Download Free The Young Cottager Jane Squibb A Narrative From Real Life Book in PDF and EPUB Free Download. You can read online The Young Cottager Jane Squibb A Narrative From Real Life and write the review.

Nineteenth Century Short Title Catalogue Extracted from the Catalogues of the Bodleian Library, the British Library, the Library of Trinity College (Dublin), the National Library of Scotland, and the University Libraries of Cambridge and Newcastle: Phase 1: 1816-1870. v.15. Fort - Fyv and Indexes for volumes 11-15. v.20. Hor-Hunt, W. R. and Indexes for v. 16-20. v.21. Hunten-Jero. v.22. Jerp-Kief. v.23. Kieg-Lecom. v.24. Lecon-Lorc. v.25. Lord-Maccaul and Indexes for volumes 21-25

Published: 1984

Total Pages: 618


Get eBook

The Evangelical Age of Ingenuity in Industrial Britain argues that British evangelicals in the late eighteenth and early nineteenth centuries invented new methods of spreading the gospel, as well as new forms of personal religious practice, by exploiting the era's growth of urbanization, industrialization, consumer goods, technological discoveries, and increasingly mobile populations. While evangelical faith has often been portrayed standing in inherent tension with the transitions of modernity, Joseph Stubenrauch demonstrates that developments in technology, commerce, and infrastructure were fruitfully linked with theological shifts and changing modes of religious life. This volume analyzes a vibrant array of religious consumer and material culture produced during the first half of the nineteenth century. Mass print and cheap mass-produced goods--from tracts and ballad sheets to teapots and needlework mottoes--were harnessed to the evangelical project. By examining ephemera and decorations alongside the strategies of evangelical publishers and benevolent societies, Stubenrauch considers often overlooked sources in order to take the pulse of "vital" religion during an age of upheaval. He explores why and how evangelicals turned to the radical alterations of their era to bolster their faith and why "serious Christianity" flowered in an industrial age that has usually been deemed inhospitable to it.
The first biography of Asenath Nicholson, Compassionate Stranger recovers the largely forgotten history of an extraordinary woman. Trained as a school teacher, Nicholson was involved in the abolitionist, temperance, and diet reforms of the day before she left New York in 1844 “to personally investigate the condition of the Irish poor.” She walked alone throughout nearly every county in Ireland and reported on conditions in rural Ireland on the eve of the Great Irish Famine. She published Ireland’s Welcome to the Stranger, an account of her travels in 1847. She returned to Ireland in December 1846 to do what she could to relieve famine suffering—first in Dublin and then in the winter of 1847–48 in the west of Ireland where the suffering was greatest. Nicholson’s precise, detailed diaries and correspondence reveal haunting insights into the desperation of victims of the Famine and the negligence and greed of those who added to the suffering. Her account of the Great Irish Famine, Annals of the Famine in Ireland in 1847, 1848 and 1849, is both a record of her work and an indictment of official policies toward the poor: land, employment, famine relief. In addition to telling Nicholson’s story, from her early life in Vermont and upstate New York to her better-known work in Ireland, Murphy puts Nicholson’s own writings and other historical documents in conversation. This not only contextualizes Nicholson’s life and work, but it also supplements the impersonal official records with Nicholson’s more compassionate and impassioned accounts of the Irish poor.
Religions teach their adherents how to see and feel at the same time; learning to see is not a disembodied process but one hammered from the forge of human need, social relations, and material practice. David Morgan argues that the history of religions may therefore be studied through the lens of their salient visual themes. The Forge of Vision tells the history of Christianity from the sixteenth century through the present by selecting the visual themes of faith that have profoundly influenced its development. After exploring how distinctive Catholic and Protestant visual cultures emerged in the early modern period, Morgan examines a variety of Christian visual practices, ranging from the imagination, visions of nationhood, the likeness of Jesus, the material life of words, and the role of modern art as a spiritual quest, to the importance of images for education, devotion, worship, and domestic life. An insightful, informed presentation of how Christianity has shaped and continues to shape the modern world, this work is a must-read for scholars and students across fields of religious studies, history, and art history.