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'Loving words clutch crimson roses, Rude words sniff and pick their noses, Sly words come dressed up as foxes, Short words stand on cardboard boxes, Common words tell jokes and gabble, Complicated words play Scrabble ...' Read aloud, these poems will have an immediate impact and will bring enjoyment to both children and adults. The line drawings by John Lawrence, one of our finest illustrators, are also a delight.
If you give a pig a pancake, she'll want some syrup to go with it. You'll give her some of your favorite maple syrup, and she'll probably get all sticky, so she'll want to take a bath. She'll ask you for some bubbles. When you give her the bubbles... Readers will delight in the story of an accommodating little girl who tries to keep up with the whims of a busy little pig. Fans of If You Give a Mouse a Cookie will love this perfect addition to the series! The If You Give... series is a perennial favorite among children. With its spare, rhythmic text and circular tale, these books are perfect for beginning readers and story time. Sure to inspire giggles and requests to "read it again!" Other favorites in Laura Numeroff and Felicia Bond's bestselling series include: If You Give a Cat a Cupcake If You Give a Dog a Donut If You Give a Moose a Muffin If You Give a Mouse a Cookie If You Give a Pig a Party
In this rich and broad-ranging volume, Giovanni Sartori outlines what is now recognised to be the most comprehensive and authoritative approach to the classification of party systems. He also offers an extensive review of the concept and rationale of the political party, and develops a sharp critique of various spatial models of party competition. This is political science at its best – combining the intelligent use of theory with sophisticated analytic arguments, and grounding all of this on a substantial cross-national empirical base. Parties and Party Systems is one of the classics of postwar political science, and is now established as the foremost work in its field.
Join the dinos for a bash before bedtime! Much like us, dinosaurs love to have fun. Dinosaurs from all around gather together to play instruments, dance, and sing before bedtime. But soon the dinosaurs grow tired and need their rest. This is a book that's sure to have kids following the dinos' lead as they get ready to go to sleep.
A dazzling debut collection of raw and explosive poems about growing up in a sexist, sensationalized world, from a thrilling new feminist voice. i’m a good girl, bad girl, dream girl, sad girl girl next door sunbathing in the driveway i wanna be them all at once, i wanna be all the girls I’ve ever loved —from “Girl” Lauded for the power of her writing and having attracted an online fan base of millions for her extraordinary spoken-word performances, Olivia Gatwood now weaves together her own coming-of-age with an investigation into our culture’s romanticization of violence against women. At times blistering and riotous, at times soulful and exuberant, Life of the Party explores the boundary between what is real and what is imagined in a life saturated with fear. Gatwood asks, How does a girl grow into a woman in a world racked by violence? Where is the line between perpetrator and victim? In precise, searing language, she illustrates how what happens to our bodies can make us who we are. Praise for Life of the Party “Delicately devastating, this book will make us all ‘feel less alone in the dark.’ ”—Miel Bredouw, writer and comedian, Punch Up the Jam “Gatwood writes about the women who were forgotten and the men who got off too easy with an effortlessness and empathy and anger that yanked every emotion on the spectrum out of me. Imagine, we get to live in the age of Olivia Gatwood. Goddamn.”—Jamie Loftus, writer and comedian, Boss Whom Is Girl and The Bechdel Cast “I’ve read every poem in Life of the Party. I’ve read each of them more than once. In some parts of the book the spine is already breaking because I’ve spent so much time poring over it and losing hours in this world Olivia Gatwood has partly created, but partly just invited the reader to enter on their own, caution signs be damned. This book is enlightening, inspiring, igniting, and f***ing scary. I loved every word on every page with a ferocity that frightened me.”—Madeline Brewer, actress, The Handmaid’s Tale, Orange Is the New Black, and Cam
If you give a pig a party,she's going to ask for someballoons. When you give her the balloons, she'll want to decorate the house. When she's finished, she'll put on her favorite dress. Then she'll call all her friends -- Mouse, Moose, and more. The little pig from If You Give a Pig a Pancake is back, and this time she wants to throw a great big party! Laura Numeroff and Felicia Bond have created another winning story for this beloved character in the tradition of the best-selling If You Give a Mouse a Cookie.
In New Orleans in the 1930s, young Sonny Comeaux has to work before school to help his mother make ends meet. When Mama loses her job, Sonny is worried. Rent day is coming soon, and if they miss paying by just one day, the landlord will put them out on the street and sell off their belongings. Sonny wanders sadly through Jackson Square after school one day. His attention is caught by Smilin' Jack, a popular jazz musician. Sonny returns day after day, and soon finds himself explaining his problem to Smilin' Jack. What Smilin' Jack offers Sonny then--how to raise money for the rent while having the world's best party--changes both their lives forever.
#1 New York Times bestseller and NAACP Image Award winner! The debut picture book from iconic voting rights advocate and bestselling author Stacey Abrams is an inspiring tale of determination, based on her own childhood. Stacey is a little girl who loves words more than anything. She loves reading them, sounding them out, and finding comfort in them when things are hard. But when her teacher chooses her to compete in the local spelling bee, she isn’t as excited as she thought she’d be. What if she messes up? Or worse, if she can’t bring herself to speak up, like sometimes happens when facing bullies at school? Stacey will learn that win or lose . . . her words are powerful, and sometimes perseverance is the most important word of all. Plus don't miss the follow-up from the same team, Stacey's Remarkable Books!
"Hide your phone, stop hustling for a second, and read this passionate argument for the importance of unstructured pre-digital hang." —People Loneliness is an epidemic; it feels harder than ever to connect with others meaningfully. What can we do to remedy this? Sheila Liming has the answer: we need to hang out more. With the introduction of AI and constant Zoom meetings, our lives have become more fractured, digital and chaotic. Hanging Out: The Radical Power of Killing Time shows us what we have lost to the frenetic pace of digital life and how to get it back. Combining personal narrative with pungent analyses of books, movies, and TV shows, Sheila Liming shows us how the new social landscape deadens our connections with others — connections that are vital to both self-care and to a vibrant community. Whether drinking with strangers in a distant city or jamming with musician friends in an abandoned Pittsburgh row house, Liming demonstrates that unstructured social time is the key to a freer, happier sense of self. Hanging Out shows how simple acts of casual connection are the glue that binds us together, and how community is the antidote to the disconnection and isolation that dominates contemporary life. "The book conceives of hanging out as a way to reclaim time as something other than a raw ingredient to be converted into productivity." —New York Times “Rich with illuminating stories.” —Slate "We could all use more of that blissfully unstructured social time, posits Sheila Liming in the well-considered series of arguments found in Hanging Out." —Reader's Digest "Opens with a simple and expansive account of what hanging out is … Liming dedicates much of the book to stories from her past. She has lived an interesting life, and she tells these stories well.” —Washington Post "Sharp and vivid writing … a layered exploration of social dynamics that contains some textured literary criticism.” —Bookforum "More books about hanging out, less about productivity please. Sheila Liming sees the gap in our thinking about time, and the true worth in spending it in an unstructured fashion with members of our community.” —LitHub
This study demonstrates that the full time party officials of the Communist Party of the Soviet Union (CPSU) used the term “party leadership” to both disguise and signal their efforts to lead the Communists who manned the Soviet state. In 1946, Stalin had made the newly formed Council of Ministers of the USSR, led by its Bureau (Presidium) directly responsible for planning and administering the Soviet economy. As a result, the full time officials clashed constantly and publicly over the relative importance of their direct intervention in production as opposed to ideological education and personnel management in their efforts to provide “party leadership” of the state from 1946 until 1964. Zhdanov and Malenkov clashed over the issue until Zhdanov’s death in 1948 and Malenkov clashed with Khrushchev over the same issue from 1949 until Stalin’s death in 1953. This conflict became more explicit once Malenkov was named Chairman of the Council of Ministers and Khrushchev first secretary of the CC/CPSU in 1953 and continued until Malenkov’s ouster in 1955. Khrushchev clashed with Chairman Bulganin over the same issue from 1955 until 1958. Khrushchev’s decision to replace Bulganin as Chairman of the Council of Ministers not only complicated the discussion of party officials’ role but led to a series of extremely contradictory reforms. Khrushchev simultaneously bolstered party officials’ capacity to intervene directly in industrial production and strengthened the Council of Ministers’ control over the same process. The ensuring administrative confusion, when coupled with Khrushchev’s overt disdain for the ideological education of Communists helped to undermine his authority and led to the decision of his colleagues to oust him in 1964.