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"The Works of Alice Dunbar-Nelson offers a unique glimpse at the diverse roots of black women's writing in America. Ranging from autobiographical short stories to poetry, novellas, and journalism, Dunbar-Nelson's powerful work is marked by themes of opposition, difference, and the crossing of racial bounderies that made her work potentially too dangerous for her contemporary readers, but dominate much of writing today"--From publisher's description.
"The Works of Alice Dunbar-Nelson offers a unique glimpse at the diverse roots of black women's writing in America. Ranging from autobiographical short stories to poetry, novellas, and journalism, Dunbar-Nelson's powerful work is marked by themes of opposition, difference, and the crossing of racial bounderies that made her work potentially too dangerous for her contemporary readers, but dominate much of writing today"--From publisher's description.
Reproduction of the original: The Goodness of St. Rocque and Other Stories by Alice Dunbar
Mine Eyes Have Seen (1918) is a one-act play by Alice Dunbar Nelson. Published in The Crisis, the influential journal of the NAACP, Mine Eyes Have Seen is a brutal portrait of race and identity in twentieth century America. Exploring themes of violence, faith, patriotism, and economic struggle, Dunbar Nelson crafts a poignant and unforgettable work of fiction. When their father, a successful black man, is lynched by vengeful white neighbors, Dan, Chris, and Lucy flee north with their mother. They reach the city safely, but their mother soon dies from heartbreak and exhaustion, leaving her children to fend for themselves. Dan, the eldest, manages to support his siblings until an accident at the factory leaves him crippled. This forces Chris, a bitter young man, to take financial responsibility for the family. When the United States enters the First World War, authorizing the Selective Service Act of 1917, Chris is drafted into the military. Despite his hesitation and distrust of a government that allowed his father to be murdered with impunity, he soon comes under the influence of patriotic white neighbors who encourage him to sacrifice his life for the nation. With a beautifully designed cover and professionally typeset manuscript, this edition of Alice Dunbar Nelson’s Mine Eyes Have Seen is a classic of African American literature reimagined for modern readers.
Alice Dunbar Nelson (1875–1935) was an American journalist, political activist, and poet. She belonged to the first generation of black southerners born into freedom following the Civil War and gained acclaim for her poetry, columns, dramas, and stories. This fantastic book contains a brand new collection of Nelson's best and most famous poetry, highly recommended for poetry lovers with an interest in the history of slavery in the United States. Contents include: “Three Thoughts”, “A Plaint”, “Impressions”, “You! Inez!”, “Legend of the Newspaper”, “Amid the Roses”, “Paul to Virginia - Fin De Siecle”, “In Memoriam”, “At Bay St. Louis”, “I Sit and Sew”, “New Year's Day”, “Farewell”, “If I had Known”, “Chalmetle”, “The Idler”, etc. Other notable works by this author include: "As in a Looking Glass" (1926–1930), "The Colored United States" (1924), and “People of Color in Louisiana" (1917). Ragged Hand is proudly publishing this brand new collection of classic poetry with a specially-commissioned biography of the author.
The first edition of Shadowed Dreams was a groundbreaking anthology that brought to light the contributions of women poets to the Harlem Renaissance. This revised and expanded version contains twice the number of poems found in the original, many of them never before reprinted, and adds eighteen new voices to the collection to once again strike new ground in African American literary history. Also new to this edition are nine period illustrations and updated biographical introductions for each poet. Shadowed Dreams features new poems by Gwendolyn Bennett, Anita Scott Coleman, Mae Cowdery, Blanche Taylor Dickinson, Alice Dunbar-Nelson, Jessie Fauset, Angelina Weld Grimké, Gladys Casely Hayford (a k a Aquah Laluah), Virginia Houston, Georgia Douglas Johnson, Helene Johnson, Effie Lee Newsome, Esther Popel, and Anne Spencer, as well as writings from newly discovered poets Carrie Williams Clifford, Edythe Mae Gordon, Alvira Hazzard, Gertrude Parthenia McBrown, Beatrice Murphy, Lucia Mae Pitts, Grace Vera Postles, Ida Rowland, and Lucy Mae Turner, among others. Covering the years 1918 through 1939 and ranging across the period's major and minor journals, as well as its anthologies and collections, Shadowed Dreams provides a treasure trove of poetry from which to mine deeply buried jewels of black female visions in the early twentieth century.
Focusing on the lives and writings of Alice Dunbar-Nelson, Angelina Weld Grimke, and Georgia Douglas Johnson, the author examines the overall place of women in the Harlem Renaissance, and the intersection of gender and race in their poetry. Hull chose these women not only because of their unique individualities, but because they represent black women/writers struggling against unfavorable odds to create their personal and artistic selves. She demonstrates the linkages among the three writers and how each one in turn interacted with other leading black women fiction writers such as Nella Larson and Jessie Fanset. She also examines the significance of these three women poets as literary ancestors to Gwendolyn Brooks, Mari Evans, Nikki Giovanni, Audre Lourde, and Sonia Sanchez. ISBN 0-253-34974-5: $29.95; ISBN 0-253-20430-5 (pbk.): $10.95.
The first speaker produced for black children made up of recitations by mostly black authors and speakers.