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Out of print for nearly 70 years, more classic tales from Ion Idriess, who explored Australia, chasing down the stories of a changing continent: "The stories in this volume record happenings or incidents in men's lives which interested me during years of wandering among the bushmen and natives of Cape York Peninsula; the pearlers, trochus and beche-de-mer getters of the Coral Sea; the native islanders of Torres Strait; the "beachcombers" of the Great Barrier Reef; and along the eastern coast and in the Arafura Sea towards the west." With authenticity that sometimes surprises the reader, Idriess introduces us to Aboriginals from Northern Australia, Papuan head-hunters, and Islanders around the Great Barrier Reef, all still in the colonial phase of European contact. Chinese gold diggers appear too, well before the rise of China. Idriess knew these individuals; he met them, lived with them, before the contemporary world had a chance to make so much difference. The first peoples in the stories are in their tribal state, infused with age-old traditions and behavioral norms, proud but fearful of the white colonialists. It wasn't so long ago - barely three generations. That closeness in time can be said to offer a benefit to the reader; to some extent it helps us understand better their descendants who are alive today and within our society's reach. - Tony Grey, from his Introduction.
The Yellow Lady is the first major critique of Australian impressions of Asia. Alison Broinowski argues that Australians have been backward in developing an appropriate image of themselves because of their ignorance of and ambivalence towards Asians. She traces the history of Australian ideas about Asia and the Pacific from pre-colonial time to the present, and concludes that some of these perceptions, no matter how irrational or archaic, continue to underlie the political and economic decisions Australians make about the Asia-Pacific region. No one has ever looked so exhaustively at Australian images of Asia. Alison Broinowski, a longtime diplomat and writer about Asian issues, identifies these images, where they come from, and how they have changed or not changed. She investigates artists who took an interest in Asia and why they did so. They include visual artists, novelists, film-makers, composers, architects, poets, potters, playwrights, photographers, puppeteers and choreographers. Japan receives the greatest attention as a continuing source of both modernity and tradition. Beginning with early Aboriginal contact with Indonesians, The Yellow Lady shows how chances for harmonious co-existence with the neighbourhood were lost in the colonial period. Successive wars set back this process of adaptation. In the final section, as increasing numbers of Asians migrate to Australia and Asian countries become economically dominant, Australian images of Asia undergo rapid change. Alison Broinowski argues that until Asia is accepted as part of the mainstream of Australian life, Australians will remain uncertain about their status, and that, if Australia's international image is to change, itmust begin by acknowledging the reality of Asia.
Longlisted for the 2022 PEN/Hemingway Award for Debut Novel An embittered dog walker obsessed with a social media influencer inadvertently puts a curse on a young man—and must adventure into mysterious dimension in order to save him—in this wildly inventive, delightfully subversive, genre-nonconforming debut novel about illusion, magic, technology, kinship, and the emergent future. The year is 20__, and Penfield R. Henderson is in a rut. When he's not walking dogs for cash or responding to booty calls from his B-list celebrity hookup, he's holed up in his dingy Bushwick apartment obsessing over holograms of Aiden Chase, a fellow trans man and influencer documenting his much smoother transition into picture-perfect masculinity on the Gram. After an IRL encounter with Aiden leaves Pen feeling especially resentful, Pen enlists his roommates, the Witch and the Stoner-Hacker, to put their respective talents to use in hexing Aiden. Together, they gain access to Aiden's social media account and post a picture of Pen's aloe plant, Alice, tied to a curse: Whosoever beholds the aloe will be pushed into the Shadowlands. When the hex accidentally bypasses Aiden, sending another young trans man named Blithe to the Shadowlands (the dreaded emotional landscape through which every trans person must journey to achieve true self-actualization), the Rhiz (the quasi-benevolent big brother agency overseeing all trans matters) orders Pen and Aiden to team up and retrieve him. The two trace Blithe to a dilapidated motel in California and bring him back to New York, where they try to coax Blithe to stop speaking only in code and awkwardly try to pass on what little trans wisdom they possess. As the trio makes its way in a world that includes pitless avocados and subway cars that change color based on occupants' collective moods but still casts judgment on anyone not perfectly straight, Pen starts to learn that sometimes a family isn't just the people who birthed you. Magnificently imagined, linguistically dazzling, and riotously fun, Future Feeling presents an alternate future in which advanced technology still can't replace human connection but may give the trans community new ways to care for its own.
Hollywood critics agree. Joss Byrd is "fiercely emotional," a young actress with "complete conviction," and a "powerhouse." Joss Byrd is America's most celebrated young actress, and but on the set of her latest project, a gritty indie film called The Locals, Joss's life is far from glamorous. While struggling with her mother's expectations, a crush on her movie brother, and a secret that could end her career, Joss must pull off a performance worthy of a star. When her renowned, charismatic director demands more than she is ready to deliver, Joss must go off-script to stay true to herself.
In 1932, Ion Idriess was one of those who set out from tiny port of Derby with the ending of the Wet season, moving through the rugger Kimberleys towards the developing goldfield of Tennant's Creek. This is the story of his wanderings in the 1930s and what he heard and saw along the way; at a time when wireless and air and motor transport were rapidly changing life in the North and North-west: but when the age of pioneers, of heroic journeys, terrifying loneliness, and violent death, had not yet passed away. Back in print after 60 years.
Ion Idriess was a spotter for the famous Australian sniper, Billy Sing, and this book draws on his own experiences in the Gallipoli trenches during World War One. Sing had a reputation as an excellent marksman, lurking in the dark and silently sneaking up on the enemy. One day he was shot by a Turkish soldier. The bullet travelled down the barrel of his telescope, wounding both hands then went through his mouth, out his cheek and into his shoulder. He recovered from the injury, but was never really the same... Idriess was a trooper with the Light Horse at Gallipoli, all the way to Beersheba, and his diary was published as The Desert Column. Drawing on his military experience, this is one of six manuals written for soldiers and civilians in 1942, when invasion by the Japanese seemed imminent.