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In 1983—as France struggled with race-based crimes, police brutality, and public unrest—youths from Vénissieux (working-class suburbs of Lyon) led the March for Equality and Against Racism, the first national demonstration of its type in France. As Abdellali Hajjat reveals, the historic March for Equality and Against Racism symbolized for many the experience of the children of postcolonial immigrants. Inspired by the May '68 protests, these young immigrants stood against racist crimes, for equality before the law and the police, and for basic rights such as the right to work and housing. Hajjat also considers the divisions that arose from the march and offers fresh insight into the paradoxes and intricacies of movements pushing toward sweeping social change. Translated into English for the first time, The Wretched of France contemplates the protest's lasting significance in France as well as its impact within the context of larger and comparable movements for civil rights, particularly in the US.
A strange glowing stone picked up on a sea voyage captivates a ship's crew and has a terrible transforming effect on them.
The sixtieth anniversary edition of Frantz Fanon’s landmark text, now with a new introduction by Cornel West First published in 1961, and reissued in this sixtieth anniversary edition with a powerful new introduction by Cornel West, Frantz Fanon’s The Wretched of the Earth is a masterfuland timeless interrogation of race, colonialism, psychological trauma, and revolutionary struggle, and a continuing influence on movements from Black Lives Matter to decolonization. A landmark text for revolutionaries and activists, The Wretched of the Earth is an eternal touchstone for civil rights, anti-colonialism, psychiatric studies, and Black consciousness movements around the world. Alongside Cornel West’s introduction, the book features critical essays by Jean-Paul Sartre and Homi K. Bhabha. This sixtieth anniversary edition of Fanon’s most famous text stands proudly alongside such pillars of anti-colonialism and anti-racism as Edward Said’s Orientalism and The Autobiography of Malcolm X.
World Literature for the Wretched of the Earth recovers a genealogy of anticolonial thought that advocated collective inexpertise, unknowing, and unrecognizability. Early-twentieth-century anticolonial thinkers endeavored to imagine a world emancipated from colonial rule, but it was a world they knew they would likely not live to see. Written in exile, in abjection, or in the face of death, anticolonial thought could not afford to base its politics on the hope of eventual success, mastery, or national sovereignty. J. Daniel Elam shows how anticolonial thinkers theorized inconsequential practices of egalitarianism in the service of an impossibility: a world without colonialism. Framed by a suggestive reading of the surprising affinities between Frantz Fanon’s political writings and Erich Auerbach’s philological project, World Literature for the Wretched of the Earth foregrounds anticolonial theories of reading and critique in the writing of Lala Har Dayal, B. R. Ambedkar, M. K. Gandhi, and Bhagat Singh. These anticolonial activists theorized reading not as a way to cultivate mastery and expertise but as a way, rather, to disavow mastery altogether. To become or remain an inexpert reader, divesting oneself of authorial claims, was to fundamentally challenge the logic of the British Empire and European fascism, which prized self-mastery, authority, and national sovereignty. Bringing together the histories of comparative literature and anticolonial thought, Elam demonstrates how these early-twentieth-century theories of reading force us to reconsider the commitments of humanistic critique and egalitarian politics in the still-colonial present.
In Hito Steyerl's writing we begin to see how, even if the hopes and desires for coherent collective political projects have been displaced onto images and screens, it is precisely here that we must look frankly at the technology that seals them in. The Wretched of the Screen collects a number of Steyerl's landmark essays from recent years in which she has steadily developed her very own politics of the image. Twisting the politics of representation around the representation of politics, these essays uncover a rich trove of information in the formal shifts and aberrant distortions of accelerated capitalism, of the art system as a vast mine of labor extraction and passionate commitment, of occupation and internship, of structural and literal violence, enchantment and fun, of hysterical, uncontrollable flight through the wreckage of postcolonial and modernist discourses and their unanticipated openings. e-flux journal Series edited by Julieta Aranda, Brian Kuan Wood, Anton Vidokle
The Sunday Times bestselling adventure inspired by Les Miserables continues.
The have-nots -- A thousand years into one -- Forgetting the bad dreams of the past -- Colored and white atoms -- Turf wars and green revolutions -- Water, blood, and the nuclear club -- Nuclear mosques and monuments -- The era of distrust -- Conclusion: The cornucopian illusion.
Thisby Thestoop, gamekeeper and unlikely hero, would do anything to save her home—even enter the Wretched Scrattle, a death-defying race through the Black Mountain. Don’t miss the second installment in this rollicking fantasy-adventure series by Zac Gorman, contributor to the hilarious Rick and Morty comic series, with illustrations from award-winning artist Sam Bosma. In the wake of their harrowing victory against the forces of the Darkwell, Thisby Thestoop, gamekeeper and sometime friend for all creatures gruesome, grotesque, and uncommon, has found herself in the usual position of running the Black Mountain dungeon. Under her watch, the resident monsters, from the hordes of merpeople to drooling trolls, are all well-fed, content, and far from the reach of other kingdoms—or so Thisby thinks. With unrest growing between the Kingdom of Nth and Umberfall, rumors of a conspiracy have caught the ears of the king. And control of the dungeon has been wrenched from the hands of those who have cared for it best. Wasting no time in ruining all of Thisby’s hard work, the royally appointed overseer throws the dungeon into chaos—the fire bats are out of their cave, the trolls are wide awake, and, most telling of all, the dire rats are acting strange. What’s worse is that every day more and more monsters—everything from tiny imps, to banshees, to a full-grown wyvern—are turning up dead and Thisby can’t discern any pattern to the fatal attacks. But there may be a way to put things back like they were—the Wretched Scrattle. Beginning in the very deepest tunnels of the dungeon, the Wretched Scrattle’s tournament victor will claim the ultimate prize of becoming the new Master of the Black Mountain. No one knows the dungeons quite like Thisby, and if she wins she’ll have it back to running like dünkeldwarven automata—that is, if she can make it out alive. Join Thisby on another adventure in the second book from the beloved fantasy-adventure series by master storyteller Zac Gorman.
Frantz Fanon is one of the most important figures in the history of what is now known as postcolonial studies – the field that examines the meaning and impacts of European colonialism across the world. Born in the French colony of Martinique, Fanon worked as a psychiatrist in Algeria, another French colony that saw brutal violence during its revolution against French rule. His experiences power the searing indictment of colonialism that is his final book, 1961’s The Wretched of the Earth. Fanon’s account of the physical and psychological violence of colonialism forms the basis of a passionate, closely reasoned call to arms – a call for violent revolution. Incendiary even today, it was more so in its time; the book first being published during the brutal conflict caused by the Algerian Revolution. Viewed as a profoundly dangerous work by the colonial powers of the world, Fanon’s book helped to inspire liberation struggles across the globe. Though it has flaws, The Wretched of the Earth is above all a testament to the power of passionately sustained and closely reasoned argument: Fanon’s presentation of his evidence combines with his passion to produce an argument that it is almost impossible not to be swayed by.