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This book, first published in 1974, was the only one to treat China’s foreign policy in its entirety, both as the subject of historically documented narrative (before and since the Liberation of 1949) and as the product of ideas themselves requiring analysis. It is also unique in approaching these ideas by the route they took into the Chinese consciousness: for Mao the young Chinese republic was a ‘semi-colony’ over which the imperialists were falling out. His revolution would float like a boat on top of their ‘contradictions’.
International scholars and sinologists discuss culture, economic growth, social change, political processes, and foreign influences in China since the earliest pre-dynastic period.
The purpose of this book, first published in 1982, is to analyse certain crucial aspects of the great power triangle in order to establish a more complete picture of the role of China in the superpower balance. These essays examine the key political, economic and military issues involved in the complex relations between the three great powers.
China's role in the United Nations has been a significant one. Yet, Samuel Kim contends, as far as the literature on Chinese foreign policy is concerned, the People's Republic of China still remains outside the heuristic framework of the global community. In a comprehensive macro-analysis of Chinese global politics, Professor Kim probes China's image and strategy of world order as manifested through its behavior in the UN. The author draws upon a wide range of previously untapped primary sources, including China's policy pronouncements and voting record and over a hundred personal interviews with UN delegates and international civil servants. He finds that Chinese participation has made the United Nations not only more representative but also more relevant as the global political institution responding to the challenge of establishing a more humane and just world order. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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This book is a reinterpretation of China's international relations since 1949. Employing the notion and theory of international society, it offers a systematic examination of China's unique relationship with the society of states from its alienation in the 1950s and the 1960s to its political socialisation and economic integration in the 1980s and the 1990s. It explores how such a unique relationship has shaped and is likely to shape Chinese foreign policy. This book provides an entirely new perspective for our understanding of forces influencing Chinese foreign policy behaviour.
Warren I. Cohen begins with the mercantile interests of the newly independent American colonies and follows through to the Tianenmen Square massacre and the policy of George H.W. Bush and Bill Clinton.
Picturing China in the American Press juxtaposes what the ordinary American news reader was shown visually inTime Magazine between 1949 and 1973 with contemporary perspectives on the behind-the-scenes history of the period. Time Magazine is an especially fruitful source for such a visual-historical contrast and comparison because it was China-centric, founded and run by Henry Luce, a man who loved China and was commensurably obsessed with winning China to democracy and Western influence. Picturing China examines in detail major events (the Korean War and Nixon's trip to China), less considerable occurrences (shellings of Straits islands and diplomatic flaps), great personages (Chairman Mao and Henry Kissinger), and the common people and common life of China as seen through the lenses and described by the pens of American reporters, artists, photographers, and editors. Picturing China in the American Press is of great interest to both scholars of communications, Chinese history, China Studies, and journalists.