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It would be easy for the modern reader to conclude that women had no place in the world of early modern espionage, with a few seventeenth-century women spies identified and then relegated to the footnotes of history. If even the espionage carried out by Susan Hyde, sister of Edward Hyde, Earl of Clarendon, during the turbulent decades of civil strife in Britain can escape the historiographer's gaze, then how many more like her lurk in the archives? Nadine Akkerman's search for an answer to this question has led to the writing of Invisible Agents, the very first study to analyse the role of early modern women spies, demonstrating that the allegedly-male world of the spy was more than merely infiltrated by women. This compelling and ground-breaking contribution to the history of espionage details a series of case studies in which women -- from playwright to postmistress, from lady-in-waiting to laundry woman -- acted as spies, sourcing and passing on confidential information on account of political and religious convictions or to obtain money or power. The struggle of the She-Intelligencers to construct credibility in their own time is mirrored in their invisibility in modern historiography. Akkerman has immersed herself in archives, libraries, and private collections, transcribing hundreds of letters, breaking cipher codes and their keys, studying invisible inks, and interpreting riddles, acting as a modern-day Spymistress to unearth plots and conspiracies that have long remained hidden by history.
A study of James Hay, a little known 17th-cent. Scotsman who was a key figure in the early Stuart era. Unlike the vast majority of Scots who entered England with James I, Hay absorbed the culture of England and tried to become a genuine part of it, in order to play an important role for his adopted country on both the nat. and internat. level. For more than three decades Hay was at the right hand of those who made the decisions, and advised them on what to decide. Between 1616 and 1629 Hay traveled to virtually every major Western European nation. Hay's lesser gentry origins, emphasis on civilian gov't. employment, devotion to the court over the country and ardent entrepreneurship all single him out as a Jacobean aristocrat. A print on demand pub.
This work examines Richard Baxter's understanding and practice of pastoral ministry from the perspective of his own stated concern for reformation and in the broader context of Edwardian, Elizabethan, and early Stuart pastoral ideals and practice. It investigates Baxter's major treatise on pastoral ministry, 'Gildas Salvianus, the Reformed Pastor' (1656), and explores the background of each aspect of his pastoral strategy. Far from being novel, Baxter's practice of pastoral ministry certainly reflects aspects of his puritan predecessors' practice, if not their rhetoric. Black argues, however, that the primary contours of Baxter's ministry look back, not to the puritan pastoral ideals and strategies dominant after the Elizabethan Settlement, but to the Edwardian reformation emphases of the exiled Strasbourg reformer Martin Bucer. The book concludes by considering the impact of Baxter's pastoral legacy, both on the lives of individual pastors and on the subsequent discussion of puritan ministry.
The first book-length study of the fifteen surviving Little Gidding bible concordances, this book examines the visual culture of print in seventeenth-century England through the lens of one extraordinary family and their hand-made biblical manuscripts. The volumes were created by the women of the Ferrar-Collet family of Little Gidding, who selected works from the family's collection of Catholic religious prints, and then cut and pasted prints and print fragments, along with verses excised from the bible, and composed them in artful arrangements on the page in the manner of collage. Gaudio shows that by cutting, recombining, and pasting multi-scaled print fragments, the Ferrar-Collet family put into practice a remarkably flexible pictorial language. The Little Gidding concordances provide an occasion to explore how the manipulation of print could be a means of thinking through some of the most pressing religious and political questions of the pre-civil war period: the coherence of printed scripture, the nature of sovereignty, the relevance of the Mosaic law, and the protestant reform of images. By foregrounding the Ferrar-Collets' engagement with the print fragment, this book extends the scope of early modern print history beyond the printmaker's studio and expands our understanding of the ways an early modern Protestant community could productively engage with the religious image. Contrary to the long-held view that the English Reformation led to a decline in the importance of the religious image, this study demonstrates the ongoing vitality of religious prints in early modern England as instruments for thinking.