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The author presents new arguments which support the view that Paul, not Jesus, was the founder of Christianity. He argues that Jesus and also his immediate disciples James and Peter were life-long adherents of Pharisaic Judaism. Paul, however, was not, as he claimed, a native-born Jew of Pharisee upbringing, but came in fact from a Gentile background. He maintains that it was Paul alone who created a new religion by his vision of Jesus as a Divine Saviour who died to save humanity. This concept, which went far beyond the messianic claims of Jesus, was an amalgamation of ideas derived from Hellenistic religion, especially from Gnosticism and the mystery cults. Paul played a devious and adventurous political game with Jesus' followers of the so-called Jerusalem Church, who eventually disowned him. The conclusions of this historical and psychological study will come as a shock to many readers, but it is nevertheless a book which cannot be ignored by anyone concerned with the foundations of our culture and society. -- Book jacket.
These days it's hard to find someone who hasn't seen the Star Wars and Indiana Jones trilogies. Now the man behind those epic movies and numerous other blockbuster hits comes alive in this definitive biography that traces a shy, ambitious film student's transformation into one of the industry's most influential leaders. Acclaimed biographer John Baxter uncovers the roots of Lucas's enigmatic genius and independent spirit and shows how he joined with other idealists to found the new Hollywood, an effort that paved the way for the event picture, the phenomenon of product licensing, and ultimately the finest visual effects studio in the world. Drawing upon voluminous research and interviews with Lucas's friends and colleagues, Baxter gives us the clearest picture yet of an icon of popular culture who is recognized by many but understood by precious few.
South Asian readers and scholars find Wole Soyinka and his work especially fascinating. The manner in which he deals with colonial and postcolonial experience, the metaphysical strain embedded in his commentaries on his Yoruba heritage, and the numerous comparisons he makes with other cultures appeal to a South Asian sensibility. His brilliant style, versatility in handling a variety of genres, and wonderfully ironic sense of humor are also extremely impressive. Moreover, his social activism in particular, his fearless opposition to suppression of any kind renders him a charismatic and inspiring figure. He is the sort of person who attracts, generates and actively takes part in controversy. These multifaceted and multitalented characteristics, often paradoxical, appeal to South Asian minds which also view life in a holistic rather than a bipolar manner. The essays in this volume focus on all the major genres in Soyinka's oeuvre: fiction, poetry, criticism, autobiography, and especially drama. The contributors employ a variety of critical techniques in coming to terms with the writings of the first African to win the Nobel Prize for Literature.
“Long before Harry Potter and J. K. Rowling, there were Gandalf, Bilbo Baggins, and J. R. R. Tolkien . . . This will bring the creator to vivid life” (Booklist). A philologist of world renown, a professor at Oxford, and the author of academic treatises, J.R.R. Tolkien was far more than a fantasy book writer. His lifelong fascination with medieval texts and languages gave him a unique vision and endless inspiration for his tales. His broad interests made possible his creation of faery worlds and entire races of beings, as well as the languages, cultures, and characters that make his books as engaging today as they were fifty years ago. This clear and thoroughly researched biography of the creator of The Hobbit is accompanied by magical illustrations that recall the mystery of Tolkien’s imaginary worlds. “Give[s] some interesting insight into the power Tolkien’s work has had on people over the years.” —School Library Journal
Teenager Renee Mendez is a talented artist living in a small Illinois town. She loves drawing the strange beings that feature in her dreams, without realizing that when she depicts them on paper, they come to life in the real world. These gods begin to seek worshippers and battle for supremacy, killing humans and each other until only the two strongest remain. Sam and Dean come to town to investigate the murders and “miracles” these new gods perform, slaying some of them in the process. The last two gods standing prepare for their final conflict, which only one will survive. The brothers must find a way to stop the gods’ war before the entire town is destroyed.
We think of myth as a fictional story, and Plato was the first to use the term muthos in that sense. But Plato also used muthos to describe the practice of making and telling stories, the oral transmission of all that a community keeps in its collective memory. In the first part of Plato the Myth Maker, Luc Brisson reconstructs Plato's multifaceted and not uncritical description of muthos in light of the latter's famous Atlantis story. The second part of the book contrasts this sense of myth, as Plato does, with another form of speech that he believed was far superior: the logos of philosophy. Appearing for the first time in English, Plato the Myth Maker is a solid and important contribution to the history of myth, based on the privileged testimony of one of its most influential critics and supporters.
A radical reappraisal of Charles Darwin from the bestselling author of Victoria: A Life. With the publication of On the Origin of Species, Charles Darwin—hailed as the man who "discovered evolution"—was propelled into the pantheon of great scientific thinkers, alongside Galileo, Copernicus, and Newton. Eminent writer A. N. Wilson challenges this long-held assumption. Contextualizing Darwin and his ideas, he offers a groundbreaking critical look at this revered figure in modern science. In this beautifully written, deeply erudite portrait, Wilson argues that Darwin was not an original scientific thinker, but a ruthless and determined self-promoter who did not credit the many great sages whose ideas he advanced in his book. Furthermore, Wilson contends that religion and Darwinism have much more in common than it would seem, for the acceptance of Darwin's theory involves a pretty significant leap of faith. Armed with an extraordinary breadth of knowledge, Wilson explores how Darwin and his theory were very much a product of their place and time. The "Survival of the Fittest" was really the Survival of Middle Class families like the Darwins—members of a relatively new economic strata who benefited from the rising Industrial Revolution at the expense of the working classes. Following Darwin’s theory, the wretched state of the poor was an outcome of nature, not the greed and neglect of the moneyed classes. In a paradigm-shifting conclusion, Wilson suggests that it remains to be seen, as this class dies out, whether the Darwinian idea will survive, or whether it, like other Victorian fads, will become a footnote in our intellectual history. Brilliant, daring, and ambitious, Charles Darwin explores this legendary man as never before, and challenges us to reconsider our understanding of both Darwin and modern science itself.
New York Times Bestseller: A lyrical, suspenseful coming-of-age story based on Greek myths of the Amazons, woman warriors living near the Black Sea. Born out of sorrow in an ancient time of blood and war, Rain is a girl marked by destiny. Her mother, Alina, is the proud queen of a tribe of female warriors, yet she refuses to touch or even look at her only daughter. So Rain draws on the strength and knowledge of her Amazon sisters to learn the ways of her people: how to carve spoons out of bones, ride her white horse as fiercely as a demon, and shoot an arrow straight into the heart of an enemy. Determined to win her mother’s love and take her rightful place as the next queen, Rain becomes a brave and determined fighter. But the dream of a black horse clouds her future, portending death. As one devastating battle follows the next, Rain hopes for a different life for her tribe beyond never-ending bloodshed. Peace, mercy, and love, however, are forbidden words in her language—can Rain teach her sisters to speak in a new tongue before it’s too late? Inspired by Greek legends and recent archaeological discoveries in Russia and Ukraine, The Foretelling is a breathtaking achievement from the bestselling author of The Dovekeepers.
The award-winning French novelist pays tribute to a literary hero in this critical biography of the master of horror—with a foreword by Stephen King. Best known for his acclaimed novels, such as the Prix Goncourt-winning The Map and the Territory, Michael Houellebecq devotes his single work of nonfiction to the pioneering author of horror and weird fiction, H. P. Lovecraft. In a volume that is part biographical sketch and part pronouncement on existence and literature, France's most famous contemporary author praises his prewar American alter ego, whose style couldn't be less like his own. With a foreword by Lovecraft admirer Stephen King, this eloquently translated edition is an insightful introduction to both Lovecraft’s dark mythology and Houellebecq’s deadpan prose.
In the year 2000 the world struggles to recover from the devastation wrought by World War lll. Though fears of global destruction proved unfounded, deep battle scars were raked across the Earth as superhuman titans clashed with little regard for borders and, far too often, even less regard for merely human innocents. Now, survivors of both groups face the daunting task of rebuilding their lives, sustaining a tenuous truce with one another and suppressing tense flare-ups from within. Into this world is thrust Erik, a young man who finds himself neither prepared for nor worthy of the role of hero in a time and place so far removed from his home. His newfound super-strength is at best a curiosity to him, less important that his newfound love of comic books and movies, and his long-standing love of women. In a world filled with real heroes, he feels his occasional foiling of street crimes in New York is so minor as to be beneath notice. The World Intelligence Agency, however, feels differently. When Erik receives their offer of employment, he soon finds himself facing challenges for which he never prepared, in a world too long bereft of justice.