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DIV DIVDIVTwelve stories of women caught in the emotional turbulence of romance in Manhattan/divDIV /div/divDIVFor the twelve narrators of Susan Minot’s breathtaking collection—artists and lawyers, teenagers and thirty-somethings—love in New York doesn’t come easy. And as they struggle to reconcile their yearnings for romance with their needs for independence, they face resistance to emotional commitment at every turn. /divDIV /divDIVIn intense snapshots of these women’s most intimate moments, Minot brings to life their dreams and disappointments, hopes and heartbreaks, and highlights the emotional fissures that divide women and men./divDIV /divDIVThis ebook features a new illustrated biography of Susan Minot, including artwork by the author and rare documents and photos from her personal collection./div /div
A superb collection of short fiction--her first in thirty years and spanning many geographies--from the critically acclaimed author of Monkeys, Evening, and Thirty Girls. A NEW YORK TIMES NOTABLE BOOK. A writer dryly catalogs the myriad reasons she cannot write; an artist bicycles through a protest encampment in lower Manhattan and ruminates on an elusive lover; an old woman on her deathbed calls out for a man other than her husband; a hapless fifteen-year-old boy finds himself in sexual peril; two young people in the 1990s fall helplessly in love, then bicker just as helplessly, tortured by jealousy and mistrust. In each of these stories Minot explores the difficult geometry of human relations, the lure of love and physical desire, and the lifelong quest for meaning and connection. Her characters are all searching for truth, in feeling and in action, as societal norms are upended and justice and coherence flounder. Urgent and immediate, precisely observed, deeply felt, and gorgeously written, the stories in Why I Don't Write showcase an author at the top of her form.
Originally published in 1969, The Death of the Novel and Other Stories remains among the most memorable creations of an unforgettable age. Irrepressibly experimental in both content and form, these anti-fictions set out to rescue experience from its containment within artistic convention and bourgeois morality. Equal parts high modernist aesthete and borscht belt comedian, Sukenick joins avant-garde art with street slang and cartoons, expressing his generation's anxieties by simultaneously mocking and validating them. These are original works by a writer who will try absolutely anything.
The short stories in this first collection by critically acclaimed writer Daryl Gregory run the gamut from science fiction to contemporary fantasy, with a few stories that defy easy classification. His characters may be neuroscientists, superhero sidekicks, middle-aged heroes of children's stories, or fantatics spreading a virus-borne religion, but they are all convincingly human. - Includes two never-before published short stories - Introduction by Nancy Kress
Martin Preib is an officer in the Chicago Police Department—a beat cop whose first assignment as a rookie policeman was working on the wagon that picks up the dead. Inspired by Preib’s daily life on the job, The Wagon and Other Stories from the City chronicles the outer and inner lives of both a Chicago cop and the city itself. The book follows Preib as he transports body bags, forges an unlikely connection with his female partner, trains a younger officer, and finds himself among people long forgotten—or rendered invisible—by the rest of society. Preib recounts how he navigates the tenuous labyrinths of race and class in the urban metropolis, such as a domestic disturbance call involving a gang member and his abused girlfriend or a run-in with a group of drunk yuppies. As he encounters the real and imagined geographies of Chicago, the city reveals itself to be not just a backdrop, but a central force in his narrative of life and death. Preib’s accounts, all told in his breathtaking prose, come alive in ways that readers will long remember.
A master of contemporary Arabic fiction returns to English translation with a cunningly layered dark comedy about the powers and limits of creativity in a war zone.
"Carefully considered, successful instances of experimental fiction" disrupt gender, genre, and identity in this deranged, otherworldly collection (Literary Hub). A woman metamorphoses into a giant slug; another quite literally eats her heart out; a wasp falls in love with an orchid; and hair starts sprouting from the walls. These stories slip and slide between genres—from video games to fan fiction, body horror to choose-your-own-adventure—as characters cycle through giddying changes in gender, physiology, species, and identity. Collapsing boundaries between bodies and forms, these fictions interrogate the visceral, gross, and absurd. “This book is fucking weird,” wrote Brit Mandelo in 2015. It’s only gotten weirder since. Slug and Other Stories is a revised and expanded edition of a contemporary cult classic. Finally back in print, this collection is a testament to the messy anti-logic of queer feelings by a revelatory new voice.
From the Pulitzer Finalist and universally beloved author of the New York Times best sellers Swamplandia! and Vampires in the Lemon Grove, a stunning new collection of short fiction that showcases Karen Russell’s extraordinary, irresistible gifts of language and imagination. Karen Russell’s comedic genius and mesmerizing talent for creating outlandish predicaments that uncannily mirror our inner in lives is on full display in these eight exuberant, arrestingly vivid, unforgettable stories. In“Bog Girl”, a revelatory story about first love, a young man falls in love with a two thousand year old girl that he’s extracted from a mass of peat in a Northern European bog. In “The Prospectors,” two opportunistic young women fleeing the depression strike out for new territory, and find themselves fighting for their lives. In the brilliant, hilarious title story, a new mother desperate to ensure her infant’s safety strikes a diabolical deal, agreeing to breastfeed the devil in exchange for his protection. The landscape in which these stories unfold is a feral, slippery, purgatorial space, bracketed by the void—yet within it Russell captures the exquisite beauty and tenderness of ordinary life. Orange World is a miracle of storytelling from a true modern master.