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A gripping novel of dark family secrets, bigotry, lust, and lies set in the world of the phenomenally wealthy The Liebling family is among the wealthiest in New York, but in the eyes of “old money” gentile aristocrats like the patrician Van Degans, they will always be lower-class Jewish nouveau riche—especially since it’s common knowledge that patriarch Jules Liebling built the powerful Ingraham Corporation from the profits he made selling liquor during Prohibition while in cahoots with dangerous mobsters. Jules is long dead and his widow, Hannah, runs the business with a tyrannical hand. Hannah is reluctant to turn over the reins to the heir apparent, her capable son Noah, despite the fact that she is now well into her eighties. But when Noah’s wife, Carol, meets Georgette Van Degan for lunch at Le Cirque, gossip circulates around Manhattan about a thaw between the families and, quite possibly, a partnership. As rumors fly, family skeletons on both sides are exposed, leading to jealousy, betrayal, and even violence. Author Stephen Birmingham explores the dark side of wealth, family, and privilege in The Wrong Kind of Money, brilliantly displaying his phenomenal storytelling skill along with his intimate knowledge of the lives of America’s aristocrats.
A brutally honest look at the systemic exclusion of women in film—an industry with massive cultural influence—and how, in response, women are making space in cinema for their voices to be heard. Generation after generation, women have faced the devastating reality that Hollywood is a system built to keep them out. The films created by that system influence everything from our worldviews to our brain chemistry. When women’s voices are excluded from the medium, the impact on society is immense. Actor, screenwriter, and award-winning independent filmmaker Naomi McDougall Jones takes us inside the cutthroat, scandal-laden film industry, where only 5% of top studio films are directed by women and less than 20% of leading characters in mainstream films are female. Jones calls on all of us to act radically to build a different kind of future for cinema—not only for the women being actively hurt inside the industry but for those outside it, whose lives, purchasing decisions, and sense of selves are shaped by the stories told. Informed by the journey of her own career; by interviews with others throughout the film industry; and by cold, hard data, Jones deconstructs the casual, commonplace sexism rampant in Hollywood that has kept women out of key roles for decades. Next, she shows us the growing women-driven revolution in filmmaking—sparked by streaming services, crumbling distribution models, direct-to-audience access via innovative online platforms, and outside advocacy groups—which has enabled women to build careers outside the traditional studio system. Finally, she makes a business case for financing and producing films by female filmmakers.
From the #1 New York Times Bestselling Author of Never Never, co-written with Colleen Hoover! From the author of the New York Times bestseller The Wives comes another twisted psychological thriller guaranteed to turn your world upside down—an instant bestseller! Have you ever been wrong about someone? Juno was wrong about Winnie Crouch. Before moving in with the Crouch family, Juno thought Winnie and her husband, Nigel, had the perfect marriage, the perfect son—the perfect life. Only now that she’s living in their beautiful house, she sees the cracks in the crumbling facade are too deep to ignore. Still, she isn’t one to judge. After her grim diagnosis, the retired therapist simply wants a place to live out the rest of her days in peace. But that peace is shattered the day Juno overhears a chilling conversation between Winnie and Nigel… She shouldn’t get involved. She really shouldn’t. But this could be her chance to make a few things right. Because if you thought Juno didn’t have a secret of her own, then you were wrong about her, too. From the wickedly dark mind of bestselling author Tarryn Fisher, The Wrong Family is a taut new thriller that’s riddled with twists in all the right places. “The Wrong Family is your new obsession. It’s full of twists you’ll never see coming and you’ll be breathless until the end. Trust me: you’ve never read anything like this.”—Colleen Hoover, #1 New York Times bestselling author How far will one twin go to uncover where her “good half” has gone? Find out in Good Half Gone, #1 New York Times Bestselling author Tarryn Fisher’s next riveting suspense novel! Looking for more great reads by Tarryn Fisher? Don't miss: Never Never The Wives An Honest Lie
In What Money Can't Buy, renowned political philosopher Michael J. Sandel rethinks the role that markets and money should play in our society. Should we pay children to read books or to get good grades? Should we put a price on human life to decide how much pollution to allow? Is it ethical to pay people to test risky new drugs or to donate their organs? What about hiring mercenaries to fight our wars, outsourcing inmates to for-profit prisons, auctioning admission to elite universities, or selling citizenship to immigrants willing to pay? In his New York Times bestseller What Money Can't Buy, Michael J. Sandel takes up one of the biggest ethical questions of our time: Isn't there something wrong with a world in which everything is for sale? If so, how can we prevent market values from reaching into spheres of life where they don't belong? What are the moral limits of markets? Over recent decades, market values have crowded out nonmarket norms in almost every aspect of life. Without quite realizing it, Sandel argues, we have drifted from having a market economy to being a market society. In Justice, an international bestseller, Sandel showed himself to be a master at illuminating, with clarity and verve, the hard moral questions we confront in our everyday lives. Now, in What Money Can't Buy, he provokes a debate that's been missing in our market-driven age: What is the proper role of markets in a democratic society, and how can we protect the moral and civic goods that markets do not honor and money cannot buy?
A reluctant angel, three not terribly wise men, two gorgeous men on a starlit chase to find a child ... It can only be Christmas. It’s Christmas 1817 and Captain Charles Farrington has accepted that he is destined to live alone. That is, until Christmas Eve, when a startlingly handsome man crashes into his home and his life. Harry Valentine is a man on the run. A man with secrets. He hasn’t time to fall for the angel who rescued him and, in any case, he knows that once Charlie realises the truth about him, there will be no future for them. Harry’s warmth makes Charles face up to the demons in his past and shows him that he can have a family. All he has to do is persuade Harry to stay. But Charlie knows that, despite whatever Harry says, he’s the wrong kind of angel for happy endings.
Few economic phenomena provoke as much confusion as money. From the first measures of value and the physical coins that circulated at the dawn human civilization to the era of ‘virtual’ money transmitted through cyberspace, it is ubiquitous and hugely important, yet economists cannot even agree on what it is. In this pithy, accessible book, Geoffrey Ingham cuts through this tangled web of debate to bring rare clarity. Ingham begins by examining the fundamental debate over the nature of money: is it fundamentally a natural, ‘neutral’ measure of pre-existing value produced by ‘real’ economic forces? Or is it a socially produced and politically manipulated force that creates new value? He proceeds to trace the import of these competing views for how we understand our contemporary monetary systems and their practical and policy-related implications, from their role in financial crises to proposals for reform. Students of political economy, economic sociology and monetary economics will find this book an invaluable primer, as will general readers wishing to understand how money shapes their lives, from the cash in their pocket to the numbers on their computer screen.
The concept of a reason is now central to many areas of contemporary philosophy. Key theses in ethics, epistemology, political philosophy, philosophy of action, and the philosophy of the emotions, among others, have come to be framed in terms of reasons. And yet, despite their centrality, theorists seem to take inconsistent things for granted about how reasons work, what kinds of things can be reasons, what reasons favor, and more. Somehow reasons have come to be both indispensable and impenetrable. The Fundamentals of Reasons offers a comprehensive introduction to the philosophy of reasons. Focusing on the twin roles of reasons in explanation and deliberation, the book not only emphasizes what has made reasons central across philosophy but it also explores why philosophers have such incompatible pictures about what reasons are and how they work. Working from the inside out, Howard and Schroeder identify contentious assumptions about not only the internal structure of reasons but also their relationship to other important concepts, and then show how these contentious assumptions shape the many downstream applications of reasons in ethics, epistemology, political philosophy, and beyond. This mildly opinionated exploration of key questions about the significance and nature of reasons helps the reader to navigate this important part of the philosophical landscape and to get clearer about why reasons seem important and what their import, ultimately, is.
Even Big Ron, man of a thousand, quips was hard pressed to do justice to the glories of the season: beaten 8-1 by Manchester United he nobly offered ‘I was expecting a nine-goal thriller’, proving that even with the firing squad loading up, there is room for wit at the sharp end of soccer’s dreams.