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A society woman’s mysterious death sets off a twisting murder investigation in this 1915 crime novel featuring Inspector Dunbar and Gaston Max. Popular novelist Henry Leroux is working late into the night when a woman in grave distress arrives at his door. Wearing little beneath her fur coat and clearly in need of medical attention, the woman dies before she can explain why she has sought Leroux out. It is a baffling investigation for Scotland Yard’s Inspector Dunbar, one that will draw him into London’s seedy Limehouse district in pursuit of the mysterious criminal mastermind Mr. King. As Dunbar uncovers Mr. King’s nefarious plan to destroy all of London’s high society, he is joined on the case by the legendary detective Gaston Max.
Dive into the thrilling world of "The Yellow Claw." Set in the 1910s, this modern fiction piece by Ward is a blend of mystery and thriller. The narrative beautifully captures the essence of culture and humanities, offering readers a gripping experience filled with suspense and intrigue. It's a must-read for those who appreciate mystery novels and thriller narratives.
Sax Rohmer was the pseudonym used by Arthur Henry Sarsfield Ward. Ward was a British novelist born in 1883. He is most remembered for his series of novels featuring the master criminal Dr Fu Manchu. The evil Fu Manchu would disguise himself in order to have his victims destroy each other. Fu Manchu plotted against good and spent his time trying to out wit Scotland Yard. The series was extremely popular in the fist half of the 20th century. Besides the novels, there were comic strips, movies and a TV series. In this novel the Oriental villain Mr. King masterminds a plot to hold London's elite at his mercy. One person has died and other may soon follow. Two of Rohmer's great detectives, Gaston Max and Inspector Dunbar are on the case. Can the cream of London's society be saved?
This eBook has been formatted to the highest digital standards and adjusted for readability on all devices. The Yellow Claw is a crime novel by Sax Rohmer. The story features Gaston Max, a Parisian criminal investigator and master of disguise, and his battle with Mr. King, a master criminal. Max is often aided in his efforts by Inspector Dunbar and together they need to stop Mr. King before he takes his next hostage! The novel was the basis for the 1921 British silent film The Yellow Claw.The Golden Scorpion again features Detective Gaston Max and Inspector Dunbar who must save the day from an evil "scorpion" mastermind before he makes his next kill!
The Yellow Claw is a 1915 crime novel by Arthur Henry Stansfield Ward, acknowledged higher beneath Neath his pseudonym of Sax Rohmer.The tale functions Gaston Max, a Parisian crook investigator and grasp of disguise, and his conflict with Mr. King, a grasp crook similar to Rohmer's in advance man or woman Dr. Manchu. The elusive Oriental villain called Mr. King masterminds an insidious plot to maintain London's wealth at his mercy.His henchmen have already killed one socialite, and extra are threatened. Hot at the path are of Sax Rohmer's greatestdetectives, Gaston Max and Inspector Dunbar, as they adopt a case that threatens to break the cream of British society. This scarce antiquarian ee-e book is a facsimile reprint of the authentic. Due to its age, it is able to contain imperfections which include marks, notations, marginalia, and incorrect pages. Because we trust this painting is culturally important, we've made it to be had as component of our dedication to protecting, preserving, and selling the world's literature in affordable, high-quality, current variations which might be genuine to the authentic paintings.
In this thorough history, the author demonstrates, via the popular literature (primarily pulp magazines and comic books) of the 1920s to about 1960, that the stories therein drew their definitions of heroism and villainy from an overarching, nativist fear of outsiders that had existed before World War I but intensified afterwards. These depictions were transferred to America's "new" enemies, both following U.S. entry into the Second World War and during the early stages of the Cold War. Anti-foreign narratives showed a growing emphasis on ideological, as opposed to racial or ethnic, differences--and early signs of the coming "multiculturalism"--indicating that pure racism was not the sole reason for nativist rhetoric in popular literature. The process of change in America's nativist sentiments, so virulent after the First World War, are revealed by the popular, inexpensive escapism of the time, pulp magazines and comic books.