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A witty collection of more than 550 limericks from two world-famous writers, and all of them just 'naughty' enough to make this 'literary form' hilarious fun!
As contemporary poets sing the glories of birds and birch trees, regular guys are left scratching their heads. Who can speak for Everyman? Who will articulate his love for Xbox 360, for Mama Celeste’s frozen pizza, for the cinematic oeuvre of Bruce Willis? Enter Broetry—a stunning debut from a dazzling new literary voice. “Broet Laureate” Brian McGackin goes where no poet has gone before—to Star Wars conventions, to frat parties, to video game tournaments, and beyond. With poems like “Ode to That Girl I Dated for, Like, Two Months Sophomore Year” and “My Friends Who Don’t Have Student Loans,” we follow the Bro from his high school graduation and college experience through a “quarter-life crisis” and beyond.
Contains only publications culled from Ferguson and the Australian national bibliography (and it predecessors).
By purchasing this volume, you are participating in the restoration of a culture from the brink of total collapse. Please, allow me to explain. The limerick is a type of folk poem with its origins in the early 18th-century Anglo world. Often hilariously erotic, limericks constitute an essential literary category in the canon of English poetry. But with the 21st-century rise of political correctness, this great tradition has been reduced to a pathetic, shriveled version of its former self. No truly brilliant collection of originals has been seen in decades, and the anthologies are gathering dust. With nowhere else to turn, the literati of today are relegated to digging up old copies of out-of-print classics to satisfy their lust for the vile hilarity, delightful vocabulary, and singsong rhythm of this vital poetic form. This decline is a great loss for the art and literature world, and a tragedy for our language at large. Once a pillar of literary humor, the decline of the X-rated limerick represents the decline of civilization itself; a symbol of our cultural descent into a world of bland, dystopic sterility and aimless outrage. It's time that this wrong was righted. To that end, please enjoy this book of over 1,000 original limericks for a fresh generation; a collection of delightfully disgusting poems replete with modern references for the new century's readers. Old students of the limerick desperate for new material will be delighted to find it here, and those still uninitiated into this important English tradition can now discover it in earnest. Your participation in this cultural revitalization is nothing short of historic. Onward! Yours Truly, Gulliver Einhorn, Esq., Personal Representative of the Poxy Brothers
For the last decade, Rob Sears has been painstakingly combing the words of Donald J. Trump for signs of poetry. To the surprise of many, he has found riches. By simply cutting up and reordering lines from Trump’s tweets, Truths and transcripts, Sears has unearthed a trove of exquisite verse that was just waiting to be found. In this expanded edition of a poetry classic, fans can rediscover a writer of rare conviction (thirty-four felony charges and counting), and for the first time ponder the full span of Trump's artistic flowering and the paradoxes it poses. Like: How can one and the same person unite critics with beautiful poems, yet prove so divisive in his 'other life' as a political leader? And how can a man many consider desperately flawed produce works of such grace as 'All I ask is fairness', 'My hands are normal hands' and 'Shithole countries'? The Beautiful Poetry of Donald Trump is a carefully curated collection for our times that will make a thought-provoking addition to any poetry-lover’s library.
Hugo and Shirley Jackson award-winning Peter Watts stands on the cutting edge of hard SF with his acclaimed novel, Blindsight Two months since the stars fell... Two months of silence, while a world held its breath. Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something en route. So who do you send to force introductions with unknown and unknowable alien intellect that doesn't wish to be met? You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound. You send a pacifist warrior in the faint hope she won't be needed. You send a monster to command them all, an extinct hominid predator once called vampire, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist—an informational topologist with half his mind gone—as an interface between here and there. Pray they can be trusted with the fate of a world. They may be more alien than the thing they've been sent to find. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
'People love animals—a stroke here, a pat there, a quick nuzzle in that gorgeous fur ... the amount of cuddling they get can make you jealous. In Holland, dogs are caressed more than people. Not as thoroughly, though: that one spot, somewhere down below, generally remains untouched ... ' Generally, but certainly not always. Kinsey's research showed that 8 per cent of men and 3.5 per cent of women had had sex with an animal, and that in rural areas the figure for men was closer to 50 per cent. Yet bestiality is almost universally condemned. While our love for animals is extolled as noble and 'natural', all erotic elements in the relationship between humans and other species are vilified and proscribed, thus consigning them to the realm of exotic pornography or crude innuendo. Even so, something remains of physical love for animals. In different forms, sublimated or occasionally celebrated, its traces can be found throughout art and popular culture: in Leda and the Swan, Beauty and the Beast or the Lorelei; in a lubricious menagerie of satyrs and centaurs, wolfmen and vampires, all the way through to King Kong and Fritz the Cat, pony clubs and amorous dolphins, or even advertisements for luxury catfoods. Dearest Pet uncovers and explores those traces, illuminating the ambivalence of human attitudes to cross-species sexuality. Its author, the biologist and broadcaster Midas Dekkers, has analysed bestiality in all its aspects—physical, psychological and legal—and examined its representations in religion and mythology, art and literature, pornography and advertising. Beautifully—and sometimes bizarrely—illustrated, his book is neither drily academic nor pruriently trivial, but erudite, witty and challenging: the first history of the last taboo. A book for animal lovers, and for those who are just their good friends.