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No American playwright is more revered on the international stage than Arthur Miller. In Arthur Miller’s Global Theater—a fascinating collection of new essays by leading international critics and scholars—readers learn how and why audiences around the world have responded to the work of the late theatrical icon. With perspectives from diverse corners of the globe, from Israel to Japan to South Africa, this groundbreaking volume explores the challenges of translating one of the most American of American playwrights and details how disparate nations have adapted meaning in Miller’s most celebrated dramas. An original and engaging collection that will appeal to theater aficionados, scholars, students, and all those interested in Miller and his remarkable oeuvre, Arthur Miller’s Global Theater illustrates how dramas such as Death of a Salesman,The Crucible, and A View from the Bridge developed a vigorous dialogue with new audiences when they crossed linguistic and national borders. In these times when problems of censorship, repressive regimes, and international discord are increasingly in the news, Arthur Miller’s voice has never been more necessary as it continues to be heard and celebrated around the world. Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature at the University of Michigan. His other books include Arthur Miller: A Playwright’s Life and Works and Arthur Miller’s America.
Organized chonologically, this fascinating source of information on the history of the arts from prehistoric times to the present provides a wealth of knowledge in every field of cultural endeavor: literature--including fiction, poetry, biography, and belles lettres; film and broadcasting; theater and variety; music and dance; and the visual arts.
The surprise of the Yom Kippur War (1973) rivals that of the other two major strategic surprises in the twentieth century—Operation Barbarossa, the German surprise attack on the Soviet Union and the bombing of Pearl Harbor. The major difference between these events is that Israeli intelligence had a lot more and better quality information leading up to the attack than did the Soviet Union or the United States prior to those attacks. Why, then, was the beginning of the Yom Kippur War such a surprise? While many scholars have tried to explain why Israel was caught unawares despite its sophisticated military intelligence services, Dalia Gavriely-Nuri looks beyond the military, intelligence, and political explanations to a cultural explanation. Israeli Culture on the Road to the Yom Kippur War reveals that the culture that evolved in Israel between the Six Day War and the Yom Kippur War played a large role in the surprise. Gavriely-Nuri’s analysis provides new and innovative insights into the relationship between culture and socio-political phenomena and security.
Highlights the merit of the Syrian playwrights, Durayd Lahham and Muhammad al-Maghout, whose plays are representative of the Arab theatrical realisation, in general, and Syrian protest plays, in particular. This book portrays their works that combine art with politics, lower class-consciousness and identity with Pan-Arab nationalism.