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This collection of short, action-filled stories of the Old West’s most egregiously badly behaved female outlaws, gamblers, soiled-doves, and other wicked women by offers a glimpse into Western Women’s experience that's less sunbonnets and more six-shooters. Pulling together stories of ladies caught in the acts of mayhem, distraction, murder, and highway robbery, it will include famous names like Belle Starr and Big Nose Kate, as well as lesser known characters.
The story of freedom pivots on the choices black women made to retain control over their bodies and selves, their loved ones, and their futures. The story of freedom and all of its ambiguities begins with intimate acts steeped in power. It is shaped by the peculiar oppressions faced by African women and women of African descent. And it pivots on the self-conscious choices black women made to retain control over their bodies and selves, their loved ones, and their futures. Slavery's rise in the Americas was institutional, carnal, and reproductive. The intimacy of bondage whet the appetites of slaveowners, traders, and colonial officials with fantasies of domination that trickled into every social relationship—husband and wife, sovereign and subject, master and laborer. Intimacy—corporeal, carnal, quotidian—tied slaves to slaveowners, women of African descent and their children to European and African men. In Wicked Flesh, Jessica Marie Johnson explores the nature of these complicated intimate and kinship ties and how they were used by black women to construct freedom in the Atlantic world. Johnson draws on archival documents scattered in institutions across three continents, written in multiple languages and largely from the perspective of colonial officials and slave-owning men, to recreate black women's experiences from coastal Senegal to French Saint-Domingue to Spanish Cuba to the swampy outposts of the Gulf Coast. Centering New Orleans as the quintessential site for investigating black women's practices of freedom in the Atlantic world, Wicked Flesh argues that African women and women of African descent endowed free status with meaning through active, aggressive, and sometimes unsuccessful intimate and kinship practices. Their stories, in both their successes and their failures, outline a practice of freedom that laid the groundwork for the emancipation struggles of the nineteenth century and reshaped the New World.
New Mexico Territory attracted outlaws and desperados as its remote locations guaranteed non-detection while providing opportunists the perfect setting in which to seize wealth. Many wicked women on the run from their pasts headed there seeking new starts before and after 1912 statehood. Colorful characters such as Bronco Sue, Sadie Orchard and Lizzie McGrath were noted mavens of mayhem, while many other women were notorious gamblers, bawdy madams or confidence tricksters. Some paid the ultimate price for crimes of passion, while others avoided punishment by slyly using their beguiling allure to influence authorities. Follow the raucous tales of these wild women in a collection that proves crime in early New Mexico wasn't only a boys' game.
"The Buckeye State produced its share of wicked women. Tenacious madam Clara Palmer contended with constant police raids during the 1880s and '90s. Only her death could shut the doors of her gilded bordello in Cleveland. Failed actress Mildred Gillars left for Europe right before World War II. Because she fell in love with the wrong man, she wound up peddling Nazi propaganda on the radio as "Axis Sally." Volatile Hester Foster was already doing time at the Ohio State Penitentiary when she bashed in the head of a fellow inmate with a shovel. The sinister Anna Marie Hahn dosed at least five elderly Cincinnati men with arsenic and croton oil and then watched them die in agony while pretending to nurse them back to health. Award-winning crime writer Jane Ann Turzillo recounts the stories of Ohio's most notorious vixens, viragoes and villainesses"--Back cover.
Challenges the common stereotypes of African women as either victims or unrestrained resisters.