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Furry rivals Cat and Pug have a rhyme-riddled showdown in this hilarious and delightfully quirky picture book about the joys of writing poetry—playfully imagined by the creator of social media sensation Inkpug! There once was a Pug and a Cat Who engaged in a poetic spat… Cat and Pug are each determined to become the World’s Best Poet, no matter what it takes. Whether they’re writing sonnets to sundaes or typing ballads with their butts, they will stop at nothing to outwit, out-write, and out-verse each other. But perhaps there is an even greater prize to be had: Can these two rivals discover the wonderful joy of writing…together?
Writing very bad poetry requires talent. It helps to have a wooden ear for words, a penchant for sinking into a mire of sentimentality, and an enviable confidence that allows one to write despite absolutely appalling incompetence. The 131 poems collected in this first-of-its-kind anthology are so glaringly awful that they embody a kind of genius. From Fred Emerson Brooks' "The Stuttering Lover" to Matthew Green's "The Spleen" to Georgia Bailey Parrington's misguided "An Elegy to a Dissected Puppy", they mangle meter, run rampant over rhyme, and bludgeon us into insensibility with their grandiosity, anticlimax, and malapropism. Guaranteed to move even the most stoic reader to tears (of laughter), Very Bad Poetry is sure to become a favorite of the poetically inclined (and disinclined).
"The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--
“Never before has the delight and wonder experienced in young love, in which is implicit physical discovery, been conveyed with such touching honesty or with rhapsody so involving unconscious pathos. Those who seek to drag any honest writing through the gutters of their own minds will do the same with this. Those who are not afraid of the strange miracle of life will understand this brave verse.” —William Rose Benét
William McGonagall was born in Edinburgh in 1830. His father was a poor hand-loom weaver, and his work took his family to Glasgow, then to Dundee. William attended school for eighteen months before the age of seven, and received no further formal education. Later, as a mill worker, he used to read books in the evening, taking great interest in Shakespeare's plays. In 1877, McGonagall suddenly discovered himself 'to be a poet'. Since then, thousands of people the world over have enjoyed the verse of Scotland's alternative national poet. This volume brings together the three famous collections – Poetic Gems, More Poetic Gems and Last Poetic Gems, and also includes an introduction by Chris Hunt, the webmaster of the McGonagall website www.mcgonagall-online.org.uk, indexes of poem titles and first lines, and features the first publication of McGonagall's only play, Jack o' the Cudgel, written in 1886 but not performed publicly until 2002.
On September 11, 2001, journalist Tom Flynn set off on his bike toward the World Trade Towers not knowing what he was riding into. Bikeman is one man's journey back to the horrors of that day and to the humanity that somehow emerged from the dust and the death. Both heartbreaking and haunting, his words will stay with you like that 'forever September morning.'" --Meredith Vieira, NBC's Today Tom Flynn brings to his subject three invaluable attributes: the eye of a seasoned journalist, the soul of a poet, and his stunning, first-hand experience of that horrific day." --David Friend, Vanity Fair From Bikeman: The dead from here are my forever companions I am their pine box, their marble reliquary, their bronze urn, the living, breathing coffin they never had, their final resting place without a stone. I move on at peace. Modeled on Dante's Inferno, veteran journalist Thomas Flynn's Bikeman chronicles the morning of September 11, 2001 like no other published work. Flynn delivers a personal account of his experiences beginning with the first strike on the World Trade Center when he decided to follow his journalist's instinct and point his bike's handlebars in the direction of the north tower. His story continues as he transitions from reporter to participant hoping to survive the fall of the south tower. Now Flynn, as both journalist and now survivor, must come to terms with the harrowing ordeal and somehow find peace in the very act of surviving. Part journalist's record, part survivor's eulogy, Flynn writes: Survival is the absence of death. It is a subdued, a hushed existence. . . I live to talk about it, to relate the tale as it happens, not only its extremities and cruelty, but also the goodness that flourishes too.
A hysterical collection of bad poetry. It includes such work as: "Tea For Two" ("A Tragedy"); "Nietzsche And The Ice-Cream Truck"; "Capitalism Can Fall Not Like I Fell For You"; "Inappropriately Touched By An Angel"; and, "Love Is Like A Toilet Bowl."
The editors of this legendary and hilarious anthology write: "It would seem at a hasty glance that to make an anthology of Bad Verse is on the whole a simple matter . . . On the contrary . . . Bad Verse has its canons, like Good Verse. There is bad Bad Verse and good Bad Verse. It has been the constant preoccupation of the compilers to include in this book chiefiy good Bad Verse." Here indeed one finds the best of the worst of the greatest poets of the English language, masterpieces of the maladroit by Dryden, Wordsworth, and Keats, among many others, together with an index ("Maiden, feathered, uncontrolled appetites of, 59;. . . Manure, adjudged a fit subject for the Muse, 91") that is itself an inspired work of folly.