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Jesus Christ is the avatar of the ages-the same yesterday, today and forever. We knew him when he walked the streets of Atlantis and Lemuria. We also knew him in eras of darkness, when he sought to lead men to the light. His message did not begin with the Bible, nor did it end with the Book of Revelation. He has never stopped speaking to his own. Two thousand years ago, he foretold a time of tribulation-the end of an age. That time has come. It is the era when the mystery of God should be finished, when the Two Witnesses should prophecy "a thousand two hundred and threescore days." And so Jesus once more delivers his Word to a world in transition. As always, the message is one of judgement to the fallen angels, admonishment to those who would walk in the light, hope for all who are striving on the path, and the vision of golden age to come. This volume includes dictations by Jesus Christ through Elizabeth Clare Prophet given from 1981-1984.
Jesus Christ is the avatar of the ages-the same yesterday, today and forever. We knew him when he walked the streets of Atlantis and Lemuria. We also knew him in eras of darkness, when he sought to lead men to the light. His message did not begin with the Bible, nor did it end with the Book of Revelation. He has never stopped speaking to his own. Two thousand years ago, he foretold a time of tribulation-the end of an age. That time has come. It is the era when the mystery of God should be finished, when the Two Witnesses should prophecy "a thousand two hundred and threescore days." And so Jesus once more delivers his Word to a world in transition. As always, the message is one of judgement to the fallen angels, admonishment to those who would walk in the light, hope for all who are striving on the path, and the vision of golden age to come. This volume includes dictations by Jesus Christ through Elizabeth Clare Prophet given from 1977 to 1980.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
In the twenty years preceding the First World War, cinema rapidly developed from a fairground curiosity into a major industry and social institution, a source of information and entertainment for millions of people. Only recently have film scholars and historians begun to study these early years of cinema in their own right and not simply as first steps towards the classical narrative cinema we now associate with Hollywood. The essays in this collection trace the fascinating history of how the cinema developed its forms of storytelling and representation and how it evolved into a complex industry with Hollywood rapidly acquiring a dominant role. These issues can be seen to arise from new readings of the so-called pioneers - Melies, Lumiere, Porter, and Griffith - while also suggesting new perspectives on major European filmmakers of the 1910s and 20s. Editor Thomas Elsaesser complements the contributions from leading British, American, and European scholars with introductory essays of his own that provide a comprehensive overview of the field. The volume is the most authoritative survey to date of a key area of contemporary film research, invaluable to historians as well as to students of cinema.