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Excerpt from The Writings of William Paterson, Founder of the Bank of England, Vol. 2 of 2: With Biographical Notices of the Author, His Contemporaries, and His Race Two of the earliest in order Of these documents, but not dated, are Obviously essays from one familiar with the continental uses Of transferable bills and bank credit, here well described and recommended. They constitute, in fact, introductions to the new business respecting money that was in cautious preparation among us. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This little book tells the truthful story of how the Bank of England actually came into being. It is a story of pirates, treasure, random good fortune and sheer determination. This is an institution founded on risk, daring and imagination. The tale is entangled with that of the early novel, in particular the fortunes of one Moll Flanders, an entrepreneur of sexual relations in the growing London market for capital in the early eighteenth century. These accounts are woven together with the life-stories of Daniel Defoe and William Paterson, founders of two of the key institutions of our modern age, the novel and the corporation. This reveals connections which are nowadays forgotten, and which the fractured specialisms of ‘Literature’, ‘History’ and ‘Business’ can rarely see. These tales are set against the backdrop of the long eighteenth century - fervent years of inventiveness, high risk gambling, and political revolution. The authors show that the dark arts of deceit, and the credibility of fictions, are requirements for any creative enterprise, and that all organizations are fictions.
Excerpt from The Writings of William Paterson, Founder of the Bank of England, Vol. 1 of 2 Freeholder to have also published his important works anonymously. In his case, as in other curious instances, the credit of such writings has been unsern pulously taken for others than their authors. The authorship of the present works is given to Paterson upon proofs adduced with the less hesitation, as it would be difficult to account for the reputation he once enjoyed for capacity in the higher branches of calculation, unless, in the absence of very great wealth and the weightiest mercantile standing and political power, at least writings Of this character could be traced to him. The strong evidence depended upon only fa vours a fact which is in itself in a high degree probable. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
A quartet of the British novelist’s finest works of fiction, including “Lowry’s masterpiece,” Under the Volcano (Los Angeles Times). Malcolm Lowry was an author who poured his soul into his prose, including his struggle with his own demons. Of his most famous work, Under the Volcano, Dawn Powell wrote: “You love the author for the pain of his overwhelming understanding.” In the New YorkHerald Tribune, Mark Schorer commented that few novels “convey so feelingly the agony of alienation, the infernal suffering of disintegration.” D. T. Max wrote in the New Yorker: “[Lowry’s] portrait of an unravelling drunk was unnervingly intimate.” Honored by the Modern Library as one of the one hundred best English language novels of the twentieth century, Under the Volcano is widely acknowledged as “Lowry’s masterpiece” (Los Angeles Times). In this novel and the other works of fiction gathered here, the reader follows Lowry as he confronts the abyss, but also shares in his eternal hope for transcendence. Ultramarine: Lowry’s debut novel, and the only book, other than Under the Volcano, published in his lifetime, is the coming-of-age story of Dana Hilliot, who escapes the bourgeois provincialism of his upper-class British upbringing by joining a crew of weathered, world-weary sailors on a freighter bound for South Asia. Part Moby-Dick, part A Portrait of the Artist as a Young Man, Ultramarin draws on Lowry’s own early experience on the sea. Hear Us O Lord from Heaven Thy Dwelling Place: Published posthumously, these seven stories and novellas include “Through the Panama,” in which a burned-out, alcoholic writer on a voyage from Vancouver to Europe tries to make sense of the literature that has kept him afloat, while the pulse of his life grows harder to distinguish, and “The Forest Path to Spring,” about a couple that has been through hell finding new life in the beauty and seclusion of a vast forest. “[These] stories and novellas afford glimpses of the whole toward which Lowry was striving.” —The New York Times Under the Volcano: Former British consul Geoffrey Firmin lives alone with his demons in the shadow of two active volcanoes in South Central Mexico. Drowning in alcoholism, Geoffrey makes one last effort to salvage his crumbling life when his estranged wife, Yvonne, arrives in town on the Day of the Dead, 1938. “One of the towering novels of [the twentieth] century.” —The New York Times October Ferry to Gabriola: Edited by Lowry’s widow and frequent collaborator, and released more than a decade after his untimely death, October Ferry to Gabriola is the story of a married couple striving for renewal, sanity, and transcendence in the deep seclusion of the British Columbian forest. “What awaits [the reader] is worth the effort: a species of ecstatic, lyrical prose that has all but gone out of existence.” —The New York Times