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Dublin-born Thomas Southerne has long been admired by scholars as one of the most important dramatists of the Restoration, but the lack of a modern edition has prevented his plays from taking their deserved place alongside those of Congreve, Wycherly, and Etherege. This two-volume collection--based on an exhaustive study of the earliest editions--brings together his ten plays and the small surviving body of non-dramatic writing. Volume Two features two of Southerne's best known tragedies, The Fatal Marriage and Oroonoko, based on stories by Aphra Behn, and the variants between the censored and uncensored texts of his political tragedy The Spartan Dame. In addition, the introduction contains the first biography of Southerne based on a comprehensive study of the surviving documentary records, and the editors have incorporated generous notes to clarify the many contemporary allusions and to relate Southerne's work to its sources and models.
A scholarly edition of The Works of Thomas Southerne by Robert Jordan and Harold Love. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
This two-volume collection--based on an exhaustive study of the earliest editions--brings together Southerne's ten plays and the small surviving body of non-dramatic writing. Along with his two well-known tragedies, The Fatal Marriage and Oroonoko, these volumes also include three outstanding comedies, Sir Anthony Love, The Wives' Excuse, and The Maid's Last Prayer, which have been praised in recent studies of Restoration drama for their wit, psychological realism, and adventurous stagecraft. The introduction contains the first biography of Southerne based on a comprehensive study of the surviving documentary records, and the editors have incorporated generous notes clarifying the many contemporary allusions and relating Southerne's work to its sources and models.
An accessible and engaging introduction to Restoration drama, this book looks at the texts, performances, playhouses and people of seventeenth-century theatre.