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Building on the strength of Keith Walker’s acclaimed ThePoems of John Wilmot, Earl of Rochester (1984), leading scholarNicholas Fisher presents a thoroughly revised and updated editionof the work of one the greatest Restoration wits. Includes the text of Lucina’s Rape, Rochester’sadaptation of Fletcher’s revenge tragedy Valentinian,in a text that readily identifies Rochester’s revisions Presents the poems in versions that were current duringRochester’s lifetime, allowing the reader to experience thepoems as Rochester’s contemporaries did Incorporates insights and discoveries made over the lasttwenty-five years and texts of manuscripts that previously wereunavailable for study
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
In 'The Works of the Right Honourable John, Earl of Rochester,' readers are immersed in the provocative and witty writings of the infamous libertine poet, John Wilmot, Earl of Rochester. Known for his daring and risqué poetry, this collection showcases the rebellious spirit and sharp satire that defined Rochester's literary style. Written during the Restoration period, Rochester's works challenge societal norms and explore themes of love, passion, and the fleeting nature of life. Through his bold verse, Rochester captivates readers with his unapologetic exploration of human desires and flaws. John Wilmot, Earl of Rochester, was a controversial figure in 17th century England, known for his scandalous behavior and rebellious attitude. His tumultuous life experiences and disregard for societal conventions are reflected in his writings, making him a compelling figure in English literature. Rochester's unique perspective and sharp wit are evident in his poems and plays, making him a key figure in the Restoration literary scene. For readers interested in delving into the bold and audacious writings of a provocative poet, 'The Works of the Right Honourable John, Earl of Rochester' is a must-read. Rochester's unfiltered exploration of human nature and society's hypocrisies will leave readers both amused and contemplative, offering a glimpse into the rebellious spirit of a literary maverick.
This is Volume VI of nine in collection on Historical Sociology. Originally published in 1948, volume includes the writings of John Dryden, Alexander Pope and Joseph Addison from 1660 to 1744.
Dryden's audiences in 1671, both aristocratic and middle-class, would have been quick to respond to the themes of disputed royal succession, Francophilia and loyalty among subjects in his most successful tragicomedy. In the tragic plot, written in verse, young Leonidas has to struggle to assert his place as the rightful heir to the throne of Sicily and to the hand of the usurper's daughter. In the comic plot, written in prose, two fashionable couples (much more at home in London drawing-rooms than at the Sicilian court) play at switching partners in the 'modern' style. The introduction of this edition argues that Dryden's own ambivalence about King Charles and his entourage, on whom he came to rely more on more for patronage, manifests itself in both plots; most of all perhaps in the excessively Francophile Melantha, whose affectation cannot quite hide her endearing joie-de-vivre.