosophy, religious studies, eschatology, anthropology, Jungian studies, and sociology.
The diaries of the author's years as editor-in-chief of Vanity Fair also serves as a portrait of the 1980s in New York and Hollywood, describing her summons from London in the hopes of saving Condé Nast's periodical and her experiences within the world of glamour magazines
'THE history book for now. This is why and how historians do what they do. And why they need to' Dan Snow 'What is History, Now? demonstrates how our constructs of the past are woven into our modern world and culture, and offers us an illuminating handbook to understanding this dynamic and shape-shifting subject. A thought-provoking, insightful and necessary re-examination of the subject' Hallie Rubenhold, author of The Five 'The importance of history is becoming more evident every day, and this humane book is an essential navigation tool. Urgent and utterly compelling' Sathnam Sanghera, author of Empireland 'Important and exciting' Kate Williams, author of Rival Queens Inspired by the influential text WHAT IS HISTORY? authored by Helen Carr's great-grandfather, E.H. Carr, and published on the 60th anniversary of that book, this is a groundbreaking new collection addressing the burning issue of how we interpret history today. What stories are told, and by whom, who should be celebrated, and what rewritten, are questions that have been asked recently not just within the history world, but by all of us. Featuring a diverse mix of writers, both bestselling names and emerging voices, this is the history book we need NOW. WHAT IS HISTORY, NOW? covers topics such as the history of racism and anti-racism, queer history, the history of faith, the history of disability, environmental history, escaping imperial nostalgia, hearing women's voices and 'rewriting' the past. The list of contributors includes: Justin Bengry, Leila K Blackbird, Emily Brand, Gus Casely-Hayford, Sarah Churchwell, Caroline Dodds Pennock, Peter Frankopan, Bettany Hughes, Dan Hicks, Onyeka Nubia, Islam Issa, Maya Jasanoff, Rana Mitter, Charlotte Riley, Miri Rubin, Simon Schama, Alex von Tunzelmann and Jaipreet Virdi.
American Zeitgeist is a collection of dramatic monologues about the life and career of William Jennings Bryan, the Great Commoner, from his rise as populist hero of the Democratic Party in the 19th century to his ignominious end at the Scopes Monkey Trial in 1925. Related mostly in the voice of a fictional contemporary named Jefferson Powers, a journalist, and framed by lectures on Bryan and the Progressive Era by a fictional modern-day History professor, Jefferson Lynn, the arc of this narrative serves as commentary on the American spirit and should be read as historical fiction. As the writer David Mitchell (Cloud Atlas, The Bone Clocks) notes, the popularity of historical fiction lies in its double narrative thrust. It "delivers a stereo narrative," Mitchell writes, "from one speaker comes the treble of the novel's own plot while the other speaker plays the bass of history's plot." American Zeitgeist conforms to this model. This is a page-turner that delivers history and drama in equal measure.
THE MUSTANG CHRONICLES, VOL. 1: ROCKETT '68 is a literary, lyrical action novel written in the Picaresque tradition. The story unfolds from the perspective of the hero, or villain depending on your opinion about such matters, in the first-person present tense. Gripping, taut prose intertwines with more lyrical passages like a singular wine perfectly paired with its course. For connoisseurs and casual readers alike, this novel serves up a savory, stimulating read. TMC Vol. 1 takes place at the zenith of 1960's America and explores the zeitgeist, counterculture, cars, and music that defined a generation and indelibly influenced American culture. TMC Vol. 1 pays homage to 1960's pop Americana in fascinating detail, all the while moving readers inexorably toward the novel's fantastical conclusion. Keep your eyes peeled and intellect at the ready—deeper meaning, subtlety, and nuance abound. The novel's episodic style eschews linear constraints, along with the well-worn flat trajectory from introduction to conclusion whence all tangents are neatly tied together and presented dutifully at the end—not unlike a dog presenting a ball to his master for a routine game of fetch. You will find no such mundanity in The Mustang Chronicles, Vol. 1: Rockett '68. Just read it. You'll be glad you did. www.themustangchronicles.com
This tediously sourced and highly detailed work argues for a large-scale change in human culture, specifically in the context of economic practice. The dominant theme is that the current socioeconomic system governing the world at this time has severestructural flaws, born out of primitive economic and sociological assumptions originating in our early history, where the inherent severity of these flaws went largely unnoticed.
“A gem” of a collection of marijuana stories, poems and artwork by Joyce Carol Oates, Lee Child, Linda Yablonsky, Cheryl Lu-Lien Tan, and others (New York Journal of Books). It’s known by many names: Pot. Grass. Hash. Hemp. Reefer. Ganja. Dope. Weed. Smoke. Spliff. Mary Jane. Tea. Blunt. And it has played just as many parts in the mind of the public, from Reefer Madness to medical marijuana. Here is a collection of new works as diverse and provocative as the drug itself. From Joyce Carol Oates’s “High” to Dean Haspiel’s “Cannibal Sativa”; from Maggie Estep’s “Zombie Hookers of Hudson” to Philip Spitzer’s “Tips for the Pot-Smoking Traveler,” this collection explores the drug in its many forms and varietals. In prose, pictures, stories, and poems, you can delve into the folklore and the facts, rich cultural history, and dramas personal, political, spiritual, and legal. Like Dave Chappelle says: “Hey, hey, hey. Smoke weed every day.”
The British actor, writer, and comedy legend tells his story: “Funny, poignant . . . His prose feels like an ideal form of conversation.” —The Washington Post A #1 Sunday Times Bestseller When Stephen Fry arrived at Cambridge, he was a convicted thief, an addict, and a failed suicide, convinced that he would be expelled. Instead, university life offered him love and the chance to entertain. He befriended bright young things like Hugh Laurie and Emma Thompson, and delighted audiences with Blackadder and A Bit of Fry and Laurie. Covering most of his twenties, this is the riotous and utterly compelling story of how the Stephen the world knows (or thinks it knows) took his first steps in theater, radio, television, and film. Tales of scandal and champagne jostle with insights into hard-earned stardom. The Fry Chronicles is not afraid to confront the chasm that separates public image from private feeling, and it is marvelously rich in trademark wit and verbal brilliance. “Charming.” —The Wall Street Journal “Genuinely touching and often hilarious.” —Publishers Weekly