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Winner of the Translation Prize for non-fiction from the French-American Foundation. Son of a mortal king and an immortal Muse, Orpheus possessed a gift for music unmatched among humans; with his lyre he could turn the course of rivers, drown the fatal song of the Sirens, and charm the denizens of the underworld. The allure of his music speaks through the myths and stories of the Greeks and Romans, who tell of his mysterious compositions, with lyrics that only the initiated could understand after undergoing secret rites. Where readers of subsequent centuries have been content to understand these mysteries as the stuff of obfuscation or mere folderol, Marcel Detienne finds in the writing of Orpheus a key to the thinking of the ancient Greeks. A profound understanding of ancient Greek myth in its cultural contexts allows Detienne to recover a cultural system from fragments and ephemera—to reproduce, with sensitivity to variation and nuance, the full richness of the mythological repertoire flowing from the writing of Orpheus. His investigation moves from the Orphic writings to broader mysteries: how Greek gods became myths, how myths informed later religious thinking, and how myths have come into play in polemics between competing religions. An eloquent answer to some of the most vexing questions about the myth of Orpheus and its far-reaching ramifications through time and culture, Detienne's work ultimately offers a major rethinking of Greek mythology.
A revealing look at how the Orpheus myth helped Renaissance writers and thinkers understand the force of eloquence In ancient Greek mythology, the lyrical songs of Orpheus charmed the gods, and compelled animals, rocks, and trees to obey his commands. This mythic power inspired Renaissance philosophers and poets as they attempted to discover the hidden powers of verbal eloquence. They wanted to know: How do words produce action? In The Trials of Orpheus, Jenny Mann examines the key role the Orpheus story played in helping early modern writers and thinkers understand the mechanisms of rhetorical force. Mann demonstrates that the forms and figures of ancient poetry indelibly shaped the principles of sixteenth- and seventeenth-century scientific knowledge. Mann explores how Ovid's version of the Orpheus myth gave English poets and natural philosophers the lexicon with which to explain language's ability to move individuals without physical contact. These writers and thinkers came to see eloquence as an aesthetic force capable of binding, drawing, softening, and scattering audiences. Bringing together a range of examples from drama, poetry, and philosophy by Bacon, Lodge, Marlowe, Montaigne, Shakespeare, and others, Mann demonstrates that the fascination with Orpheus produced some of the most canonical literature of the age. Delving into the impact of ancient Greek thought and poetry in the early modern era, The Trials of Orpheus sheds light on how the powers of rhetoric became a focus of English thought and literature.
For at least two and a half millennia, the figure of Orpheus has haunted humanity. Half-man, half-god, musician, magician, theologian, poet and lover, his story never leaves us. He may be myth, but his lyre still sounds, entrancing everything that hears it: animals, trees, water, stones, and men. In this extraordinary work Ann Wroe goes in search of Orpheus, from the forests where he walked and the mountains where he worshipped to the artefacts, texts and philosophies built up round him. She traces the man, and the power he represents, through the myriad versions of a fantastical life: his birth in Thrace, his studies in Egypt, his voyage with the Argonauts to fetch the Golden Fleece, his love for Eurydice and journey to Hades, and his terrible death. We see him tantalising Cicero and Plato, and breathing new music into Gluck and Monteverdi; occupying the mind of Jung and the surreal dreams of Cocteau; scandalising the Fathers of the early Church, and filling Rilke with poems like a whirlwind. He emerges as not simply another mythical figure but the force of creation itself, singing the song of light out of darkness and life out of death.
A “deeply emotional . . . lyrical and haunting” debut that reimagines the Orpheus myth as a love story between two teen girls who are sent to conversion therapy (School Library Journal). “Raya and Sarah’s story is a credit to Rebele-Henry’s own teen voice, mature beyond her years. The emotionally dramatic narrative . . . rings incredibly true.” —NPR Abandoned by a single mother she never knew, 16-year-old Raya—obsessed with ancient myths—lives with her grandmother in a small conservative Texas town. For years Raya has fought to hide her feelings for her best friend and true love, Sarah. When the two are outed, they are sent to Friendly Saviors: a re-education camp meant to “fix” them and make them heterosexual. Upon arrival, Raya vows to assume the role of Orpheus, to return to the world of the living with her love—and after she, Sarah, and the other teen residents are subjected to abusive and brutal “treatments” by the staff, Raya only becomes more determined to escape. In a haunting voice reminiscent of Sylvia Plath and the contemporary lyricism of David Levithan, Brynne Rebele-Henry weaves a powerful inversion of the Orpheus myth informed by the disturbing real-world truths of conversion therapy. Orpheus Girl is a story of dysfunctional families, trauma, first love, heartbreak, and ultimately, the fierce adolescent resilience that has the power to triumph over darkness and ignorance. CW: There are scenes in this book that depict self-harm, homophobia, transphobia, and violence against LGBTQ characters.
A rebellion in space pits one boy’s past against his future in this gripping adventure from the critically acclaimed author of In the Red! This out-of-this-world story about fighting for what’s right, chasing your dreams, and believing in yourself is perfect for fans of Kevin Emerson, Yoon Ha Lee, and D. J. MacHale. Lucas Adebayo grew up on a small mining ship in the asteroid belt, but wants to join the Navy and become the best pilot in the galaxy. The Navy has never accepted a Belter cadet before, but Lucas’s skills secure him a place on the training ship, the Orpheus. Life in the Navy couldn’t be more different than life in the Belt, and Lucas struggles to find his place. As a Belter, he’s an outsider among his peers; as a Navy cadet, he doesn’t quite fit in at home anymore, either. Lucas is caught between the worlds of his past and his future when a Belter rebellion puts everyone’s lives at risk. Only he can lead the way to peace. Praise for In the Red “It will leave you breathless.”—New York Times bestselling author D. J. MacHale “A non-stop, pulse-pounding adventure!”—Kevin Emerson, author of Last Day on Mars “Stunning descriptions and harrowing feats of survival.”—Booklist
Harry Black is lost between the world of war and the land of myth in this illustrated novel that transports the tale of Orpheus to World War II–era London. Brothers Marcus and Julian Sedgwick team up to pen this haunting tale of another pair of brothers, caught between life and death in World War II. Harry Black, a conscientious objector, artist, and firefighter battling the blazes of German bombing in London in 1944, wakes in the hospital to news that his soldier brother, Ellis, has been killed. In the delirium of his wounded state, Harry’s mind begins to blur the distinctions between the reality of war-torn London, the fiction of his unpublished sci-fi novel, and the myth of Orpheus and Eurydice. Driven by visions of Ellis still alive and a sense of poetic inevitability, Harry sets off on a search for his brother that will lead him deep into the city’s Underworld. With otherworldly paintings by Alexis Deacon depicting Harry’s surreal descent further into the depths of hell, this eerily beautiful blend of prose, verse, and illustration delves into love, loyalty, and the unbreakable bonds of brotherhood as it builds to a fierce indictment of mechanized warfare.
Long ago, when gods and heroes walked the earth in triumph and tragedy, true love and epic deeds were set among the stars... In the ancient land of Greece, at a time when kings warred and the people suffered, the Fates fixed their timeless eyes upon the son of a muse, and his story inspired hope and beauty in a ravaged world. Raised by the daughters of Zeus in the shadow of Mount Olympus, Orpheus is filled with a love of the world, of creation, and of song. Wherever he goes, whatever he does, he inspires mortals, birds, beasts, and even the Gods with his music. He is blessed with a humility and unmatched skill that make him the greatest musician of the age. However, when the god Apollo tells Orpheus that he has more to learn, the young man leaves the safety of his home to wander the world in search of his destiny. Having travelled alone into the vast northern forests of Thrace, Orpheus discovers that elusive gift granted to few mortals or gods: True Love. In the love and friendship of the nymph, Eurydice, Orpheus comes to understand one of the greatest mysteries of the world. He is inspired in all things, and his music reaches unimagined heights of beauty. But the Fates can be cruel, the world barbarous, and the greatest gifts given, including love, can be taken away. When Eurydice’s light is suddenly extinguished from Orpheus’ life, the musician must make a choice. He can live a life without his only love and let the world tear itself to pieces, or he can make a journey that would terrify even the bravest of heroes to rescue his love and bring her back into the light. Will Orpheus be able to cross the dark plains of the Underworld and bring Eurydice back? Or will he lose his soul, and his love, for daring to challenge the Fates? The only way he can succeed is to plumb the depths of his deepest emotions and play like he has never played before... A Song for the Underworld is an epic retelling of the story of Orpheus and Eurydice from Greek mythology. It is the third book in the Mythologia fantasy series by best-selling and award-winning author and historian, Adam Alexander Haviaras. If you enjoy books by Madeline Miller, Stephen Fry, Natalie Haynes or Jennifer Saint then you will love the Mythologia series. Read A Song for the Underworld today and experience the greatest love story of the ancient world!
Writing about The Gaze of Orpheus, Geoffrey Hartman suggested that When we come to write the history of criticism for the 1940 to 1980 period, it will be found that Blanchot, together with Sartre, made French 'discourse' possible, both in its relentlessness and its acuity..This selection.is exemplary for its clearly translated and well-chosen excerpts from Blanchot's many influential books. Reading him now, and in this form, I feel once more the excitement of discovering Blanchot in the 1950s.
When the handsome and strange Orpheus strolls onto the beach and sings, good friends Claire and Ella each find a new understanding of themselves.
THE SONG OF ORPHEUS: THE GREATEST GREEK MYTHS YOU NEVER HEARD is a funny, adventure-filled collection of wonderfully weird "new" Greek myths. This unforgettable collection spins tales of love and loss, hilariously vain superheroes, ancient robots, untrappable giant foxes, men reborn after being torn apart by dragons, and even the world's first monkeys. A few of these tales may seem familiar at first, but be prepared for the unexpected. Others are wonderfully strange and puzzling. All of them are entertaining. All of them deserve to be better known. Retold by author and scholar Tracy Barrett (THE SHERLOCK FILES, ANNA OF BYZANTIUM, THE STEPSISTER'S TALE) with accuracy, suspense, and humor, using authoritative translations into English of ancient source material, the myths in THE SONG OF ORPHEUS will make readers, and especially fans of THE HEROES OF OLYMPUS series, laugh, gasp, and geek out.