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The British and Irish Short Story Handbook guides readers through the development of the short story and the unique critical issues involved in discussions of short fiction. It includes a wide-ranging analysis of non-canonical and non-realist writers as well as the major authors and their works, providing a comprehensive and much-needed appraisal of this area. Guides readers through the development of the short story and critical issues involved in discussions of short fiction Offers a detailed discussion of the range of genres in the British and Irish short story Includes extensive analysis of non-canonical writers, such as Hubert Crackanthorpe, Ella D’Arcy, T.F. Powys, A.E. Coppard, Julian Maclaren-Ross, Mollie Panter-Downes, Denton Welch, and Sylvia Townsend Warner Provide a wide-ranging discussion of non-realist and experimental short stories Includes a large section on the British short story in the Second World War
A Companion to the British and Irish Short Story provides a comprehensive treatment of short fiction writing and chronicles its development in Britain and Ireland from 1880 to the present. Provides a comprehensive treatment of the short story in Britain and Ireland as it developed over the period 1880 to the present Includes essays on topics and genres, as well as on individual texts and authors Comprises chapters on women’s writing, Irish fiction, gay and lesbian writing, and short fiction by immigrants to Britain
The stories collected here demonstrates the richness of the short story tradition in Ireland from the end of the last century to the period following the Second World War. The authors represented are: George Moore, Somerville and Ross, Daniel Corkery, Jame Stephens, Liam O'Flaherty, L.A.G. Strong, Sean O'Faoláin, Frank O'Connor, Eric Cross, Michael McLaverty, Bryan MacMahon, Mary Lavin, James Plunkett, James Joyce, and Elizabeth Bowen. `this is as good a collection of stories as you could find anywhere and fully deserves its new description "classic".' Books and Bookmen
The Man Booker prize-winning author's selection of the best Irish short stories of the last sixty years, following Richard Ford's bestselling Granta Book of the American Short Story.
Beginning with a brief history and evolution of the short story genre, alongside an overview of the key short story writers, and an explanatory chapter of literary criticism, this book aims to give readers insight into the works by canonical British, Irish, and American authors, including Edgar Allan Poe, James Joyce, Flannery O'Connor, and more. Applying close reading skills and critical literary approaches to twelve selected short stories in English, this work conducts comparative analyses to reveal the interrelationships between the texts, the authors, the readers, and the sociocultural contexts. Developed and tested in literature classes at university over several semesters, this book addresses key issues, topics and trends in the short story genre.
Ireland has always been a nation of story-tellers. This magnificent anthology chronicles the development of a rich literary tradition, from the earliest folk-tales to James Joyce, Liam O'Flaherty, and the rising stars of the new generation.
The Irish have always had a way with words. Long ago they took on a language not their own and learned to re-word it into pure magic. Nowhere is this magic more in evidence than in their short stories--stories that combine lyricism, humor and tragedy with rare imagination set in simple backgrounds, largely without props. The seemingly effortless art of the best Irish writers has an appeal that is naive and highly sophisticated at the same time; the disarming simplicity with which the tales are spun being somewhat misleading at first reading. In this anthology there are gathered, for the first time in America, some of the more representative examples of Irish short fiction. The emphasis is on variety. All are a delight to read. All have universal appeal. Only 21 of the 44 have previously been published in this country.