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This book journeys through the development and decline of the schools of Indian miniature painting. The represented masterpieces bear testimony to the genius of the painters. Of special interest is the context, portrayed through contemporary literature and chronicles that throw light on the lives of these master artists.
Features in-depth commentary on 90 superb paintings by the eminent art historian J.P. Losty - Many of the paintings offer fascinating insights into Indian attire and fabrics, as they were acquired for the textiles and costumes they illustrate - Showcasing a curated selection of Indian miniature paintings, this book is a feast for the eye for lovers of Indian painting Court & Courtship: Indian Miniatures in the TAPI Collection is a study of Indian paintings in which the author J.P. Losty explores the well-trod highways and the lesser-known byways of miniature paintings, put together by the well-known textile collectors, Praful and Shilpa Shah. Starting with a splendid 16th-century painting from the early Rajput Bhagvata Purana, readers will savor the variety of Mughal and other portraits of emperors, princes, courtiers, and of royal elephants and horses. Courtly pictures include several from the Deccan, Rajasthan, Central India, and the northern hills. Resplendent ladies in 18th and 19th-century attire adorn the pages, as do paintings acquired for the textiles and costumes they illustrate - jamas, paijamas, angarkhas, turbans, odhnis, patkas, canopies, and qanats. Representing the classic texts of Sanskrit and Hindi literature are stunning examples from a 17th-century ragamala, the Shangri Ramayana, the Gita Govinda, Harivamsha, and Rasikapriya. Two of the most impressive paintings ever to come out of Nathdwara are featured here, from the hands of master artists Sukhdev Gaur and Ghasiram Sharma. Showcasing 90 superb images, this collection is sure to be of interest to lovers of Indian art.
This remarkable catalogue represents one of the richest-known repertoires of Indian painting, as it documents almost all the schools of painting in India, and in particular those of the Rajput courts. The most significant miniatures come from the courts of the three main dynasties of Rajasthan, those of the Sisodia, Rathore, and Kachwaha clans. The collection also contains important examples of Mughal and Deccan painting, a group of thirty-six Pahari pictures and paintings from Central India. The volume presents, through stunning images, a lavish selection of pictorial illustrations of sacred and literary texts, documenting the stylistic features and choices of theme of various cultural and religious areas of India between the sixteenth and eighteenth-centuries. But it also provides important information on the painters, customs, and cultural interests of the different royal courts and on the types of text illustrated. It's an invaluable aid for anyone who wishes to get to know and understand the multifaceted art of the Indian subcontinent.
- A comprehensive book on the miniature paintings of Rajasthan, it highlights the distinctiveness of the painting style - This volume contains an exquisite collection of paintings, painstakingly sourced from museums and private collectors - The study covers the various regions and rulers of Rajasthan, their influence on this style and the significant themes of the miniature paintings A large bulk of Indian miniature paintings comes from Rajasthan. These miniatures are endowed with warm colors, primitive vigor, directness of expression and all that corresponds to the unique land of Rajasthan. They encompass its fun and festivities, the charming women and heroic men who fought with valour, loved with great zeal and warmth, celebrated each moment of life and died like great heroes. The major schools of miniatures of Rajasthan are Mewar, Bikaner, Jodhpur, Nagaur, Jaipur, Alwar, Bundi, Kotah, Kishangarh and Nathdwara. The Rajasthani painter saw hardly any contradiction in combining romance with religion, or the mundane with the transcendental. Rajasthani Miniatures: The Magic of Strokes and Colors presents, through a detailed narrative and exquisite photographs, a glimpse into this art that has spanned several millennia. It traces the stylistic sources of Rajasthani miniatures, discovering elements that go beyond geography and time to reveal Rajasthani art's generic growth. The miniatures have varying styles, belong to different schools and have been painted under many succeeding patrons with different tastes and preferences. This book reflects the uniqueness of Rajasthani art, where shades and strokes come together in what almost appears as a divine interplay to create magic. Contents: Preface; Introduction; Stylistic Sources; Perception of Nature; Medium, Style and Color; Significant Themes; Schools of Rajasthani; Paintings; Acknowledgements; Glossary; Bibliography; Index.
Accompanying an exhibition at the Museum Rietberg, this catalogue of 60 works drawn from one of the most important private collections in Europe provides an excellent survey of Indian painting from 1575-1850 from two of the most important sources: the court of the north Indian Mughal rulers and the ateliers in the Deccan farther south. The works present a wide variety of styles and themes and invite close examination. Mughal culture was one of the richest the world has ever seen. The magnificence of the Mughal palaces and tombs, the pomp of the court, the lavish ceremonies and feasts, the fame of the court poets, intellectuals, painters and musicians, the sumptuousness of the courtiers' attire--all these came together to create an aristocratic culture of extraordinary wealth and grandeur. Books--and above all books lavishly decorated with exquisite miniatures--had a role and a status in Mughal culture which is almost unimaginable today. They were among the most valuable and certainly the most prized objects in the imperial treasury and were used systematically and effectively to propagate the political goals of the ruler. Whereas Mughal artists depict the real world, record historical events, and portray their patrons in realistic likenesses, Deccanni painters, instead, aim at evoking lyrical moods. They invent paradisal dreamworlds bathed in fantastic, flamboyant colors, sparkling with gold. When they represent their rulers, they create idealized, introspective figures lost in the quiet enchantment of love, or music, or merely the perfume of a beautiful flower.
“Wonderful . . . A book to make both layman and connoisseur alike realize why pre-modern Indian painting is one of the great arts of the world.” —Neil MacGregor Through close encounters with over a hundred carefully selected works, spanning nearly a thousand years, and ranging from Jain manuscripts and Pahari and Mughal miniatures to Company School paintings, B. N. Goswamy unlocks the many treasures that lie within Indian painting. In an illuminating introduction, and as Goswamy relates the stories behind each work and deciphers the visual vocabulary and language of the painters, he brings to life the cultural, social, and political milieu in which they were created. Lavishly illustrated, and combining erudition with great storytelling, The Spirit of Indian Painting reveals the beauty of this richly varied body of work in a new and brilliant light.