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This Is A New Release Of The Original 1887 Edition.
Bonded Leather binding
Join renowned 19th century physician and author Oliver Wendell Holmes on a journey through Europe in this engaging travelogue. From his explorations of Paris and London to his visits to rural villages and ancient ruins, Holmes offers a vivid and captivating account of his experiences abroad. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
OUR HUNDRED DAYS IN EUROPE - BY OLIVER WENDELL HOLMES - 1887
Oliver Wendell Holmes Sr., (1809-1894) was a physician by profession but achieved fame as a writer. He was one of the best regarded American poets of the 19th century. In 1833 Holmes attended the famed Ecole de Medecine in Paris. He pursued his medical studies in the Parisian hospital system. He first attained national prominence with his poem Old Ironsides. One of his most popular works was The Autocrat of the Breakfast Table (1857). He was one of the five members of the group known as the Fireside Poets. He contributed poems and essays to the Atlantic Monthly from its inception, and also published novels. Holmes is also known for his writing of several beautiful hymns. In 1846, Holmes coined the word anesthesia. He also developed the popular model of the stereoscope. Amongst his other works are Elsie Venner (1861), The Guardian Angel (1867), The Poet at the Breakfast-Table (1872), John Lothrop Motley: A Memoir (1879), Medical Essays (1883), A Mortal Antipathy: First Opening of the New Portfolio (1885) and Over the Teacups (1891).