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Thirty-three of Frank Lloyd Wright's domestic homes are examined in a critical analysis of the legendary architect's work
Recounted through a well-selected collection of photographs, this discussion relates a succession of advancements and risk taking, chronicling the evolution of space tourism. Travelling back to the almost simultaneous beginnings of aviation and rocketry, this analysis highlights the crucial names in the industry, honouring them with "The Wright Stuff" awards for their contributions. Illustrating how today's tickets to space have been made possible not just by entrepreneurs and engineers but also by the efforts of artists, regulators, politicians, and some of the earliest aviators, this exploration also touches on today's rapid expansion phase of Sir Richard Branson's Virgin Galactic space flights. Clearly depicting how a commercial business can emerge in this swiftly growing field, this unique investigation also provides examples of how space tourists are helping to create reusable technologies of benefit to all.
This sociological analysis of Wright's architecture examines the interaction between people and the spaces they create. Satler shows how Wright explored a new architectural dimension, the space in which we live. Focusing on the Larkin Building (1904) and Unity Temple (1907), works that Wright considered important but that have received little attention, Satler delineates the social nature of space. She provides an analytic framework through which to understand Wright's buildings and his writings, revealing how the history of such works and cultural landscapes offer a basis for making social, political, and spatial choices about the future. Wright's specific architectural works provide a framework for constructing social histories of places and people because his designs represent a natural way to build and to live within a larger social landscape. This original study will appeal to sociologists, architects, urban and architectural historians, urban planners and anthropologists, and those interested in the work of Frank Lloyd Wright.
Essays in this work examine treatments of history in science fiction and fantasy television programs from a variety of disciplinary and methodological perspectives. Some essays approach science fiction and fantasy television as primary evidence, demonstrating how such programs consciously or unconsciously elucidate persistent concerns and enduring ideals of a past era and place. Other essays study television as secondary evidence, investigating how popular media construct and communicate narratives about past events.
Wright was one of the first to introduce the concept of propulsion using light pressure. He reports on his continuing work, mostly at the Jet Propulsion Laboratory in Pasadena, for scientists, engineers, and space enthusiasts with little technical background. The first space sailors are probably in junior high now. Printed on acidic paper. Annotation copyrighted by Book News, Inc., Portland, OR
This text studies the architecture of Frank Lloyd Wright. It provides an analysis of his career until his death in 1959.
This is the only book on the master architect that focuses on the house of moderate cost, turning the spotlight on Frank Lloyd Wright's ingenious solutions to make homes look and feel large.
'Frank Lloyd wright in New York: The Plaza Years, 1954-1959', examines the momentous five-year period when one of the world's greatest architects and one of the world's greatest cities coexisted. Authors Jane Hession and Debra Prickel bring each of these unequalled characters to life, exploring the fascinating contradiction between Wright's often-voiced disdain of New York and his pride and pleasure of living in one of the city's greatest landmarks: the Plaza Hotel. From his suite, or 'Taliesin the Third', as it became known, Wright supervised construction of the Guggenheim, sparred with the New York press, and received many famous vistitors such as Marilyn Monroe and Arthur Miller. home...;Michael Carroll, a renowned astronomical and paleo artist for more than twenty years, has done work for NASA and the Jet Propulsion Laboratory. His art has appeared in many magazines, including 'Time', 'National Geographic', 'Sky & Telescope', and ' Asimov's Science Fiction'. One of his paintings flew aboard MIR; another is resting at the bottom of the Atlantic, aboard Russia's ill-fated Mars 96 spacecraft. nd development without constraining
 Since the Cold War, outer space has become of strategic importance for nations looking to seize the ultimate high ground. World powers establishing a presence there must consider, among other things, how they will conduct warfare in orbit. Leaders must dispense with "Buck Rogers" notions about operations in space and realize that policies there will have serious ramifications for geopolitics. How should nations view space? How should they fight there? What would space warfare look like and how should strategists approach it? Offering critical observations regarding this unique theater of international relations, a military professional explores the strategic implications as human affairs move beyond Earth's atmosphere.
“Hayes leaves resonance cleaving the air.” —NPR In these works based on his Bagley Wright lectures on the poet Etheridge Knight, Terrance Hayes offers not quite a biography but a compilation “as speculative, motley, and adrift as Knight himself.” Personal yet investigative, poetic yet scholarly, this multi-genre collection of writings and drawings enacts one poet’s search for another and in doing so constellates a powerful vision of black literature and art in America. The future Etheridge Knight biographer will simultaneously write an autobiography. Fathers who go missing and fathers who are distant will become the bones of the stories. There will be a fable about a giant who grew too tall to be kissed by his father. My father must have kissed me when I was boy. I can’t really say. . . . By the time I was eleven or even ten years old I was as tall as him. I was six inches taller than him by the time I was fifteen. My biography about Knight would be about intimacy, heartache. Terrance Hayes is the author of How to Be Drawn, which received a 2016 NAACP Image Award for Poetry; Lighthead, which won the 2010 National Book Award for poetry; and three other award-winning poetry collections. He is the poetry editor at the New York Times Magazine and also teaches at the University y of Pittsburgh. American Sonnets for My Past and Future Assassin will also be forthcoming in 2018.