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The Scottish author John Galt achieved instant fame with his 1821 novel ‘Annals of the Parish’, winning him the distinction of being the first novelist to deal with issues of the Industrial Revolution. A close friend of Lord Byron, Galt wrote novels that are memorable for their endearing depiction of Scottish rural life, tinged with ironic humour and reminiscent of his contemporary Sir Walter Scott. Galt is also notable as a political and social commentator, as exemplified by his later novel ‘The Member’, for which he has been called the first political novelist of the English language. This comprehensive eBook presents John Galt’s collected works, with numerous illustrations, rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Galt’s life and works * Concise introductions to the major novels * 14 novels, with individual contents tables * Features many rare novels appearing for the first time in digital publishing, including ‘The Member’, ‘The Stolen Child’ and ‘Sir Andrew Wylie, of that Ilk’ * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * The rare children’s book ‘The History of Gog and Magog’ * Includes Galt’s rare poetry collection, available in no other eBook * Galt’s play ‘The Mermaid’ * Includes a selection of Galt’s non-fiction * Features a bonus biography – discover Galt’s literary life * A special ‘Glossary of Scots Words’ to aid the modern reader * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Novels Glenfell Annals of the Parish The Ayrshire Legatees Sir Andrew Wylie, of that Ilk The Provost The Entail The Gathering of the West Ringan Gilhaize The Spaewife The Omen The Last of the Lairds The Member The Radical The Stolen Child The Children’s Book The History of Gog and Magog The Play The Mermaid The Poetry Poems, 1833 The Non-Fiction The Life and Studies of Benjamin West The Life of Lord Byron The Biography John Galt by Francis Espinasse Glossary of Scots Words Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks
Scott's Shadow is the first comprehensive account of the flowering of Scottish fiction between 1802 and 1832, when post-Enlightenment Edinburgh rivaled London as a center for literary and cultural innovation. Ian Duncan shows how Walter Scott became the central figure in these developments, and how he helped redefine the novel as the principal modern genre for the representation of national historical life. Duncan traces the rise of a cultural nationalist ideology and the ascendancy of Scott's Waverley novels in the years after Waterloo. He argues that the key to Scott's achievement and its unprecedented impact was the actualization of a realist aesthetic of fiction, one that offered a socializing model of the imagination as first theorized by Scottish philosopher and historian David Hume. This aesthetic, Duncan contends, provides a powerful novelistic alternative to the Kantian-Coleridgean account of the imagination that has been taken as normative for British Romanticism since the early twentieth century. Duncan goes on to examine in detail how other Scottish writers inspired by Scott's innovations--James Hogg and John Galt in particular--produced in their own novels and tales rival accounts of regional, national, and imperial history. Scott's Shadow illuminates a major but neglected episode of British Romanticism as well as a pivotal moment in the history and development of the novel.
The essays in this volume revalue the work of the Romantic-era Scottish writer John Galt, connecting his methods and goals with Scottish Enlightenment "conjectural" historiography and with later social theorizing. Emphasizing the construction, representation and use of social knowledge, the essays find new meaning in Galt's perceptions of the Atlantic and Mediterranean worlds in which he traveled, his attitudes toward community building and progress, and his innovations in fiction, drama, journalism and biography.