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Netsuke have once again come to the fore in the popular imagination of the public. This book brings together one hundred of the beautiful and interesting netsuke from the extensive collection of the British Museum, each of which has its own special charm and story to tell.
Drawing on the Victoria and Albert Museum's fine collection, Japanese Netsuke examines these appealing, accessible, and often humorous works of art in the broadest possible context. In a text that is both comprehensive and entertaining, Julia Hutt traces the history of netsuke, showing how these highly collectible objects originated from belt hangings used by nomads along the Silk Road. The stunning color photographs reveal the full range of subjects portrayed--images of animals, birds, and sea creatures, portraits of dancers and demons, droll cameos of characters from everyday urban life, even a rare poetic evocation of landscape--and the high level of skill involved in their creation. The richness and diversity of the materials used, as well as the different sources of inspiration, are also discussed, providing an indispensable guide for collectors and all those interested in Japanese decorative arts.
Featuring dozens of Japanese netsuke masterpieces and extensive commentary, this Japanese art book is a treasured collector's item. Netsuke are superb miniature carvings, usually less than two inches high, that have been created by Japanese artists for over three hundred years. During that time, they have portrayed almost every aspect of life and culture in Japan. These tiny carvings were traditionally used to prevent the cord attached to a gentleman's medicine box or tobacco pouch from slipping through the belt of his kimono. Today they are highly collectible works of art. Netsuke: Japanese Life and Legend in Miniature presents over seventy full-page color photographs of netsuke in enchanting settings. The accompanying text gives technical details about the netsuke as well as interesting commentaries relating the pieces to Japanese life and legend. Information on the carvers has also been provided whenever possible.
Netsuke, the carved toggles used to fasten a small container to a kimono sash, made from ivory, wood, porcelain, and more, are among the most popular Asian antiques. Over 970 vivid images of netsuke are shown, representing Japanese life, customs, religion, professions, art, history, and legends. The netsukes are organized by subject, allowing readers to rapidly find those that interest them most. The succinct text introduces, defines, and describes the various types of netsukes and helps identify the subjects represented. Additionally, important evaluating tips are provided, along with a bibliography. This book is a must for anyone interested in Oriental art
Essay by Joe Earle.
Netsuke are small toggles or buckles carved from wood or ivory. The Japanese in the seventeenth century used them to fasten pouches to their kimono belt, since kimonos had no pockets. This lavishly illustrated book takes the reader on an exciting tour of one type of netsuke—those carved to look like the masks used by stage actors.
For collectors who have discovered the delights of such miniature Japanese art forms as theinroand thenetsuke, this authoritative and enlightening book offers a wealth of valuable information. That it also affords entry to a world of fascinating design and superb craftsmanship goes without saying. In addition to illustrating in color and discussing in detail 108 distinguished inro and their accompanyingnetsuke, as well as 18 related miniature objects, it presents highly informative essays on the making ofinro, on pearl shell inlays, and, in particular on the materials and techniques of lacquer art, the last of these with 62 color photos. It also furnishes an extensive list of lacquer artists' signatures with 386 photos. It is refreshing to have an author tell his readers not only what his book is but also what it is not. In his introduction Bushell says: "This book is addressed to the collector ofinro, netsuke,and other forms of miniature Japanese art, with emphasis on works in lacquer. Its purpose is specific and limited. It is not a comprehensive study of lacquer. It is not a historical survey, a technical analysis, a comparative examination, or a compendium of terms and definitions. In point of time it is limited to the Tokugawa, Meiji, Taisho, and early Showa periods. In point of craft it is limited to the later development of precise and sophisticated techniques, with their brilliant decorative effects." Bushell points out that he is not making an unnecessary emotional appeal in praise of lacquer. His objective is far more practical. This book is the product of his efforts to understand the structure underlying the beauty of lacquer art and to provide clear and simple explanations. Because other books on the subject had not satisfied him, he undertook his own basic research, and here he presents the information he acquired through painstaking study with master lacquer craftsmen and other authorities.
Manju netsuke have never been the subject of a book on netsuke. Many books ignore them completely and it is hoped that this catalogue will throw light on the differences between the manju and other better-known types of netsuke. Dr. Barnett was one of a