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The son of a provincial school administrator in British-governed Trinidad, James disappointed his family by embracing the culture and passions of the colonial underclass. He joined the literary avant-garde of the island before leaving for Britain. In the UK, James swiftly became a beloved cricket journalist, playwright for his close friend Paul Robeson, and a pathbreaking scholar of black history with The Black Jacobins, the first history of the Haitian revolt. The artistic skills of Milton Knight, at once acute and provocative, bring out James's unique personality, how it arose, and how he became a world figure.
Reveals CLR James' first encounter with the colonial metropolis and the values that had already shaped his intellectual development in Trinidad. A resurrected 'classic', this book provides a hitherto inaccessible picture of the young man during his formative period.
C. L. R. James in Imperial Britain chronicles the life and work of the Trinidadian intellectual and writer C. L. R. James during his first extended stay in Britain, from 1932 to 1938. It reveals the radicalizing effect of this critical period on James's intellectual and political trajectory. During this time, James turned from liberal humanism to revolutionary socialism. Rejecting the "imperial Britishness" he had absorbed growing up in a crown colony in the British West Indies, he became a leading anticolonial activist and Pan-Africanist thinker. Christian Høgsbjerg reconstructs the circumstances and milieus in which James wrote works including his magisterial study The Black Jacobins. First published in 1938, James's examination of the dynamics of anticolonial revolution in Haiti continues to influence scholarship on Atlantic slavery and abolition. Høgsbjerg contends that during the Depression C. L. R. James advanced public understanding of the African diaspora and emerged as one of the most significant and creative revolutionary Marxists in Britain.
A new edition of C.L.R. James’s authorized biography C.L.R. James was a man of prodigious and varied accomplishments. He was a protean twentieth-century Marxist intellectual, widely recognized as a pioneering scholar of slave revolt; a leading voice of Pan-Africanism; a peripatetic revolutionary and scholar active in US and UK radical movements; a novelist, playwright, and critic; and one of the premier writers on cricket and sports. This intellectual portrait was written by James’s longtime interlocutor and comrade Paul Buhle, and initially published in 1988. With a new final chapter, updated bibliography, a new foreword by historian Robin D.G. Kelley and a new afterword by Paul Buhle and the philosopher Lawrence Ware, this long-awaited revised edition of a classic biography will be a key resource in the James revival.
In C. L. R. James's classic Beyond a Boundary, the sport is cricket and the scene is the colonial West Indies. Always eloquent and provocative, James--the "black Plato," (as coined by the London Times)--shows us how, in the rituals of performance and conflict on the field, we are watching not just prowess but politics and psychology at play. Part memoir of a boyhood in a black colony (by one of the founding fathers of African nationalism), part passionate celebration of an unusual and unexpected game, Beyond a Boundary raises, in a warm and witty voice, serious questions about race, class, politics, and the facts of colonial oppression. Originally published in England in 1963 and in the United States twenty years later (Pantheon, 1983), this second American edition brings back into print this prophetic statement on race and sport in society.
In Urbane Revolutionary: C. L. R. James and the Struggle for a New Society, Frank Rosengarten traces the intellectual and political development of C. L. R. James (1901-1989), one of the most significant Caribbean intellectuals of the twentieth century. In his political and philo-sophical commentary, his histories, drama, letters, memoir, and fiction, James broke new ground dealing with the fundamental issues of his age-colonialism and postcolo-nialism, Soviet socialism and wes-tern neo-liberal capitalism, and the uses of race, class, and gender as tools for analysis. The author examines in depth three facets of James\'s work: his interpretation and use of Marxist, Trotskyist, and Leninist concepts; his approach to Caribbean and African struggles for independence in the 1950s and 1960s; and his branching into prose fiction, dra-ma, and literary criticism. Rosen-garten analyzes James\'s previously underexplored relationships with women and with the women\'s liberation movement. The study also scrutinizes James\'s methods of research and writing. Rosengarten explores James\'s provocative and influential concepts regarding black liberation in the Caribbean, Africa, the United States, and Great Britain and James\'s varying responses to revolutionary movements. With its extensive use of unpublished letters, private correspondence, papers, books, and other documents, Urbane Revolutionary provides fresh insights into the work of one of the twentieth century\'s most important intellectuals and activists. Frank Rosengarten is professor emeritus of Italian and compa-rative literature at the City University of New York. He is the author of The Writings of the Young Marcel Proust (1885-1900): An Ideological Critique and The Italian Anti-Fascist Press, 1919-1945.
This fourth volume in the highly-praised edition of the Papers of Martin Luther King covers the period (1957-58) when King, fresh from his leadership of the Montgomery bus boycott, consolidated his position as leader of the civil rights movement.
C. L. R. James's The Black Jacobins remains one of the great works of the twentieth century and the cornerstone of Haitian revolutionary studies. In Making The Black Jacobins, Rachel Douglas traces the genesis, transformation, and afterlives of James's landmark work across the decades from the 1930s on. Examining the 1938 and 1963 editions of The Black Jacobins, the 1967 play of the same name, and James's 1936 play, Toussaint Louverture—as well as manuscripts, notes, interviews, and other texts—Douglas shows how James continuously rewrote and revised his history of the Haitian Revolution as his politics and engagement with Marxism evolved. She also points to the vital significance theater played in James's work and how it influenced his views of history. Douglas shows The Black Jacobins to be a palimpsest, its successive layers of rewriting renewing its call to new generations.
“Marxists envisage a total change in the basic structure of human relations. With that change our problems will not be solved overnight, but we will be able to tackle them with confidence. Such are the difficulties, contradictions, and antagonisms; and in the solution of them society moves forward and men and women feel they have a role in the development of their social surroundings. It is in this movement that we have the possibility of a good life.” —C.L.R. James, from Modern Politics This volume provides a brilliant and accessible summation of the ideas of left Marxist giant C.L.R. James. Originally delivered in 1960 as a series of lectures in his native Trinidad, these writings powerfully display his wide-ranging erudition and enduring relevance. From his analysis of revolutionary history (from the Athenian City-States through the English Revolution, Russian Revolution, and the Hungarian Revolution of 1956), to the role of literature, art, and culture in society (from Charlie Chaplin to Pablo Picasso, via Camus and Eisenstein), to an interrogation of the ideas and philosophy of such thinkers as Rousseau, Lenin, and Trotsky, this is a magnificent tour de force from a critically engaged thinker at the height of his powers. An essential introduction to a body of work as necessary and illuminating for this century as it proved for the last.