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"Me, surrender! At mercy! Whom do you speak with? Am I a robber! Tell your captain that for His Imperial Majesty, I have, as always, due respect. But he, tell him that, he can lick me in the arse!" --Johann Wolfgang von Goethe, Goetz von Berlichingen The Works of J.W. von Goethe, Vol. XI--Dramas of Goethe--Iphigenia in Tauris, Torquato Tasso, Goetz von Berlichingen, The Fellow Culprits, by J.W. von Goethe, is part of a 14-volume set originally published in 1901-1902. Goetz von Berlichingen (1773) the first work to bring Goethe recognition is a tragedy based on the memoirs of the adventurer-poet Goetz von Berlichingen. Iphigenia in Tauris (1779) is an adaptation of the Greek tragedy by Euripides. Torquato Tasso (1790) is a play about the descent into madness of the sixteenth-century Italian poet Torquato Tasso. The Fellow Culprits (1768) is a comedy about middle-class society.
The Works of J.W. von Goethe, Vol. V-Truth and Fiction Relating to my Life Vol. II, by Johann Wolfgang von Goethe, is part of a 14-volume set originally published in 1901-1902.
The Works of J.W. von Goethe, Vol. X-Poems of Goethe Vol. II-Reynard the Fox, by Johann Wolfgang von Goethe, is part of a 14-volume set originally published in 1901-1902.
"The meadow, it is pretty, With flowers so fair to see; I gather them, but no one Will take the flowers from me." --Johann Wolfgang von Goethe, The Sheperd's Lament in Poems of Goethe The Works of J.W. von Goethe, Vol. IX--Poems of Goethe by Johann Wolfgang von Goethe is part of a 14-volume set originally published in 1901-1902.
"All extraordinary men, who have accomplished great and astonishing actions, have ever been decried by the world as drunken or insane." --Johann Wolfgang von Goethe, in Faust The Works of J.W. von Goethe, Vol. VII--Faust Vol. I by Johann Wolfgang von Goethe is part of a 14-volume set originally published in 1901-1902. Faust Vol. I (1808), is a tragic play in two parts about a man, Faust, who sold his soul to the Devil in exchange for earthly gains. This play is considered by many to be Goethe's major work and still reaches the largest audiences on German-language stages.
The Works of J.W. von Goethe, Vol. IV-Truth and Fiction Relating to my Life Vol. I, by Johann Wolfgang von Goethe, is part of a 14-volume set originally published in 1901-1902.
The Works of J.W. von Goethe, Vol. VIII-Faust Vol. II, Clavigo, Egmont, The Wayward Lover, by Johann Wolfgang von Goethe, is part of a 14-volume set originally published in 1901-1902.
The Works of J.W. von Goethe, Vol. VI-The Sorrows of Young Werther, Elective Affinities, The Good Women and A Tale, by Johann Wolfgang von Goethe, is part of a 14-volume set originally published in 1901-1902.
Reprint. This edition original copyright: 1969.
This bibliography was commissioned by the English Goethe Society as a contribution to the celebration in 1999 of the 250th anniversary of Goethes birth. It sets out to record translations of his works into English that have been published in the twentieth century, up to and including material published in that anniversary year. It aims to serve as wide a constituency as possible, be it as a simple reference tool for tracing a translation of a given work or as a documentary source for specialized studies of Goethe reception in the English-speaking world. The work records publications during the century, not merely translations that originated during this period. It includes numerous reprintings of older material, as well as some belated first publications of translations from the nineteenth century. It shows how frequent and how long enduring was the recourse of publishers and anthologists to a Goethe Victorian in diction, a signal factor in perceptions and misperceptions. Derek Glass was putting the finishing touches to the bibliography at the time of his sudden death in March 2004. Colleagues at Kings College London have edited the final manuscript, which is now published jointly by the English Goethe Society and the Modern Humanities Research Association both as a worthy commemoration of Goethes anniversary and as a tribute to Derek himself.