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Through the vivid diary entries and artwork of Harold W. Pierce, this book offers a gripping firsthand account of a young soldier's journey through World War I. April 1917. Eighteen-year-old Harold W. Pierce leaves school to join the U.S. Army, specifically the National Guard infantry company from heavily forested Warren County in northwestern Pennsylvania. He’s big for his age and he’s determined to serve his country. Thirteen months later, having trained at the steaming hot tent city of Camp Hancock in Georgia, Pierce and the rest of the 28th Division’s 112th Infantry Regiment is on its way to England and then to France. He’s one of the First Battalion’s scouts so he’ll see the war from a different perspective than the rest of the infantrymen, which includes his older brother Hugh. What Pierce sees, hears and feels will fill the small diary he keeps in his pocket. His descriptions become a diary of 79,000 words. His descriptions, his insights, his fears and his hopes bring the war to life as a young man experiences it. This young man, though, has a keen ability to express and describe that goes beyond his years: The abject terror of being in the middle of a sustained artillery barrage, his fear as he desperately tries to dig in as machine gun bullets fly inches over his head, and the relief he feels when an artillery round splits the air where he would have been if he had not – inexplicably – stopped walking. Pierce has moments when he does not want to answer the runner’s call of his name, when all he wants to do is sleep in a safe shelter. But he does answer and he goes on the patrol that all are convinced will be a one-way mission. Pierce survives it all, becoming a state police trooper in Pennsylvania after the war and later the chief law enforcement instructor for that state’s Public Service Institute until his retirement in 1966. In 1979, the diary was printed in serialized form in a small Pennsylvania newspaper. Throughout his life Pierce took to canvas to depict a variety of scenes from the World War. Included in this book are six of those paintings. Pierce died in 1983.
Through the vivid diary entries and artwork of Harold W. Pierce, this book offers a gripping firsthand account of a young soldier's journey through World War I. April 1917. Eighteen-year-old Harold W. Pierce leaves school to join the U.S. Army, specifically the National Guard infantry company from heavily forested Warren County in northwestern Pennsylvania. He’s big for his age and he’s determined to serve his country. Thirteen months later, having trained at the steaming hot tent city of Camp Hancock in Georgia, Pierce and the rest of the 28th Division’s 112th Infantry Regiment is on its way to England and then to France. He’s one of the First Battalion’s scouts so he’ll see the war from a different perspective than the rest of the infantrymen, which includes his older brother Hugh. What Pierce sees, hears and feels will fill the small diary he keeps in his pocket. His descriptions become a diary of 79,000 words. His descriptions, his insights, his fears and his hopes bring the war to life as a young man experiences it. This young man, though, has a keen ability to express and describe that goes beyond his years: The abject terror of being in the middle of a sustained artillery barrage, his fear as he desperately tries to dig in as machine gun bullets fly inches over his head, and the relief he feels when an artillery round splits the air where he would have been if he had not – inexplicably – stopped walking. Pierce has moments when he does not want to answer the runner’s call of his name, when all he wants to do is sleep in a safe shelter. But he does answer and he goes on the patrol that all are convinced will be a one-way mission. Pierce survives it all, becoming a state police trooper in Pennsylvania after the war and later the chief law enforcement instructor for that state’s Public Service Institute until his retirement in 1966. In 1979, the diary was printed in serialized form in a small Pennsylvania newspaper. Throughout his life Pierce took to canvas to depict a variety of scenes from the World War. Included in this book are six of those paintings. Pierce died in 1983.
A collection of full-color artwork from World War One that illustrates the immense destruction and human turmoil of The Great War. World War One raged from 1914 through 1918. Before the advent of modern video and photography, artists documented it using a variety of mediums for newspapers and magazines from the era. Using their imagination and technical skill, these talented illustrators and painters created something beautiful out of something terrible that gives a candid look at one humanity's greatest conflicts. The Art of World War 1 collects more than 100 brilliant pieces from the WW1-era depicting French, British, German, American troops, and more involved in the struggle. Stunning color illustrations from artists like Francois Flameng, Charles Hoffbauer, G. Koch, Georges Scott, Willy Stöwer, and more fill the pages with intimate scenes and epic shots of destruction. Included are prints featuring air combat, soldiers charging, tanks, boats, and the aftermath of battle. Using pens, pencils, paints, and brushes, they captured the action and emotion of The Great War in a way that film could not. In many cases, these brave individuals traveled to the front lines and sketched, drew, and painted what they saw. More than 100 years after its creation, their art is more vivid and impactful today than ever before.
The Last 100 Yards: The Crucible of Close Combat in Large-Scale Combat Operations presents thirteen historical case studies of close combat operations from World War I through Operation Iraqi Freedom. This volume is a collection from the unique and deliberate perspective of the last 100 yards of ground combat. In today's Army, there are few leaders who have experienced multi-domain large-scale ground combat against a near-peer or peer enemy first hand. This volume serves to augment military professionals' understanding of the realities of large-scale ground combat operations through the experiences of those who lived it.
-World War I and American Art provides an unprecedented look at the ways in which American artists reacted to the war. Artists took a leading role in chronicling the war, crafting images that influenced public opinion, supported mobilization efforts, and helped to shape how the war's appalling human toll was memorialized. The book brings together paintings, drawings, prints, photographs, posters, and ephemera, spanning the diverse visual culture of the period to tell the story of a crucial turning point in the history of American art---
This study seeks to clarify the nature of light infantry. General characteristics of light infantry forces are identified, and an analysis of how light forces operate tactically and how they are supported is presented. In the process, the relationship of the light infantry ethic to its organization is evaluated, and the differences between light infantry and conventional infantry is illuminated. For the purpose of this study, the term conventional infantry refers to modern-day motorized and mechanized infantry and to the large dismounted infantry forces typical of the standard infantry divisions of World War II, the Korean War, and the Vietnam War. The study concludes that light infantry is unique and distinct. A light infantry ethic exits and manifests itself in a distinctive tactical style, in a special attitude toward the environment, in a freedom from dependence on fixed lines of communication, and in a strong propensity for self-reliance. The study is based on a historical analysis of 4 light infantry forces employed during and since World War II: The Chindits, in the 1944 Burma campaign against the Japanese; The Chinese communist Forces during the Korean War; British operations in Malaya and Borneo 1948-66; and the First Special Service Force in the mountains of Italy 1942-44. -- p. [2] of cover.
“An exceptionally vivid memoir of a French soldier’s experience of the First World War.”—Max Hastings, New York Times bestselling author Along with millions of other Frenchmen, Louis Barthas, a thirty-five-year-old barrelmaker from a small wine-growing town, was conscripted to fight the Germans in the opening days of World War I. Corporal Barthas spent the next four years in near-ceaseless combat, wherever the French army fought its fiercest battles: Artois, Flanders, Champagne, Verdun, the Somme, the Argonne. First published in France in 1978, this excellent new translation brings Barthas’ wartime writings to English-language readers for the first time. His notebooks and letters represent the quintessential memoir of a “poilu,” or “hairy one,” as the untidy, unshaven French infantryman of the fighting trenches was familiarly known. Upon Barthas’ return home in 1919, he painstakingly transcribed his day-to-day writings into nineteen notebooks, preserving not only his own story but also the larger story of the unnumbered soldiers who never returned. Recounting bloody battles and endless exhaustion, the deaths of comrades, the infuriating incompetence and tyranny of his own officers, Barthas also describes spontaneous acts of camaraderie between French poilus and their German foes in trenches just a few paces apart. An eloquent witness and keen observer, Barthas takes his readers directly into the heart of the Great War. “This is clearly one of the most readable and indispensable accounts of the death of the glory of war.”—The Daily Beast (“Hot Reads”)
The author masterfully blends intellectual, economic, and military history into a fascinating discussion of a great moral question for generations of Americans: Can some individuals rightly profit during wartime while other sacrifice their lives to protect the nation?