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Between 1749 and 1850--the formative years of the so-called Jewish Question in Germany--the emancipation debates over granting full civil and political rights to Jews provided the topical background against which all representations of Jewish characters and concerns in literary texts were read. Helfer focuses sharply on these debates and demonstrates through close readings of works by Gotthold Lessing, Friedrich Schiller, Achim von Arnim, Annette von Droste- Hülshoff, Adalbert Stifter, and Franz Grillparzer how disciplinary practices within the field of German studies have led to systematic blind spots in the scholarship on anti-Semitism to date.
Eliot’s Four Quartets is arguably the finest long poem in modern English literature. It is also one that presents considerable problems of interpretation. In Word Unheard, first published in 1969, Blamires aims to unravel some of these problems by guiding the reader line by line through the poem, blending paraphrase with commentary. Blamires pays particular attention to the philosophical and theological dimensions of the poem and to its multifarious personal, historical and literary allusions. This title will be of interests to students of literature.
Employing contemporary theoretical perspectives, Uttering the Word provides the first detailed analysis of the language and thought of Maria Maddalena de' Pazzi (1566-1607), an important but neglected Renaissance mystic. Borrowing from Lacan, de Certeau, and Deleuze, Maggi analyzes de' Pazzi's unique mystical discourse and studies how the Florentine visionary interprets the relationship between orality and writing, authorship and audience, sexual identity and language.
The Golden Window of Silence integrates the use of silence as spiritual discipline and its abusive use by systemic structures. Silence may be used as a lifegiving practice or in a destructive way at all levels of societal systems. One of the contentions of The Golden Window of Silence is that when one uses silence to listen to all levels, one may find the source of all non-violent communication. It is by this means that silence becomes one of the most powerful means of social justice. "Proceeds from book sales go to Sunbear Community Alliance, a Texas Non-Profit Corporation."
Teaches students to write well and introduces them to quality classic and contemporary essays. Now revised and updated.
With reverence and love, Britain's most admired rural writer chronicles daily life in a Stour valley village, finding beauty and significance in its sheer ordinariness as well as its many literary, artistic and historic associations.
True Friendship looks closely at three outstanding poets of the past half-century—Geoffrey Hill, Anthony Hecht, and Robert Lowell—through the lens of their relation to their two predecessors in genius, T. S. Eliot and Ezra Pound. The critical attention then finds itself reciprocated, with Eliot and Pound being in their turn contemplated anew through the lenses of their successors. Hill, Hecht, and Lowell are among the most generously alert and discriminating readers, as is borne out not only by their critical prose but (best of all) by their acts of new creation, those poems of theirs that are thanks to Eliot and Pound. “Opposition is true Friendship.” So William Blake believed, or at any rate hoped. Hill, Hecht, and Lowell demonstrate many kinds of friendship with Eliot and Pound: adversarial, artistic, personal. In their creative assent and dissent, the imaginative literary allusions—like other, wider forms of influence—are shown to constitute the most magnanimous of welcomes and of tributes.
Criticism of Eliot has ignored the public dimension of his life and work. His poetry is often seen as the private record of an internal spiritual struggle. Professor Cooper shows how Eliot deliberately addressed a North Atlantic 'mandarinate' fearful of social disintegration during the politically turbulent 1930s. Almost immediately following publication, Four Quartets was accorded canonical status as a work that promised a personal harmony divorced from the painful disharmonies of the emerging postwar world. Cooper connects Eliot's careers as banker, director and editor to a much wider cultural agenda. He aimed to reinforce established social structures during a period of painful political transition. This powerful and original study re-establishes the public context in which Eliot's work was received and understood. It will become an essential reference work for all interested in a wider understanding of Eliot and of Anglo-American cultural relations.
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Richard Bradford reasserts the value of Jakobson's work on poetry and poetics. Exploring Jakobson's thesis that poetry is the primary object of language, he demonstates how vital Jacobson's work is to an understanding of language and poetry.