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Doña Isidora is a story of love, romance, disobedience, disinheritance, betrayal, repentance and reform, of learning to lead a fulfilling life for the benefit of the community. The setting is the quaint Andean town the natives call Pomabamba (Region of Mountain Lions), located in northern Peru. The heroine, fifteen-year-old Ishi Villarreal, is about to pass from girlhood to young womanhood; as is customary, she is expected to be obedient and marry the suitor her parents have already selected for her. Unbeknownst to Teodosio and Dona Luisa, however, Ishi has secretly fallen in love with the aptly named Amador, a dashing young Spanish Don Juan newly arrived in town. Will the hopes and dreams of Ishi's parents become a reality? Or will true love conquer all? *** A native of Pomabamba, Peru, Dorila A. Marting grew up surrounded by the tales of her native city as told by family members and local Quechua storytellers. In Peruvian Short Stories, Marting brings these childhood accounts to life with a narrative that is as distinctively authentic as it is universally relatable. This Peruvian legend has many versions depending on who is telling the story. I will relate to you what I heard a long, long time ago, as a child, from an elderly storyteller Quechua woman named Mama Cunchina. --The Cave of Maria Josefa With voices spanning from the small and elderly mouse (the Emigration of Domestic Animals) to the all-encompassing Mama Patcha (Mother Earth), every story is uniquely enchanting while still supporting the overall parable that is weaved throughout the collection. Marting illustrates her memories with the ease of the Quechua storytellers of her youth, and indeed, these accounts of love, loss, family, nature, friendship, and respect are as crucial and resonant today as they were during the inception of Peruvian Folklore. "I invite you to navigate to a foreign land and to a foreign culture and enjoy these stories as much as I have. --Mary L. Jones, introduction *** These poems are the author's recollections of life in Peru and the United States. Her background in journalism is reflected in her writing style and choice of topics. She worked for nine years for two leading daily newspapers, The Arizona Republic in Phoenix and The Arizona Daily Sun in Flagstaff, Arizona.
Yesterday, Today, and Tomorrow is Sophia Loren's definitive autobiography, revealing her personal journey from the hardship of her childhood in Naples to her life as a screen legend, sharing stories of work, love, and family. Each chapter begins with a letter, a document, a photograph, or object that prompts her reminiscences. In her own words, these memoirs originated as, "Unpublished memories, curious anecdotes, tiny secrets told, all of which spring from a box found by chance, a precious treasure trove filled with emotions, experiences, adventures." In her incredible life story, Loren vividly recounts her difficult childhood in Naples during World War II, remembers her parents and their tempestuous relationship, and reveals the pain of growing up in her grandparents' house with her single, unmarried mother and younger sister. She tells how she got her start by winning a beauty pageant ("La regina del mare") and how her ambition drove her success in cinema before revealing the influence of the producer Carlo Ponti, who cast her in her early roles and later became her husband. Loren takes us behind the scenes of the movies, her early stardom and move to Hollywood revealing intimate and never before shared stories of her famed costars: Brando, Newman, Burton, Peck, Heston, and many more. With emotional honesty, Loren goes on to discuss her long desire to become a mother and the disappointments she suffered on that path, the ultimate joy she felt at having her two sons, and scenes from her life as a mother and grandmother.
In her first memoir, the Academy Award–winning actress Sophia Loren tells her incredible life story from the struggles of her childhood in war-torn Naples to her life as a screen legend, icon of elegance, and devoted mother. In her acting career spanning more than six decades, Sophia Loren became known for her striking beauty and dramatic roles with famed costars Cary Grant, Frank Sinatra, Marlon Brando, Gregory Peck, Jack Lemmon, and Paul Newman. The luminous Italian movie star was the first artist to win an Oscar for a foreign language performance, after which she continued a vibrant and varied career that took her from Hollywood to Paris to Italy—and back to Hollywood. In Yesterday, Today, and Tomorrow, Loren shares vivid memories of work, love, and family with winning candor. Born in 1934 and growing up in World War II Italy, Loren’s life of glamour and success was preceded by years of poverty and hardship, when she lived in her grandparents’ house with her single mother and sister, and endured near starvation. She shares how she blossomed from a toothpick-thin girl into a beautiful woman seemingly overnight, getting her start by winning a beauty pageant; and how her first Hollywood film, The Pride and the Passion, ignited a high-profile romance with Cary Grant, who would vie with her mentor, friend, frequent producer, and lover Carlo Ponti to become her husband. Loren also reveals her long-held desire to become a mother, the disappointments she suffered, the ultimate joy of having two sons, and her happiness as a mother and grandmother. From trying times to triumphant ones, this scintillating autobiography paints a multi-dimensional portrait of the woman behind the celebrity, beginning each chapter with a letter, photograph, or object that prompts her memories. In Loren’s own words, this is a collection of “unpublished memories, curious anecdotes, tiny secrets told, all of which spring from a box found by chance, a precious treasure trove filled with emotions, experiences, adventures.” Her wise and candid voice speaks from the pages with riveting detail and sharp humor. Yesterday, Today, and Tomorrow is as elegant, entrancing, and memorable as Sophia Loren herself.
What is the role of psychoanalysis in today's world? Yesterday, Today and Tomorrow presents a selection of papers written by Hanna Segal. The collection introduces the reader to a wide spectrum of insights into psychoanalysis, ranging from current thoughts on the nature of dreaming to new ideas about vision and disillusionment. Her long interest in factors affecting war is pursued in her examination of the psychotic factors, symbolic significance and psychological impact of the events of September the 11th, and the ensuing war on Iraq. The second half of the book discusses Segal's presentations to conferences and symposia from 1969-2000, this material is split into six sections: Models of the mind and mental processes Psychoanalytic technique Segal on Klein Segal on Bion Envy and narcissism Interviews. Yesterday, Today and Tomorrow is a masterly contribution to the field. Segal's clarity of thought and striking clinical illustrations make the book accessible to those new to the field as well as those acquainted with her seminal work.
The value of motherhood is being eroded and is being threatened today by so many factors that urgent steps need to be taken to preserve the dignity of our mothers before the moths of corruption eat the remaining fabric of motherhood and make the situation hopeless. If our society will be good, we need good mothers. If our society will be kind, we need kind mothers. If our society will be morally upright, we need morally upright mothers. If our society will retain its values, we need mothers of value. If our society will be prosperous, we need prosperous mothers. If our society will experience the reign of righteousness, we need righteous mothers. If our society will be great, we need great-minded mothers.
Egypt Let me take you to a place where God wasn’t welcome and Jesus was told to leave. A place where “I don’t care” filled the air. Men had breasts and long hair and I was there. I was there when she got raped and my tears ran down her face and we couldn’t tell the police so we filled ourselves with hate. I was there... Yesterday, Today, Tomorrow combines spirituality, intellect, and urban experience in a way that's riveting and passionate, leaving readers wanting to know the story behind each poem. "I have heard it said that writers live in the past, present and future, I must agree. I truly believe that we are all that we are today because of yesterday and we have yet to become who we will be tomorrow. Every day that God allows, makes us more of who we need to be for tomorrow’s journey". - Kristina Gilchrist
In these snapshots from on-going sagas, you'll read about grim realities - terrible group homes, suicides, adult children killed by police, incarcerations, solitary confinement, lack of beds, family chaos, substance abuse, ineffective medications, heart-breaking HIPAA restrictions, hallucinations, homelessness, sorrow, hurt, and anger. Simultaneously, you'll read about profound love, caregiving, gratitude, forgiveness, hope, strength, persistence, resilience, generosity, leadership, courage, pursuing dreams, understanding, and heroism. Please read our stories. Set aside any conscious biases about serious mental illnesses (SMI) and the people and families who struggle with them. Imagine us as relatives or friends - people you care deeply about. We mothers, in Tomorrow Was Yesterday, are counting on you to help us use outrage and compassion to reach a tipping point for change. We're relying on your word of mouth support to get these stories out to the broader, unknowing public. It has no idea how abysmal things are. -Dede Ranahan "I am confident these stories will cause the world to wake up, take notice, and implement the change we so badly need." -Miriam Feldman, painter and author of He Came In with It: A Portrait of Motherhood and Madness "Reading these intimate accounts will change you. It changed me." -Steve Goldbloom, Emmy-nominated writer, producer, director, and creator of the Brief But Spectacular series for PBS NEWsHour. The show's mission is to invite viewers to walk in someone else's shoes. "If these stories can't convince policy makers, I don't know what will." -Mindy Greiling, Minnesota legislator for 20 years, and author of Fix What You Can: Schizophrenia and a Lawmaker's Fight for Her Son
Today humans are often seen as commodities rather than image bearers. Classics scholar Nadya Williams brings insight from the beliefs and practices of the early church about motherhood, raising children, and human life, suggesting there is a way to recapture a vision that affirms the imago Dei in each person above our economic production.
“With a seeker’s profound curiosity, a journalist’s keen eye, and a potent combination of honesty, courage, intelligence, and tender-heartedness, Mark Matousek as written a beautiful book that is at once a spiritual autobiography and an exploration of one of the most mystical beings of our time.” —Dani Shapiro, author of Hourglass Mark Matousek was a nonbeliever when he met Mother Meera in 1985. Yet, in her presence, he experienced inexplicable occurrences that forced him to challenge his worldview. Mother Meera, born Kamala Reddy is believed by her thousands of devotees to be an embodiment of the Divine Mother. But who is Mother Meera, really? Now, in this deeply moving and wise book, Matousek takes us as close as possible to this extraordinary woman. Is divine incarnation truly possible, he asks, as most of the world’s religions insist? Speaking to members of her inner circle, working at her school for the poor in India, and interviewing the elusive master herself, Matousek takes the reader on a mysterious quest into the “unseen world” where the divine and human intersect.