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This volume contains the poems of Dryden extending from 1693 to 1696. Mostly these are translations of Roman poetry, specifically the satires of Juvenal and Persius, sections of Ovid's Metamorphoses, Amours, and Art of Love, passages from Homer and Virgil--as well as some elegies of contemporaries composed in his later years. Also included is Dryden's influential essay on the nature of satire entitled "A Discourse Concerning the Original and Progress of Satire."
Volume Four covers poems published between 1693 and 1696, principally Dryden's translations from Juvenal and Persius, and those from Ovid and Homer included in the miscellany Examen Poeticum (1693). This new edition represents the most informative and accessible edition of Dryden's poetry, incorporating extensive new research and providing an invaluable resource for all those interested in English poetry and Restoration culture.
Volume Four covers poems published between 1693 and 1696, principally Dryden's translations from Juvenal and Persius, and those from Ovid and Homer included in the miscellany Examen Poeticum (1693). This new edition represents the most informative and accessible edition of Dryden's poetry, incorporating extensive new research and providing an invaluable resource for all those interested in English poetry and Restoration culture.
Nicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the ‘lost Augustan’. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe’s mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe’s plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. In this final volume the second part of his translation of Lucan’s Pharsalia, described by Samuel Johnson as one of the greatest productions in English poetry, is presented along with some his own original poetry. A newly written explanatory introduction to the Pharsalia by Stephen Bernard precedes the full edited text in volume IV. Appendices covering the related music and textual apparatus are also included. The edition comes with a consolidated bibliography for ease of reference.
Nicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the ‘lost Augustan’. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe’s mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe’s plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. In this fourth volume his poetry and the first part of his translation of Lucan's Pharsalia, described by Samuel Johnson as one of the greatest productions in English poetry, is presented. A newly written explanatory introduction by Stephen Bernard to the poems, and by Robin Sowerby to the Pharsalia, precedes each of full edited texts. The second part of the text and textual apparatus are included with the fifth volume of this edition. A consolidated bibliography is also included with the final volume for ease of reference.
This book explores literary culture in England between 1630 and 1700, focusing on connections between material, epistemic, and political conditions of literary writing and reading. In a number of case studies and close readings, it presents the seventeenth century as a period of change that saw a fundamental shift towards a new cultural configuration: neoclassicism. This shift affected a wide array of social practices and institutions, from poetry to politics and from epistemology to civility.
This volume offers an account of English literary culture in one of its most volatile and politically engaged moments. From the work of Milton and Marvell in the 1650s and 1660s through the brilliant careers of Dryden, Rochester, and Behn, Locke and Astell, Swift and Defoe, Pope and Montagu, the pressures and extremes of social, political, and sexual experience are everywhere reflected in literary texts: in the daring lyrics and intricate political allegories of this age, in the vitriol and bristling topicality of its satires as well as in the imaginative flight of its mock epics, fictions, and heroic verse. The volume's chronologies and select bibliographies will guide the reader through texts and events, while the fourteen essays commissioned for this Companion will allow us to read the period anew.