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The classic Middle Eastern story of Aladdin is presented here in this modern edition, beautifully illustrated by Walter Crane. The famous tale is part of the widely-known collection "One Thousand and One Nights", added in the 18th century by Frenchman Antoine Galland. It tells the story of an impoverished young man called Aladdin who, with the help of a magic lamp that he finds, becomes rich and powerful beyond his wildest dreams. An exciting an charming tale, "Aladdin and the Wonderful Lamp" is perfect bedtime reading material for children. Walter Crane (1845 - 1915) was an English book illustrator and artist considered as being among the most prolific and influential children's book producers of his generation. Crane also played a significant role in the Arts and Crafts movement, producing many illustrations, paintings, children's books, and more. Some notable books Crane illustrated include: Edmund Spenser's "Faerie Queene" (1894-1896), "Sleeping Beauty and Other Fairy Tales" (1910), and "A Fairy Garland" (1929). Pook Press celebrates the great 'Golden Age of Illustration' in children's literature - a period of unparalleled excellence in book illustration. We publish rare and vintage classic illustrated books, in high-quality colour editions, so that the masterful artwork and story-telling can continue to delight both young and old.
Snow White needs help! One of her dwarf friends has been kidnapped by the evil queen. It's up to Kara and Zed to travel to the castle and rescue the dwarf in time for Snow White's wedding.
Examines pantomime and theatricality in nineteenth-century histories of folklore and the fairy tale. In nineteenth-century Britain, the spectacular and highly profitable theatrical form known as "pantomime" was part of a shared cultural repertoire and a significant medium for the transmission of stories. Rowdy, comedic, and slightly risqué, pantomime productions were situated in dynamic relationship with various forms of print and material culture. Popular fairy-tale theater also informed the production and reception of folklore research in ways that are often overlooked. In Staging Fairyland: Folklore, Children's Entertainment, and Nineteenth-Century Pantomime, Jennifer Schacker reclaims the place of theatrical performance in this history, developing a model for the intermedial and cross-disciplinary study of narrative cultures. The case studies that punctuate each chapter move between the realms of print and performance, scholarship and popular culture. Schacker examines pantomime productions of such well-known tales as "Cinderella," "Little Red Riding Hood," and "Jack and the Beanstalk," as well as others whose popularity has waned—such as, "Daniel O'Rourke" and "The Yellow Dwarf." These productions resonate with traditions of impersonation, cross-dressing, literary imposture, masquerade, and the social practice of "fancy dress." Schacker also traces the complex histories of Mother Goose and Mother Bunch, who were often cast as the embodiments of both tale-telling and stage magic and who move through various genres of narrative and forms of print culture. These examinations push at the limits of prevailing approaches to the fairy tale across media. They also demonstrate the degree to which perspectives on the fairy tale as children's entertainment often obscure the complex histories and ideological underpinnings of specific tales. Mapping the histories of tales requires a fundamental reconfiguration of our thinking about early folklore study and about "fairy tales": their bearing on questions of genre and ideology but also their signifying possibilities—past, present, and future. Readers interested in folklore, fairy-tale studies, children's literature, and performance studies will embrace this informative monograph.
From the New York Times bestselling author of Rump, comes the true story behind another unlikely hero: a grumpy dwarf who gets tangled up in Snow White's feud with the wicked queen. Ever since he was a dwarfling, Borlen (nicknamed "Grump") has dreamed of visiting The Surface, so when opportunity knocks, he leaves his cavern home behind. At first, life aboveground is a dream come true. Queen Elfrieda Veronika Ingrid Lenore (E.V.I.L.) is the best friend Grump always wanted, feeding him all the rubies he can eat and allowing him to rule at her side in exchange for magic and information. But as time goes on, Grump starts to suspect that Queen E.V.I.L. may not be as nice as she seems. . . . When the queen commands him to carry out a horrible task against her stepdaughter Snow White, Grump is in over his head. He's bound by magic to help the queen, but also to protect Snow White. As if that wasn't stressful enough, the queen keeps bugging him for updates through her magic mirror! He'll have to dig deep to find a way out of this pickle, and that's enough to make any dwarf Grumpy indeed. "Liesl Shurtliff writes the perfect middle-grade page-turners that fourth graders can gobble down on the plane, train, and automobile trips ahead this summer. . . . [she] excels at turning familiar worlds on their heads. --The New York Times Book Review "Hilarious and heartfelt . . . Lovable Borlen's grumpy first-person narration explores themes of belonging, friendship, and doing the right thing. Sure to please fans of reimagined fairy tales." --Kirkus "A hilarious reimagining of its origin story with a wonderfully detailed world and interesting twists on classic characters. Sure to be a hit with fantasy fans looking for comedy." --Booklist "The story moves at a fast pace and deftly balances lighthearted humor with emotional weight. . . .a sure hit for Shurtliff's fans." --School Library Journal
A Huffington Post Book Club Suggestion • An O: The Oprah Magazine Fall Pick • A LitHub Book You Should Read This September • One of The Millions' "Most Anticipated" for 2016 • 2017 Ohioana Book Award Winner in Fiction “Marisa Silver’s beguiling new novel Little Nothing is a powerful exploration of the relationship between our changeable bodies and our just as malleable identities…Silver’s storytelling skills are finely matched to her themes…meditative passages bloom with life.” —Matt Bell, The New York Times Book Review A stunning, provocative new novel from New York Times bestselling author Marisa Silver, Little Nothing is the story of a girl, scorned for her physical deformity, whose passion and salvation lie in her otherworldly ability to transform herself and the world around her. In an unnamed country at the beginning of the last century, a child called Pavla is born to peasant parents. Her arrival, fervently anticipated and conceived in part by gypsy tonics and archaic prescriptions, stuns her parents and brings outrage and scorn from her community. Pavla has been born a dwarf, beautiful in face, but as the years pass, she grows no farther than the edge of her crib. When her parents turn to the treatments of a local charlatan, his terrifying cure opens the floodgates of persecution for Pavla. Little Nothing unfolds across a lifetime of unimaginable, magical transformation in and out of human form, as an outcast girl becomes a hunted woman whose ultimate survival depends on the most startling transfiguration of them all. Woven throughout is the journey of Danilo, the young man entranced by Pavla, obsessed only with protecting her. Part allegory about the shifting nature of being, part subversive fairy tale of love in all its uncanny guises, Little Nothing spans the beginning of a new century, the disintegration of ancient superstitions, and the adoption of industry and invention. With a cast of remarkable characters, a wholly original story, and extraordinary, page-turning prose, Marisa Silver delivers a novel of sheer electricity.