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Why do you write? Perhaps you’re penning a memoir, fantasy, or romance. Maybe you’re writing a sci-fi series or creative nonfiction novel. At the receiving end will be readers who demand clarity. If you confuse them, you lose them. Learn how to capture their attention and keep them engaged. Discover when to bend or break the so-called “rules” and motivate everyone to finish “just one more chapter.” This book is a must-have for all writers, from amateur to professional, fiction to nonfiction. Sprinkled throughout, you’ll find exercises and examples with ideas for story prompts. Snap ‘em up at will, and ... ... write on.
You just read your manuscript and discovered that your characters nod like marionettes in every chapter. When they’re not nodding, they roll their eyes. Time to slash the Pinocchio strings. Transform your protagonists into believable personalities that your readers will learn to love. Or hate. Get in the driver’s seat, relax, and enjoy your journey — with Kathy Steinemann’s book as your GPS.
You just read your manuscript and discovered that your characters nod like marionettes in every chapter. When they're not nodding, they roll their eyes. Time to slash the Pinocchio strings and turn them into real people. Award-winning author Kathy Steinemann provides the tools. She cuts through the so-called rules and offers simple solutions. Too many repetitions of "little"? There's a cure for that. Do you rely on "very" too often? There's a cure for that too. You'll find the remedies in this book's dispensary. Should you ever use anything other than "said" to attribute dialogue? Are exclamation points taboo? The answers might surprise you. Learn how to harness body language, purge hackneyed adjectives, and draw on the environment for ambience. No more wooden characters. You'll transform them into believable personalities that your readers will learn to love. Or hate. Get in the driver's seat, relax, and enjoy your journey-with Kathy Steinemann's book as your GPS.
Ordinary writers describe the body in order to evoke images in readers’ minds. Extraordinary writers leverage it to add elements such as tension, intrigue, and humor. The Writer’s Body Lexicon provides tools for both approaches. Kathy Steinemann provides a boggling number of word choices and phrases for body parts, organized under similar sections in most chapters: • Emotion Beats and Physical Manifestations • Adjectives • Similes and Metaphors • Colors and Variegations • Scents • Shapes • Verbs and Phrasal Verbs • Nouns • Prompts • Clichés and Idioms Sprinkled throughout, you’ll also find hundreds of story ideas. They pop up in similes, metaphors, word lists, and other nooks and crannies. Readers don’t want every character to be a cardboard cutout with a perfect physique. They prefer real bodies with imperfections that drive character actions and reactions — bodies with believable skin, scents, and colors. For instance, a well-dressed CEO whose infrequent smile exposes poorly maintained teeth might be on the verge of bankruptcy. A gorgeous cougar with decaying teeth, who tells her young admirer she’s rich, could spook her prey. Someone trying to hide a cigarette habit from a spouse might be foiled by nicotine stains. Add depth to your writing. Rather than just describe the body, exploit it. Build on it. Mold it until it becomes an integral part of your narrative. “… a timeless resource: You’ll find advice, prompts, ideas, vocabulary, humor, and everything in between. But more importantly, it will make your characters stand out from the crowd.” — Nada Sobhi
At a recent literary conference hosted by Villa Gillet and "Le Monde," organizers asked seventy-seven prominent authors from around the world to choose a word that opens the door to their work. Their crystalline musings, collected here for the first time, offer an extraordinary portrait of writing and reading from the perspective of the artist. Organized alphabetically, the anthology is a pleasurable and instructive book for writers, readers, and anyone seeking an intimate understanding of literature. Through these personal "passwords," authors articulate the function of language, character, plot, and structure, and, in the process, reveal their relationship with the elements of story. Jonathan Lethem discusses the independent life of furniture; A. S. Byatt describes the power of the narrative web; Etgar Keret explains the importance of "balagan," a Hebrew word meaning "total chaos"; Daniel Mendelsohn expounds on the unknowable, or what the author should or should not impart to the reader; Annie Proulx clarifies "terroir," which embodies the complexities of time, place, geography, weather, and climate; and Colum McCann details the benefits of anonymity. Other participants include Rick Moody on adumbrated; Upamanyu Chatterjee on the bildungsroman; Enrique Vila-Matas on discipline; Adam Thirwell on hedonism; Nuruddin Farah on identities; Tariq Ali on laughter; Andre Brink on the heretic; Elif Shafak on the nomad; and PA(c)ter Esterhazy on the power and potential of words, words, words.
"About as close you can get to the perfect cerebral thriller: searingly smart, ridiculously funny, and fast as hell. Lexicon reads like Elmore Leonard high out of his mind on Snow Crash." —Lev Grossman, New York Times bestselling author of The Magicians and The Magician King “Best thing I've read in a long time . . . a masterpiece.” —Hugh Howey, New York Times bestselling author of Wool Stick and stones break bones. Words kill. They recruited Emily Ruff from the streets. They said it was because she's good with words. They'll live to regret it. They said Wil Parke survived something he shouldn't have. But he doesn't remember. Now they're after him and he doesn't know why. There's a word, they say. A word that kills. And they want it back . . .
This is the first synthesis on Egyptian enigmatic writing (also referred to as "cryptography") in the New Kingdom (c.1550-1070 BCE). Enigmatic writing is an extended practice of Egyptian hieroglyphic writing, set against immediate decoding and towards revealing additional levels of meaning. The first volume consists of studies by the main specialists in the field. This second volume is a lexicon of all attested enigmatic signs and values.
Captivate the hearts and minds of young adult readers! Writing for young adult (YA) and middle grade (MG) audiences isn't just "kid's stuff" anymore--it's kidlit! The YA and MG book markets are healthier and more robust than ever, and that means the competition is fiercer, too. In Writing Irresistible Kidlit, literary agent Mary Kole shares her expertise on writing novels for young adult and middle grade readers and teaches you how to: • Recognize the differences between middle grade and young adult audiences and how it impacts your writing. • Tailor your manuscript's tone, length, and content to your readership. • Avoid common mistakes and cliches that are prevalent in YA and MG fiction, in respect to characters, story ideas, plot structure and more. • Develop themes and ideas in your novel that will strike emotional chords. Mary Kole's candid commentary and insightful observations, as well as a collection of book excerpts and personal insights from bestselling authors and editors who specialize in the children's book market, are invaluable tools for your kidlit career. If you want the skills, techniques, and know-how you need to craft memorable stories for teens and tweens, Writing Irresistible Kidlit can give them to you.
This unofficial guide to the popular series by J.K. Rowling is an ideal companion work for the curious reader who wants to know more about these remarkable books. Extensive new commentary, which does not appear on Vander Ark's Harry Potter Lexicon website (www.hp-lexicon.org) adds to the fun of reading Vander Ark's new reference work. This book offers fascinating analysis, new insights and a deep appreciation of Rowling's work.
They Have a Word for It takes the reader to the far corners of the globe to discover words and phrases for which there are not equivalents in English. From the North Pole to New Guinea, from Easter Island to Tibet, Howard Rheingold explores more than forty familiar and obscure languages to discover genuinely useful (rather than simply odd) words that can open up new ways of understanding and experiencing life. --Sarabande Books.