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An unforgettable portrait of a place and a people shaped by centuries of art, trade, and war. In the middle of the salt-frosted Afghan desert, in a village so remote that Google can’t find it, a woman squats on top of a loom, making flowers bloom in the thousand threads she knots by hand. Here, where heroin is cheaper than rice, every day is a fast day. B-52s pass overhead—a sign of America’s omnipotence or its vulnerability, the villagers are unsure. They know, though, that the earth is flat—like a carpet. Anna Badkhen first traveled to this country in 2001, as a war correspondent. She has returned many times since, drawn by a land that geography has made a perpetual battleground, and by a people who sustain an exquisite tradition there. Through the four seasons in which a new carpet is woven by the women and children of Oqa, she immortalizes their way of life much as the carpet does—from the petal half-finished where a hungry infant needs care to the interruptions when the women trade sex jokes or go fill in for wedding musicians scared away by the Taliban. As Badkhen follows the carpet out into the world beyond, she leaves the reader with an indelible portrait of fates woven by centuries of art, war, and an ancient trade that ultimately binds the invaded to the invader.
An unforgettable portrait of a place and a people shaped by centuries of art, trade, and war. In the middle of the salt-frosted Afghan desert, in a village so remote that Google can’t find it, a woman squats on top of a loom, making flowers bloom in the thousand threads she knots by hand. Here, where heroin is cheaper than rice, every day is a fast day. B-52s pass overhead—a sign of America’s omnipotence or its vulnerability, the villagers are unsure. They know, though, that the earth is flat—like a carpet. Anna Badkhen first traveled to this country in 2001, as a war correspondent. She has returned many times since, drawn by a land that geography has made a perpetual battleground, and by a people who sustain an exquisite tradition there. Through the four seasons in which a new carpet is woven by the women and children of Oqa, she immortalizes their way of life much as the carpet does—from the petal half-finished where a hungry infant needs care to the interruptions when the women trade sex jokes or go fill in for wedding musicians scared away by the Taliban. As Badkhen follows the carpet out into the world beyond, she leaves the reader with an indelible portrait of fates woven by centuries of art, war, and an ancient trade that ultimately binds the invaded to the invader.
"It was an old carpet, a bold carpet a usually tied up and rolled carpet. But there it lay, inviting and snug, so Bradley curled up on that old Persian rug..." Join Bradley on a new adventure as he steps out into his back garden and is transported to a far away land when he finds a magic carpet and solves a tasty problem!
Tomie dePaola matches his storytelling talent with the richly patterned artwork of Claire Ewart to provide a tale that brings magnificent detail and feeling to this Middle Eastern fable of loss overcome by art. Full color.
THEY FLEW THROUGH THE AIR WITH GREATEST OF EASE Richard Halliburton can be counted on to lead his readers into strange places, into hilarious difficulties, into new appreciations of history and romance—and never to qualify his outrageous philosophy of reckless living with a single sober moral. The Flying Carpet is his latest, his most modern book—in which he takes us around the world by airplane. Timbuctoo, because it was far away and mysterious, was his first destination. From there, the author and his pilot-companion, Moye Stephens, follow a “royal road to romance” through the sky, dropping down on Fez, Morocco and the French Foreign Legion, The Holy Land, Galilee, Baghdad in mysterious Arabia, Persia, and India; flying over the world’s highest mountain, Mt. Everest, investigating Singapore, speeding to Borneo to visit the white Ranee whose husband rules half a million head hunters, and ending in Manila, making airplane records, enjoying unprecedented thrilling experiences, flying into remote places where airplanes had never been heard of before. These enviable adventures are told gaily and dramatically. Their footloose spirit, as free as the air through which the Flying Carpet sailed, will prove fatal to the contentment of those readers who have not yet achieved the realization of their own travel dreams.
When a young boy and his mother and sister come to a refugee camp to escape the war in Afghanistan, he finds some comfort in the beauty of the carpets he is learning to weave.
The handmade rug has survived the drive toward automation, and is now in greater demand than ever. This illustrated guide discusses the history of the craft in all the major centres of production and also gives hints on how to judge and buy a rug.
Translated from the French edition (Editions Menges, Paris, no date stated). Seven contributors present detailed background and description of beautiful and historic carpets in chapters focusing on Turkey, Persia, India, and China, as well as France, Great Britain, and Spain, and including North Africa and the Caucasus. Initial chapters discuss the origins of the knotted carpet, and the manufacture, restoration, and conservation of carpets. Some 400 color plates display examples from both public and private collections. A splendid, oversize (11x12.75") reference. Distributed by Rizzoli through St. Martin's Press. Alas, no index. Annotation copyright by Book News, Inc., Portland, OR