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Also has published earlier works under Black, Jenna.
Winner of the PEN Oakland–Josephine Miles Award “A stunning portrayal of a tragedy endured and survived by women.” —David W. Blight, author of Frederick Douglass “Readers expecting hoop-skirted ladies soothing fevered soldiers’ brows will not find them here...Explodes the fiction that men fight wars while women idle on the sidelines.” —Washington Post The idea that women are outside of war is a powerful myth, one that shaped the Civil War and still determines how we write about it today. Through three dramatic stories that span the war, Stephanie McCurry invites us to see America’s bloodiest conflict for what it was: not just a brothers’ war but a women’s war. When Union soldiers faced the unexpected threat of female partisans, saboteurs, and spies, long held assumptions about the innocence of enemy women were suddenly thrown into question. McCurry shows how the case of Clara Judd, imprisoned for treason, transformed the writing of Lieber’s Code, leading to lasting changes in the laws of war. Black women’s fight for freedom had no place in the Union military’s emancipation plans. Facing a massive problem of governance as former slaves fled to their ranks, officers reclassified black women as “soldiers’ wives”—placing new obstacles on their path to freedom. Finally, McCurry offers a new perspective on the epic human drama of Reconstruction through the story of one slaveholding woman, whose losses went well beyond the material to intimate matters of family, love, and belonging, mixing grief with rage and recasting white supremacy in new, still relevant terms. “As McCurry points out in this gem of a book, many historians who view the American Civil War as a ‘people’s war’ nevertheless neglect the actions of half the people.” —James M. McPherson, author of Battle Cry of Freedom “In this brilliant exposition of the politics of the seemingly personal, McCurry illuminates previously unrecognized dimensions of the war’s elemental impact.” —Drew Gilpin Faust, author of This Republic of Suffering
This book offers a narrative and analysis of a central event in the colonial history of Nigeria - the Women's War of 1929, also called the Aba Women's Riots by colonial officials. The Women's War of 1929 addresses the historical debates related to the causes and consequences of the event with assessments of each side's strengths and weaknesses. Focusing mainly on the actions of African participants, the book explains the cultural, social, and economic issues that led to the Women's War and the reasons why women used specific strategies. It also evaluates the aftermath of the conflict and how the protest practices used by Igbo and Ibibio women influenced British colonial policy. The book goes further than other historical accounts of the Women's War by evaluating subsequent women's protests into the 1930s. The volume includes a large collection of primary documents reproduced for print from archives in Nigeria and London. A chapter designed for students gives context to the documents and offers a short guide on how to use them effectively. The document collection offers insights into more than just the Women's War, owing to firsthand accounts and opinions from Igbo and Ibibio people, as well as how colonial officials described life under British colonialism. The documents section is designed to be a primary resource for students and professors of African Studies, African History, British Imperial Studies, and Gender Studies so that readers interested in the subject have the chance to read the actual words of African women and colonial officials. This book is part of the African World Series, edited by Toyin Falola, Jacob and Frances Sanger Mossiker Chair in the Humanities, University of Texas at Austin. "Fantastic! That's the first word that comes to mind in considering this volume. Falola and Paddock have done researchers, teachers and students an enormous service by making readily available for the first time a sizeable chunk of the enormous quantity of testimonies and documents generated as a result of Women's War of 1929. Teachers especially will find the chapter on historiography, which provides a thoughtful, useful and concise guide for students on how historians work, of great interest." -- Anene Ejikeme, Associate Professor of History, Trinity University "This book is by far the most comprehensive study on the 1929 Women's War, a major milestone in the colonial history of Nigeria. It goes beyond a synthesis of scholarship on the war by offering a rich and nuanced narrative of the multifaceted causes and consequences of the anti-colonial movement within the contexts of the Igbo and Ibibio socio-cultural organizations, and the colonial political economy. The inclusion of key primary documents and excerpts on the war and related events with useful information on historical techniques distinguishes this book from many others on Nigerian nationalist studies, and underscores its significance to African colonial historiography and British imperial studies. It provides critical perspectives on women and gender studies, anthropological and historical studies, and studies in colonialism, nationalism, and resistance, and therefore, will be of interest to a wide readership including students and researchers." -- Gloria Chuku, Associate Professor of Africana Studies, University of Maryland "As this book illustrates, the testimonies of men and women speaking about the Women's War allow readers to hear their voices ... Throughout this book, the authors have done a fine job of highlighting the richness of African voices, which reveal the complexity of the colonial encounter." -- Africa
In 1929, tens of thousands of south eastern Nigerian women rose up against British authority in what is known as the Women's War. This book brings togther, for the first time, the multiple perspectives of the war's colonized and colonial participants and examines its various actions within a single, gendered analytical frame.
When Gail Harris was assigned by the U.S. Navy to a combat intelligence job in 1973, she became the first African American female to hold such a position. Her 28-year career included hands on leadership in the intelligence community during every major conflict from the Cold War to Desert Storm to Kosovo, and most recently at the forefront of one of the Department of Defense's newest challenges: Cyber Warfare. At her retirement, she was the highest ranking African American female in the Navy. A Woman's War: The Professional and Personal Journey of the Navy's First African American Female Intelligence Officer is an inspirational memoir that follows Gail Harris's career as a naval intelligence officer, sharing her unique experience and perspective as she completed the complex task of providing intelligence support to military operations while also battling the status quo, office bullies, and politics. This book also looks at the way intelligence is used and misused in these perilous times.
In the riveting sequel to the feminist fantasy epic The Women's War, the ability to do magic has given women control over their own bodies. But as the patriarchy starts to fall, they must now learn to rule as women, not men. Alys may be the acknowledged queen of Women’s Well—the fledgling colony where women hold equal status with men—but she cares little for politics in the wake of an appalling personal tragedy. It is grief that drives her now. But the world continues to turn. In a distant realm unused to female rulers, Ellin struggles to maintain control. Meanwhile, the king of the island nation of Khalpar recruits an abbess who he thinks holds the key to reversing the spell that Alys’s mother gave her life to create. And back in Women’s Well, Alys’s own half brother is determined to bring her to heel. Unless these women can come together and embrace the true nature of female power, everything they have struggled to achieve may be at risk.
Even the Women Must Fight "Karen Turner and Phan Thanh Hao have brought scholarship and compassion to a long-neglected aspect of the Vietnam War--the contributions of Vietnamese women to the independence struggle of their nation and the terrible price they paid for their courage and patriotism."--Neil Sheehan, author of A Bright Shining Lie: John Paul Vann and America in Vietnam. A searing chronicle of wartime experiences, Even the Women Must Fight probes the cultural legacy of North Vietnam's American War. Unflinching in its portrayal of hardship, valor, and personal sacrifice, this wrenching account is nothing short of a revelation, banishing in one bold stroke the familiar image of Vietnamese women as passive onlookers, war brides, prostitutes, or helpless refugees. "Karen Turner has given us a book that will change our understanding of the Vietnam War--and of Vietnam today. I found it enthralling." --Cynthia Enloe, author of The Morning After: * Sexual Politics at the End of the Cold War. "A first-rate book that will add substantially to our understanding of the human tragedy associated with one of the most bloody conflicts in recent history."--Robert Brigham, Professor of History, Vassar College.
Bangladeshi women recall the sexualized violence of the war of 1971, fought between India and what was then East and West Pakistan.
Before the publication of this book, Alaine Polcz was widely recognized as a psychologist ministering to the needs of disturbed and incurably ill children and their families, as the author of numerous articles and several books on thanatology, and as the founder of the hospice movement in Hungary. The autobiographic account of the experiences of a woman, then 19-20, in the closing months of the Second World War. When it was first published, in 1991, the book was a revelation of past horrors in Hungary which, until then, had lingered on in the farthest reaches of the national memory as rumor and suspicion about the violent acts committed against women during a time of chaos, havoc, and savagery. The literary world quickly recognized the merits of this book: It was highly praised by Hungarian reviewers, awarded prizes, and has already been translated into French, Rumanian, Slovenian, and Serbian.
Jean Elshtain examines how the myths of Man as "Just Warrior" and Woman as "Beautiful Soul" serve to recreate and secure women's social position as noncombatants and men's identity as warriors. Elshtain demonstrates how these myths are undermined by the reality of female bellicosity and sacrificial male love, as well as the moral imperatives of just wars.