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This collection contains 133 lyrical poems of Augustus Toplady. The first section was written during his early years while at college, and the second part was written during the remainder of his life. Included in this collection is the hymn lyrics of "Rock of Ages" which was originally titled "A Living and Dying Prayer for the Holiest Believer in the World." Also the lyrics of "Full Assurance" which begins with "A debtor to mercy alone." Toplady's theology is regarded to be Calvinistic, which he stood for during the controversies of his time. The text of this edition is from Daniel Sedgwick's edition of 1860.
The history of the church is filled with stories. Stories of triumph, stories of defeat, stories of joy, and stories of sorrow. These stories are a legacy of God's faithfulness to His people. In this book, Dr. Stephen J. Nichols provides postcards from the church through the centuries. These snapshots capture the richness of Christian history with glimpses of fascinating saints, curious places, precious artifacts, and surprising turns of events. In exploring them, Dr. Nichols takes the reader on a lively and informative journey through the record of God's providence to encourage, challenge, and enjoy. This is our story--our family history. "THE CENTURIES OF CHURCH HISTORY GIVE US A LITANY OF GOD'S DELIVERANCES. GOD HAS DONE IT BEFORE, MANY TIMES AND IN MANY WAYS, AND HE CAN DO IT AGAIN. HE WILL DO IT AGAIN. AND IN THAT, WE FIND COURAGE FOR TODAY AND FOR TOMORROW."
What is one to make of a man described as 'strangely compounded, peculiarly constituted, and oddly framed'? It conjures up in the mind an image of Stevenson's Mr. Hyde, or Shelley's Frankenstein, or Hugo's Quasimodo. But such is J. C. Ryle's (1816-1900) description of Augustus Montague Toplady (1740-1778), author of what has been called the best-loved English hymn. One wonders why someone would bother writing a biography -- or reading one -- about a strange, peculiar, odd person. Nevertheless, Ryle declared that no account of Christianity in England in the 18th century would be complete without featuring the remarkable Toplady. Bond says that the purpose of the book is to 'pull back the shroud that has covered Toplady, to unmask the caricature that has shaped his memory as merely a raw-boned and harsh controversialist'. The reader is shown what we can learn from Toplady for today.
Reproduction of the original: Practical Religion by John Charles Ryle