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The Works of Charles and Mary Lamb is a seminal collection that spans the full breadth and depth of these sibling authors' literary careers, encompassing essays, letters, poetry, and children's literature. This anthology showcases the remarkable diversity of their contributions to English literature, highlighting their ability to blend wit, sentiment, and a deep humanism across a variety of styles. The inclusion of Charles Lamb's 'Essays of Elia' and the collaborative effort on 'Tales from Shakespeare' stand out as pivotal works that underscore the siblings' literary versatility and creative harmony. The Lambs were integral figures in the Romantic and early Victorian literary scenes, their works reflecting the intellectual and cultural currents of the time. This collection draws from the rich tapestry of the period, providing insight into the shifts in literary taste and the evolution of the essay and children's literature. Their friendship with key literary figures, including Wordsworth, Coleridge, and Hazlitt, placed them at the heart of a dynamic literary community, influencing and enriching their work. This anthology is an invitation to explore the depth and diversity of Charles and Mary Lamb's contributions to English literature. It offers readers a unique lens through which to understand the historical and cultural context of early 19th-century Britain, making it an invaluable resource for students, scholars, and anyone with an interest in the evolution of literary forms and themes. The collection serves not only as a testament to the talents of the Lambs but also as an engaging entry point into the wider conversations and literary movements of their time.
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This eBook edition of "The Collected Works of Charles Lamb and Mary Lamb" has been formatted to the highest digital standards and adjusted for readability on all devices. Essays of Elia is a collection of essays written by Charles Lamb, first published in book form in 1823, with a second volume, Last Essays of Elia, issued in 1833. The essays in the collection first began appearing in The London Magazine in 1820 and continued to 1825. The personal and conversational tone of the essays has charmed many readers. Lamb himself is the Elia of the collection, and his sister Mary is "Cousin Bridget." Charles first used the pseudonym Elia for an essay on the South Sea House, where he had worked decades earlier; Elia was the last name of an Italian man who worked there at the same time as Charles, and after that essay the name stuck. Tales from Shakespeare is an English children's book written by Charles and Mary Lamb in 1807. The book is designed to make the stories of Shakespeare's plays familiar to the young. Mary Lamb was responsible for the comedies, while Charles wrote the tragedies; they wrote the preface between them. Volume 1: Curious fragments, extracted from a commonplace-book which belonged to Robert Burton, the famous Author of "The Anatomy of Melancholy" Early Journalism Characters of Dramatic Writers, Contemporary with Shakspeare On the Inconveniences Resulting from Being Hanged On the Danger of Confounding Moral with Personal Deformity: with a Hint to those who have the Framing of Advertisements for Apprehending Offenders... Volume 2: Essays of Elia Last Essays of Elia Volume 3: Tales from Shakespeare The Adventures of Ulysses Mrs. Leicester's School The King and Queen of Hearts Poetry for Children Three Poems Not in "Poetry for Children" Prince Dorus Volume 4: Rosamund Gray, Essays, Etc. Poems Album Verses, With a Few Others Volume 5: The Letters of Charles and Mary Lamb (1796-1820) Volume 6: The Letters of Charles and Mary Lamb (1821-1842)
'Will you write in my album?' Many Romantic poets were asked this question by women who collected contributions in their manuscript books. Those who obliged included Byron, Scott, Wordsworth, and Lamb, but also Felicia Hemans, Amelia Opie, and Sara Coleridge. Album Verses and Romantic Literary Culture presents the first critical and cultural history of this forgotten phenomenon. It asks a series of questions. Where did 1820s 'albo-mania' come from, and why was it satirized as a women's 'mania'? What was the relation between visitors' books associated with great institutions and country houses, personal albums belonging to individuals, and the poetry written in both? What caused albums' re-gendering from earlier friendship books kept by male students and gentlemen on the Grand Tour to a 'feminized' practice identified mainly with young women? When albums were central to women's culture, why were so many published album poems by men? How did amateur and professional poets engage differently with albums? What does album culture's privileging of 'original poetry' have to say about attitudes towards creativity and poetic practice in the age of print? This volume recovers a distinctive subgenre of occasional poetry composed to be read in manuscript, with its own characteristic formal features, conventions, themes, and cultural significance. Unique albums examined include that kept at the Grande Chartreuse, those owned by Regency socialite Lady Sarah Jersey, and those kept by Lake poets' daughters. As Album Verses and Romantic Literary Culture shows, album poetry reflects changing attitudes to identity, gender, class, politics, poetry, family dynamics, and social relations in the Romantic period.